Skook Words (and Pictures) #41

‘Tis Friday and thou art reading mine newsletter anon. Blessed be.

These Days …

I’m noticing that I’m liking Autumn. I’m not crazy about the extra darkness (and I will really complain when Daylight Savings kicks in) but I am enjoying the cooler-but-not-yet-cold weather and the extra colors that the fall leaves are providing. Plus the Halloween decorations that have sprouted up everywhere. Halloween is the best holiday. It’s not religious, it offends fundamentalists and it celebrates imaginary scaries. The only way it could be better would be if I got a paid day off.

The only medical appointment this week was for Kemo, our older cat. He’s been overgrooming the base of his tail, enough so there’s no hair and some of the skin is raw. The vet thinks he may have allergies to something in his cat food. She gave him a steroid shot, an antibiotic shot and recommended some high end cat food. She also fitted him with a cone-of-shame. We’re keeping him isolated in our bedroom in order to speed up the healing.

Work at the Post Office was only really eventful on Wednesday. Someone forgot to unlock the station’s gates for the sorting clerks Tuesday night/Wednesday morning so they couldn’t get in to throw parcels and divide up the palettes of flats (magazines/catalogs/random printed things). The clerks called around, no one answered, so they went home. When I came to work the loading dock was filled with pallets and bins of unsorted parcels. For the next three hours the supervisors and a tag-team of carriers got everything distributed. It was almost fun.

I had yesterday off. The vet appointment was in the morning. I alternated between chores and doing art. We got word from the publishers that they’re starting to build the Kickstarter page for Billi 99. We might have something to look at next week.

The Lovecraft Kids’ BFFs

For the Tails of Valor Kickstarter, Golden Goblin Press offered a reward tier by which backers could have their cat drawn into the book as a player character. For The Lovecraft Country Holiday Collection Kickstarter they offered backers the chance to have themselves (or someone of their choice) drawn into the book as a best friend of one of the Morgan Family cousins.Then the poor folks got their portraits drawn by me. The characters were adolescents so the backers were asked to send a photo of themselves at the approximate age as their character. Three folks were able to provide those. Two folks didn’t have any age appropriate photos so I had to subtract a few years from the photos they did provide and then guess. One person wanted to give new life to a passed loved one. They had a photo of their chosen one as a very young boy and a few of him as an adult so I had to conjure of version of him somewhere in between.

Digital Sketches

I’m having a blast practicing Clip Studio Paint with my Wacom tablet. Remember the movie The Karate Kid? Daniel, the protagonist goes to Miyagi, an old man, and asks him to teach him karate. Miyagi agrees. And then he has Daniel paint his house and wash his car. Wax on. Wax off. Daniel does this for a while, expecting Miyagi to start teaching him soon. When days go by and Miyagi keeps having him do chores, Daniel gets upset at the old man. Miyagi strikes out. Daniel blocks him with one of the moves he’s learned from waxing the car. Miyagi demonstrates that every chore he’d been having Daniel do was teaching him a karate skill.

I’ve been working with Photoshop for a couple of decades now – mostly to color my work but also to make corrections and adjustments. CSP has a different interface than Photoshop. Some short cuts are the same but mostly I’m having to find the locations of various features (that I’m sure are there) on a regular basis. I won’t dive into the weeds as to what exactly I’ve done with Photoshop – suffice to say, every skill I’ve developed using that program is translating smoothly to CSP. Even when I have to DDG (DuckDuckGo) for the location of a feature.

These are this week’s pencil sketches.


And these are the digital finishes.

I’ve now started sketching right in CSP, no physical pencils first. I’ll show off some of the results next week.

I hope that the eventfulness of your week has been pleasant. I hope the coming week is pleasanter. Say “hi” to all the ghosts and goblins that cross your view.

See you in seven!

Tuesday Night Party Club #20

Gallery: Morgo the Mighty

Morgo the Mighty was a pulp serial by Sean O’Larkin. You can find my essay about the novel (and download it to read) at that link. The story is fun but not a classic. It reads like the author had read enough fantasy pulp adventures to know the formula but wasn’t in love with the genre enough to go crazy. I look at the story as a not bad first draft that needs a more imaginative rewrite. Doing that rewrite is one of my many “someday” projects.

In the meantime I’ve done a few illustrations inspired by the book. Most of these are visuals for The Surrilana Depths, my imagined  “second draft”. Someday. Someday.

Story Seed #43
The New Hollow Earth

Morgo the Mighty was set in a gigantic cave system under the Himalayas. It’s part of the Hollow Earth genre of pulp fantasy. The most famous examples are probably Journey to the Center of the Earth by Jules Verne and At the Earth’s Core by Edgar Rice Burroughs. Most examples of subterranean adventure stories follow closer to Verne’s example than Burroughs’ – they take place in caverns and tunnels. That makes sense. The earth is riddled with caverns and humans (and other critters) are good at making tunnels. Caverns and tunnels are more plausible than an actual Hollow Earth. Hell, even when Burroughs wrote At the Earth’s Core the idea of a vast, inhabitable inner Earth was considered a fantasy. That didn’t stop Burroughs from writing seven novels set in Pellucidar.

The idea of Hollow Earth filled with prehistoric survivors, lost civilizations and other weird menaces is free for anyone to use. The first two Pellucidar novels are in public domain so one could set a story there. So far as I know, existing Hollow Earth fiction and games set their stories no later than WW2. It’s easier to believe in an impossible place when the stories are period pieces. Technology was less advanced. The world seemed to have so much undiscovered space.

Imagine someone discovering the Hollow Earth in 2020. I’m less interested in how such a place could exist (Alternate dimensions? Atlantean construct? Elder Thing project? Extraterrestrial pocket universe? Intelligent dinosaur asteroid survival strategy?) than in how modern humanity would react to finding an entire world beneath their feet. Suddenly there’s a world of untapped resources available that doesn’t require space travel to reach.

Is the Hollow Earth inhabited by intelligent creatures? If not, we’re likely to have Surface nations competing for territory and resources. If there are intelligent but low tech Hollow societies they’re going to be faced with the same challenges that indigenous Surface people have dealt with for hundreds of years.

What if the Hollow Earth already has a materialist civilization using up its resources? In that case the Hollows might be looking at our surface world as a source of new materials. And workers. Slaves. Consumers.

Or perhaps the Hollows have figured out a workable civilization and contact with the Surfaces threatens to destabilize it. Or … what if discovering that our planet was inhabited by a workable, sustainable civilization caused us to (further) destabilize ours?

Does the Hollow Earth have dinosaurs? Has time stopped there? Has life followed a different evolutionary path? The Hollow Earth is empty. How would you fill it?

Recommendation

Field Notes is a newsletter by Christopher Brown. He writes about encounters with animals and nature in urban spaces. I’m fascinated by the way the rest of the inhabitants of the environment adapt to the sprawl of the human species. I consider human civilization as natural as termite mounds or ant colonies. Human civilization is toxic to much of the rest of environment because we’re better at creating it than we are at creating limitations for it. Brown describes his explorations and observations of the “wild” surviving in “civilization”.

Local News

I’ve been off work since Friday. I’m on one of my annual vacations. I’m primarily focusing on getting art done. I hadn’t made plans to travel anywhere so the shutdown hasn’t created any disappointment. I had thought about taking a road trip to see friends but I hadn’t done more than thought about it.

I had been enthusiastic about rearranging my studio so my wife could have a closer workspace but that was weeks ago. I managed some spring cleaning then, did some organizing and got rid of some things but the longer the shutdown lasts the less energy I’ve got for big changes. That feels weird because we’re less affected by the shutdown than most.

I enjoy my own company. The creative work I do is mostly a solo thing. I need a quiet space when I write. My artwork is all my own work, no inkers or colorists. But I learned a long time ago that I need to physically interact with people in order to maintain sanity and a good mood. I need to see friends. I need to be in the same physical space and to touch them. Handshakes. Hugs. High fives. Basic monkey interactions. Phone calls, emails and Facebook are, for me, just gap fillers between the real moments. The longer real moments stay unavailable the less I’m interested in phone calls, emails and Facebook, the more an isolation loop forms.

I understand part of why folks are protesting the shutdown. It’s not really haircuts or going to bars. It’s isolation. Being alone for too long can be terrifying. Have you listened to your thoughts. Culture has clogged your thinking with so much horrible crap. The best way to get it out is to interact with another person, in person. I’m lucky. I’m friends with the monsters in my head. I don’t think my thoughts are orders or that unmet desires are signs of personal failure. But, damn, I get sick of listening to my thoughts.

Hmmm. I hadn’t planned to sign off on a downer note. I do know that this is just how I’m feeling as I’m writing this. The only constant in the world is change. I’m likely to feel different in a couple of hours. So, however, you’re managing yourself in these times, I do wish you well. We live in interesting times. The best way to navigate them is by being interested and interesting.

The Girl in the Middle – Color

nurrikalacolor

The woman standing behind Nurri Kala is a Silurian. In the pulp serial, Morgo the Mighty, the Silurians are described as scaled men not man-like lizards or lizard-like men so I’ve assumed that they are a type of human and therefore mammals.

This illustration is the last piece from the batch I sketched up in late 2015. Every sketch from that batch (along with a number of others that I sketched up during 2016) has now been inked and colored. I think some of them turned out really well. I learned something even from the ones that I was … less than satisfied with. There are more illustrations coming. I’m continuing the black and white to color project until the end of this year.

I’m hoping to have a themed illustration project ready for 2018 but, at the moment, I can’t promise that I will succeed. One day at time.

The Girl in the Middle – Black and White

nurrikalabwNurri Kala, the heroine of the pulp serial Morgo the Mighty, has a dilemma.She is desired by three men: Zorimi, the evil despot who raised her from childhood; Jerry McRory, the dashing pilot from the upper world; and Morgo, the mighty young cave warrior. Who will she choose?

Not Zorimi. He’s evil.

McRory? He offers her a return to a world that she has forgotten.

Morgo? He is a fellow cavern dweller.

Choices, choices.

Mighty Morgo versus the Chicken Fiend – Color

chickenfiendcolor

Morgo the Mighty was clearly inspired by both Tarzan and At the Earth’s Core. It features a feral white man who is the master of his jungle environment and that jungle environment is located in caverns beneath the earth. There are monstrous creatures that he must battle to survive.

Contrary to online descriptions of the novel (and illustrations that accompanied it when it was serialized in The Popular Magazine) there are no dinosaurs or other prehistoric creatures in Surrilana. The beasts in the caverns are evolved (and often gigantic) rodents, bats, insects and birds. It’s a more realistic scenario than a land somehow populated by dinosaurs. I’m not saying it’s a better scenario. I love dinosaurs.

Birds are the descendants of the dinosaurs. So, perhaps, the chicken fiends of Surrilana can be considered dinosaur stand-ins.

 

Mighty Morgo versus the Chicken Fiend – Black and White

chickenfiendbw

In Chapter 15 of the pulp serial Morgo the Mighty, Morgo and Nurri Kala must face .. the Chicken Fiends! “The Chicken Fiends” is, in fact, the title of the chapter. Apparently chickens were considered to be more fearful beasts back in 1930. The creatures rule over one of the cavern environments in Surrilana, an underground realm beneath the Himalayas. I know a giant flesh eating chicken would actually be pretty terrifying but, as a city boy here in the 21st century, it’s hard for me to summon up any nervous emotions about chickens.

Morgo kills them dead.

Zorimi’s Winged Terrors – Black and White

ManFacedBatsBW

Surrilana, the vast system of caverns beneath the Himalayas (as described in the pulp serial Morgo the Mighty), is home to a variety of weird creatures. The first such species that McRory and company run into (literally, with their airplane) is the giant manfaced bat. This creature is huge – about the size of a human being, and somewhat intelligent – enough to follow the orders of the masked tyrant Zorimi,