Designing George, Part 12


These are some pre-vectoring illustrations of George in his final design. Now that we’ve got George’s look worked out we’ve got a basic process for each new illustration. First the client tells me what George needs to be doing. In this case George needed to gesturing at important parts of the text. I then sketch out a few variations of a pose. Once the client decides which one is preferred I ink the sketch with a basic line. I then forward the illustration to the designer who converts it to a vector illustration for smoother reproduction.

Designing George, Part 10


Still working on tweaking George’s design. The version on the bottom is the result of the client asking for a more … macho? masculine? athletic? … version of the character. I wasn’t exactly sure what they were looking for but they didn’t care for the result. They thought he looked kind of intimidating, less friendly with the added mass. So George stayed thin.

Designing George, Part 8


George is intended as both a mascot and a design element. Sometimes he’s used to illustrate a situation. Sometimes he stands on the page and helpfully points out important parts of the text. These are examples of him pointing out significant things to read. This was still not his final design. He’s mostly complete at this point. The client liked his shape wasn’t yet satisfied with his wardrobe.

Designing George, Part 6


The client wanted to see what a finished version of George might look like so I was asked to ink up some samples. I’ve learned that for many people it’s difficult for them to visual what a rough sketch might look like as a finished illustration. The fellow on the right has a lot of the elements that made it in to the George’s finally design. The head is pretty much what we went with. The rest of him is still more complex than what we ended up with.

Designing George, Part 5


I did a number of the designs for George while the designer/art director sat next to me and made suggestions. That’s why the two very non-George heads are at the top of the pages. I was demonstrating some point about illustration at the time. I don’t remember what that point was now of course. The guy in the jacket is another variation on George that was quickly abandoned.