Another pass at drawing friends and roommates from the S.K.I.G. Row days. These versions are less simplified but still very cartoony.

The girl with the big mouth was inspired by my dear friend Cindy. I don’t know if Cindy likes to argue or if she just considers arguing an important part of life. Either way, Cindy is a very good arguer. She’s also a very good peacemaker. I’ve seen her talk very drunk dudes at loud parties into behaving themselves. It seemed like either Cindy was at the Row or I was at her place almost every day.

The guy with the soul patch is based on Ryan Kursh, the original K in S.K.I.G. Row. Ryan passed away a few years ago.

The guy with the bowl hair cut is based on John Gerboth, the G in S.K.I.G. The bowl cut is a simplification of the eccentric hair cuts he regularly got. They tended to be odd asymmetrical things that probably would have looked like I was being sloppy if I’d tried to draw them.

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To all who have wandered here from Designers Who Blog this morning, WELCOME! Take a look around. Feel free to leave comments on any of the posts. Stop in again sometime.

And thank you to Cat, mistress of DWB, for deciding to feature me. I submitted this blog on a whim and hadn’t expected to hear back from her much less be included in her roll.

On the upper right of the image is (are?) Moe and Lili. Everyone else here appears to be one-off doodles. Except maybe the bearded guy at the bottom, the one with the scars. I ran across him in another sketch book whilst trying to choose which book to scan. I can’t think of who he might be though. One of my characters? A character from a book I read? Don’t know.

More S.K.I.G. Row sketches from ’97. The guy with the long hair and the goatee is based on my own shaggy appearance during the S.K.I.G. Row days. It’s a shaggy state that I’ve maintained almost constantly for the last 20 years. The goatee is artistic license however. I’d have to check photos from the time but I’m pretty sure I was clean shaven during that period. I worked at Jack in the Box (4 months) and Taco Bell (about 2 years) and neither corporation looked fondly on beards. They weren’t much on long hair either but ignored mine as long as it stayed under my cap.

In 1985, I and some friends rented an apartment. We named the place S.K.I.G. Row. This was an anagram of the initials of our last names – Smith, Kursh, Ingersoll, Gerboth. We kept the apartment for a little over two years, keeping the name when Kursh moved out and Kucera moved in. It was a great place to live. I had one of my favorite Christmases there. We partied a lot. There was always someone dropping by. There was drama, laughter and not a lot of sleep.

This sketch page is an attempt to cartoon the inhabitants of the Row. The situation was ideal for a comic strip, comic novel, something. Not all the sketches here are based on my roommates. It looks like I thought of doing that cartoons after I’d already done a couple of sketches. The cartoons themselves only vaguely resemble their inspirations. I was going for very simple designs – basic facial shape, then exaggerate.

The character of Detritus was inspired by my friend Daniel Rivers. I say “inspired” rather than “based on” because while both Daniel and Detritus are short, very smart and (at least at the time the character was created) complete horndogs, they’re otherwise dissimilar. Daniel and his sister were raised by their single mother in northern California. Detritus grew up with his parents on a hippie commune in Oregon. Daniel has gone on to do his graduate work at Stanford. Detritus and Buffy (not the TV character) Crawfield bought the commune in Oregon and are raising their kids there.

I last saw Daniel when he officiated at Cindy and Mike’s wedding. He wrote a great ceremony. I’m going to have to see if I can get a copy of it. It would be worth publishing here.

From the 1997 sketchbook – this is a prime example of a doodle page. No figure here is related to any project that I can remember. Despite all the times I’ve said I don’t remember in past posts, that lack of memory usually has to do with dates rather than projects. If a drawing has a specific story (as in, piece of fiction) behind it I usually remember that there is one.

From the look of the page I was probably doing sketches so I could test a pen. Ever so often I would try to find an off the shelf pen as an inking tool. I used to use Rapidographs but the time and expense of maintaining them had me give them up. Too many clogs. Too much time cleaning a tool that I rarely used.

Short on time today so all I’ve got to share is the sketch. Cheers!

I imagine this one was one of the many pages I sketched while waiting. Sketches generally get done for two reasons. Either I have an idea and I’m trying to get it visualized or I’m killing time. Often I’m killing time and, at the same time, trying to sketch out some image that’s been nagging my mind.

Today we begin another sketchbook. I’m unsure on the year. Based on pieces at the end of the book I’m pretty sure that this is from 1997. This page would be a good clue if my memory about its contents were anything other than vague. Mostly it’s my versions of characters from a comic strip collection that I’d read shortly before I did the sketches. Unfortunately I no longer remember the name of the comic strip or where that collection is in my vast library. The series had been originally published in a college newspaper. Beyond that I’m coming up blank.