The lifeforms in the Beyond are mostly harmless. Mostly.
Still Not as Hard as Herding Cats – B&W
The Tillinghast Resonator makes identifying and, to some extent, capturing the lifeforms that live in the Beyond relatively easy. In earlier ages interested parties had to rely on magic and alchemy – not the most reliable methods. Is it any wonder that most early harvesters of the Beyond got harvested instead themselves?
The King is Yellowish – Color
There are many roads to Carcosa. Some are paved with good intentions. Others with yellow brick. Some are familiar shortcuts. Many take a winding, even scenic route. Once you arrive you never really leave. Or perhaps Carcosa never leaves you.
The King is Yellowish – B&W
Welcome back to Carcosa. Yes, things look different today than they did at your last visit. That’s the way of this place. It decays its way into new sights and songs, new smells and tastes.
Look around. Have a chat with a resident or three. Try to go mad in only the best way.
Just Another Day After the End of the World – Color
In the end … there is no end. I take comfort in that.
Just Another Day After the End of the World – B&W
The End of the World that human beings worry about is primarily a collapse of their cultural world. The world – Planet Earth and the life upon it – will go on after human civilization fails. It went on after an asteroid wiped out the dinosaurs. Something else will evolve after humanity has made everything but insects and stupid yappy dogs extinct. Life will endure even after the arrogant apes with delusions of grandeur pass away. Heck, maybe some of those apes will figure out a way to stick around.
Pulling a Gag on Crime – Color
What crime were these guys in bunny suits perpetrating?
Pulling a Gag on Crime – B&W
Clowns were once considered funny and wholesome children’s entertainment. So too were ventriloquists and their dummies. Nowadays these innocent creatures are more likely to be the menaces in a horror movie than the welcome guests at a youngster’s birthday party.
Clearly they must do something to improve their image. How you ask?
Fight crime of course!
When Shoggoths Knew Their Place – Color
When Lovecraft wrote his stories in the 1920s and 1930s the world still seemed to be full of hidden, unexplored places. Hidden cities and lands forgotten by time seemed possible. Now, in 2017? The world is mapped. Maybe not completely but with enough detail that any current Cthulhu Mythos authors have to work harder to explain how a place manages to stay undetected. “The government is covering it up” might work for something relatively small that exists within the borders of that country but how would “they” cover up the existence of an entire city (much less a range of mountains taller than the Himalayas) on a continent that is owned by no one? That would require a lot of cooperation between governments and a lot of people who are willing to be silent about that cooperation.
Some authors suggest that the Mythos entities hide from us. That seems unlikely. They can travel between the stars. Some of them can travel between the places between the places between the stars. We can’t be a threat. So if they’re hiding, perhaps they’re hiding from each other. Or from something even bigger and scarier.
When Shoggoths Knew Their Place – B&W
In At the Mountains of Madness by H.P. Lovecraft a group of antarctic explorers discover the evidence of an ancient, prehuman civilization. While exploring the ruins of a vast and abandoned city the explorers find and interpret a series of carvings and hieroglyphs that seem to tell a history of both the “Elder Things” and, basically, the evolution of life on Earth. I say “seem to tell” because the explorers are only able to spend a few days in the city and are forced to leave it under terrifying and sanity disturbing circumstances. Their understanding of the story told in the carvings shouldn’t be assumed to be perfect. It might be missing important information. It might be completely wrong. Human beings have a hard enough time understanding the languages and art left by extinct human cultures. It’s unlikely that a human could get an accurate reading of non-human culture without being able to interact with representatives of that culture.
That’s one of the things that I enjoy about the Cthulhu Mythos. Humanity and the Earth itself are not central. Sure, most Mythos stories feature human protagonists and deal with human adventures but that’s because human authors are writing the stories for human readers. But the Mythos features beings and species and civilizations that existed long before mankind learned to make fire and who will exist long after mankind’s story ends. Earth is just one of the places these creatures have visited. The Universe is vast and full of strangeness and wonder. (Or terror and madness, if you’re a xenophobic New Englander.)
The Elder Things came from the stars to the Earth, presumably, before fish evolved in the seas. Their civilization here lasted for millions of years. That civilization might continue, somewhere in secret, here on Earth. In all likelihood there are Elder Things civilizations scattered across this and other galaxies. If humans made it out to the stars, would we find the Elder Things welcoming? Threatening? Dismissive? All of the above?
