This seems to be the same young woman as the one featured in yesterday’s post. I don’t remember what project she might have been part of any better this morning than I did yesterday.
Category Archives: sketchbook
Girl and Her Wolverine
And Even More Beastie
Beastie’s backstory (at least the second one; the first one, done for the trading card set just had her as superheroine cursed with a trio of demon “assistants) was that she was a former child star. She spent five years on a hit comedy as the cute little kid with super powers around whom wackiness ensued. The twist was that she actually had superpowers. She could lift boulders, bend steel bars and walk away from a fiery car crash. Once she stopped being a cute, smart kid her acting career fell apart because, really, she wasn’t much of an actress. Fortunately her parents had been smart with her money so she wasn’t broke. She still had to work because she wasn’t rich either but at least she could choose her work. And having superpowers in Hollywood meant that she often worked doing stunts or as a bodyguard.
The gent with the dreads is/was her agent or maybe her lawyer. I don’t remember now.
The thing with the teeth is Saur Thirteen, one of those government experiments gone horribly wrong.
And More Beastie
Pieces of Beastie
Spiderface and Frankenstein’s Wretch
At the top: the head of some human/spider hybrid. With an elaborate hair do.
At the bottom: a early take on the Frankenstein Monster based on the version in the novel. I don’t remember whether I’d read an excerpt of the novel or just a description of the character. I hadn’t read the novel itself yet. That wouldn’t happen for another six years.
Kitties and Bears and Guys, Oh My!
A variety of sketches, the only two from life being the ones of the cat at the top. The cat would be Paliki, a little black cat that is sitting on my lap as I type this. She definitely wasn’t on my lap when I did the sketches. Or if she was she wasn’t there voluntarily. In 1996 she was a much more nervous, skittish animal. She didn’t like being too close to human beings for too long. And she certainly didn’t demand that I provide her with a lap as she does now.
Expressive
Massive
One of the big challenges for me, when I draw human figures, is drawing people with any mass to their form. It doesn’t matter whether the character is muscular or fat the added flesh around their bones changes the way they need to be drawn. Clothes hang differently. Wrinkles and folds appear in different places. Not that I had to worry about clothes with this guy.