This drawing was inspired by the question, “What if Hellboy were a giant monster?” Actually the question is, more specifically, “If I were to transpose the design elements of Hellboy on to a giant monster, what would need to change to make the new creature a “new” design?”

In this case we’ve got broken horns instead of shaved ones, a wrecking ball in place of a stone hand, reptilian skin and black scales in place of hair. Even with those changes it’s pretty obviously a Hellboy clone. This sketch was done in 2004, before the film came out.

This is the atomic mutant from The Day the World Ended. Here, instead of transforming into a lumpy and hideous creature who must hide his face from the rest of humanity, he has transformed into a giant, dynamic superhero primed to kick other mutants butts. Thus does nuclear radiation act as a positive force in the world.

The original mutant is a Paul Blaisdell creature and features the pointed ears that most of his monsters sported. The details of the movie have faded in my memory. I’m pretty sure that the mutant creeped me out. Certainly its first appearance did. The whole monster didn’t appear. Just its three fingered, black furred hand reaching in from off screen to pick up a dropped hankerchief.

I saw the She-Creature as a kid. It was one of the those movies that played on Saturday afternoons on the Chiller Diller Theatre on channel 2. It wasn’t a Godzilla movie but it did have a monster if only a human sized one. The creature was created and played by Paul Blaisdell. It’s only as an adult that I’ve come to appreciate the skill and imagination that went in to Blaisdell’s costumes. Making an interesting looking creature on the budgets he was given must have been a huge challenge. Never mind how goofy the costumes looked. They were unique. They were memorable.

Today’s sketch is a re-imagination of the She-Creature as a giant. I’ve tried to keep the hallmarks of Blaisdell’s design while streamlining it and making it look more natural. That is, make it look more like a living amphibious creature rather than an interesting costume.

From 2004. One of the movie ideas that Willis O’Brien tried to have financed was King Kong vs. Frankenstein. I based this sketch on one of O’Brien’s sketches of the monster that I found floating around the internet.

Gorgo is one of the few giant monsters to trash London. Because I’m of the opinion that there should be more giant monsters stomping on more cities outside of Japan (in movies at least), I’m fond of ol’ Gorgo and his mother. It’s Gorgo’s mother that does the stomping even if Gorgo gets the movie named after him.

My version here looks very different from the movie. The movie Gorgos have … ears? fins? something on their heads that don’t match anything on either modern reptiles or what we can determine on fossil ones. So I gave this one the sort of display frills that some lizards have. I modeled the rest of its features after a crocodile. Gorgo was an ocean dweller. In modern times the only dangerous big reptiles wandering the oceans are the salt water crocodiles of Australia.

More specifically, this would be A fifty foot woman. There have been two. The first was played by Allison Hayes in the 1958 version of Attack of the Fifty Foot Woman. I haven’t seen that version. This sketch was inspired by the 1993 version starring Darryl Hannah.

Today’s kaiju is a “re-imagination” of Viras, one of the many monsters that Gamera saved the world from. Gamera vs. Viras is a Gamera movie I’ve not yet seen. At this late date I’m not sure if I’ll get around to it. There are so many other movies I want to watch and not much time available to do it. I’d be hard pressed to convince Nizzibet to join me.

Maybe when I’m old and retired.

This critter is based on no pre-existing movie monster. It’s inspired by the bizarre design of Irys from Gamera 3. I’ve seen the movie a few times now and I still can’t figure out what Irys looks like. She’s not a giant anything. She’s unique. Frankly, my monster here is a more conventional design – head, body, four limbs.

This one was done sometime in 2005. It’s a reworking of a human sized b-movie monster as a giant monster. I did this with a few creatures; a giant Moleperson, a giant Jason Voorhees, and a giant Metalunan mutant as a superhero.

Today’s monster is a giant version of the Ro-Man from Robot Monster. I must confess that I haven’t seen the movie, but the Ro-Man’s budget costume of a gorilla suit with a diving helmet instead of the gorilla mask is legend. I tend to be under the delusion that any idea can have merit if approached correctly. All it may take is a few adjustments. It helps that I don’t have to come up with a story to go with the illustration.

I’ll also acknowledge the influence of Fantastic Four #137, one of the first issues of that series I remember reading. I don’t remember the actual story much, mostly just the climax featuring the Warhead, a giant gorilla with a gun bedecked Sputnik for a head, as it steps out of a drive-in movie screen.

I did this drawing prior to the Black Scorpion one but during the same burst of energy. This is a “re-imagined” version of Anguirus. Anguirus was Godzilla’s first sparring partner. He and the Big G fought it out in the little seen first sequel to Godzilla. The sequel is little seen most likely for two reasons: one, it was titled Gigantis, the Fire Monster when it was first released, and two, it’s not nearly as interesting as any of the movies that followed. Anguirus gets killed before the climax of the movie.

When I was a kid I’d try to draw the Japanese movie monsters as I’d seen them on TV – looking like men in big rubber suits. These days I don’t worry about it. I don’t have to try and fit a man into a costume. In the movies that meant that the poor actor playing Anguirus had to spend the movie crawling around on his hands and knees. (With the exception of Baragon in GMK: Giant Monsters Attack all the kaiju have been played by men.) So here Anguirus is depicted as a dog like quadruped.