Green Gargantua


This charming fellow is one half of the Gargantua brothers from the movie War of the Gargantuas. He’s the bad tempered, people eating one. Because of that people eating tendency War is one of the few kaiju movies that I found scary as a kid. I wasn’t too worried about being stepped on by a giant monster. They’re big and loud and so relatively easy to avoid. They’ll stomp on your house but, mostly, they don’t care about people. The few kaiju that considered human beings to be part of their diet gave me pause. Getting stomped on would be a lousy way to go. Getting chewed up? Much worse. The finished version of this image is in my Kaijuphile gallery.

Gyaos


The next image in the sketchbook is of Gyaos, one of the monster Gamera’s most popular foes. It’s the first of a series of monster portraits I did for Kaijuphile. I was playing around to see what sort of color effects I could get using a mix of colored pencils and digital colors. The finished version is here in my Kaijuphile gallery. The final image was colored in Photoshop. Checking the upload dates it looks like I returned to this sketchbook even later than I’d thought. This image is from June of 2005.

King Roach vs Saur Thirteen


While the basic premise of King Roach (kid becomes monster to fight other monsters) has remained the same since the first inspiration, the setting of the series has shifted many times. Sometimes I’ve imagined the story taking place in modern day Seattle. Sometimes it happens in a 1950’s milieu. Sometimes I imagine King Roach as a guide to the Sentient 39 universe; traveling from world to world, dealing with strange human cultures and stranger alien ones. And fighting monsters of course.

The other creature in this sketch is Saur Thirteen, one of those military experiments gone wrong. Saur Thirteen has skulked around my imagination for a couple of decades now. Sometimes he’s a mindless beserker. Sometimes he’s highly intelligent, a reptilian secret agent/soldier. In this version he’s been tamed by a teenage girl and is acting as the protector of a group of outcasts.