A Faithful Representation

PennyDreadful_108_1469

There have dozens, perhaps hundreds, of adaptations of the novel Frankenstein since it was first published in 1818. In the novel the creature is an articulate, complicated being. Sometimes, in literature and comic books, that creature is represented. Until Penny Dreadful I had not seen that creature in film or television.

Penny Dreadful is tv series that mashes up characters from various early horror stories. Mina Harker, Dorian Gray, Doctor Van Helsing, and others make appearances. Among the principal characters are Victor Frankenstein and his creation. The creation, who calls himself John Clare after the poet, is not a good physical depiction of the novel’s creature. He’s short (compared to the original’s eight foot height). He’s got some scars and a pale complexion but he’s hardly hideous.

But his personality is spot on. He’s melancholy. He’s murderous. He wants to be loved. He’s afraid to be loved. He haunts his creator and inflicts mayhem upon him, yet he is shy and nervous with the rest of the world. If Penny Dreadful did nothing else well I would love it for this creature.

 

A Good Father

YoungFrankenstein

I recently rewatched Young Frankensteinthe Mel Brooks comedy. I’d seen it once before, when I was a kid. I’m pretty sure that it was the first film version of the Frankenstein story that I had seen. I hadn’t yet seen any of the Universal Frankenstein movies so I missed the references. I didn’t know why it was in black and white. I didn’t understand what was up with Madeline Kahn’s hair at the end. This time, having seen all those films and having read the novel I really appreciated the movie.

What I appreciated most is that this was the first and, as far as I know, only film version of the story in which Doctor Frankenstein is a good father.

Despite claims to contrary, the novel: Frankenstein or A Modern Prometheus is not about a scientist who suffers because he played God and created life. Nope. The novel is about what happens to an arrogant man who refuses to take responsibility for the life that he has created. Frankenstein is the story of a bad parent. Victor Frankenstein makes a creature, brings it to life, is horrified by the results, and faints. When he awakes the creature is gone. Frankenstein spends the next three years hoping that the creature wandered off and died. He never looks for it. He never tells anyone what he has done. He just carries on his life. Until the creature comes back into that life, angry and hurt and demanding that Frankenstein love him. And Frankenstein refuses to love the creature. And Frankenstein refuses to take responsibility for the creature. And Frankenstein faints a lot.

Both play and film adaptations of the story have downplayed the bad parent theme. The creature is usually portrayed as speechless brute and Frankenstein is usually shown as an obsessed scientist. In Young Frankenstein Frederick Frankenstein may be an obsessed scientist but he also cares about his creature. Unlike the Frankenstein of the novel, he never gives up on his creation. He never walks away. He realizes that he made mistakes in the process of building his creature so he tries to make improvements. This Frankenstein is a good and generous man. And eventually he succeeds not only in improving the creature but in convincing the torch wielding mob that the creature is worthy of their sympathy as well.

When I was a kid this movie was a weird black and white thing that was mostly funny because it was so weird. Seeing it again last month, after decades of seeing rampaging monsters and the monomaniacal scientists who created them, I had a contented smile on my face. Finally a good doctor. Finally the creature got a happy ending.

Thank you Mel Brooks and Gene Wilder.

Reconciling Lost Worlds

When I was a kid, dinosaurs were believed to be, basically, giant, mostly slow moving lizards who lived in hot swampy jungles. The dinosaurs that appeared in fiction and films reflected that understanding. Some versions moved faster than others. Sometimes humans encountered these creatures by going back in time but, in the versions I’m currently considering, people discovered them in lost worlds – places on Earth where the beasts had been isolated and somehow avoided the changes that time and evolution forced on the rest of the planet.

The Valley of Gwangi. Maple White Land. The Center of the Earth. The Savage Land. Pellucidar. Pal-ul-don. Caprona. The Land Unknown. Skull Island. Loch Ness. When I was kid, there was a lot of debate about why the dinosaurs had gone extinct. Maybe mammals ate too many of their eggs. Maybe they were too dumb. Maybe the world got too cold. For whatever reason, they ceased to exist. Except. Somehow there were places in the world where dinosaurs and other prehistoric reptiles still fought and survived.

Decades later, in 2015, the understanding of dinosaurs has evolved and improved. We know that they were warm blooded and lived in many types of environments. Many of them had feathers. Most of the creatures that we think of as dinosaurs (or pterosaurs or marine reptiles) were no more “reptiles” than mammals are reptiles. Snakes, lizards, turtles, crocodiles and alligators – those are reptiles. Dinosaurs (and pterosaurs and, probably, marine reptiles) were something else.

About 60 million years ago an asteroid collided with the Earth in what is now the Gulf of Mexico. That’s the current scientific consensus.The aftermath of that collision wiped out most of the “higher” species of life including dinosaurs, pterosaurs and marine “reptiles”. The creatures that went extinct, had they somehow survived in little Lost Worlds, would have been strange and foreign beasts to Verne and O’Brien, Burroughs and Harryhausen, Doyle and all the other authors and film makers who conjured up still extant versions of prehistoric lands.

I still love the lost worlds that I read about in books and saw in movies. I’m delighted by all the new information that has been discovered about dinosaurs since I was a kid. It’s a little weird to think of a tyrannosaur as (sort of) a giant flightless bird (or a pigeon as small type of dinosaur) but I can roll with that. I understand that the likelihood of entire ecosystems surviving unchanged for tens of millions of years is … ridiculous. Yes, there are some species that have adapted to the changing world with changing much themselves. But those are individual species. There are no lone islands, inaccessible plateaus or valleys that sport ecosystems where time has stood still. Isolation tends to make ecosystems weirder and more unique rather than keep them in their pre-isolated state.

But I’m a nerd and I want my Lost Worlds. And fiction is malleable in ways the real world is not. How can one explain the existence of these Lost Worlds when actual dinosaurs were not slow moving reptiles and, even if they were, they couldn’t have survived unchanged for 60 million years?

That’s easy. Dinosaurs, my beloved new feathery beasts, are long gone. That asteroid did them in. The creatures in the Lost Worlds really are (sometimes, except when in pursuit of a novel human morsel) slow moving reptiles … who evolved in isolation along parallel paths as the original dinosaurs so that, while they resemble the originals, they are their own things.

The Valley of Gwangi. Maple White Land. The Center of the Earth. The Savage Land. Pellucidar. Pal-ul-don. Caprona. The Land Unknown. Skull Island. Loch Ness. There’s no need to repopulate them with feathered foreigners. They were never lands that time forgot. Time ran at a different speed there and created places that we mistook for something ancient.

Welcome 2013!

The New Year begins tomorrow. I find myself in the lucky position of being a full time illustrator. I’m working on a graphic novel. I’ve got commissions for covers and illustrations with role playing game publishers to provide variety and fill in the holes in my schedule.

2013 should be a busy one. Besides the new work I’m in the process of creating, we should also see the publication of some books that have been in the hopper for a while.

Atomic Age Cthulhu, a Call of Cthulhu scenario book with 1950s setting is coming from Chaosium. It features illustrations by me in the interiors.

AAC:TTMM Cover Illustration

Atomic Age Cthulhu: Terrifying Tales of the Mythos Menace is a fiction anthology companion to the RPG book and should see print at the same time. I did the cover illustration.

Lost in the Lights, a modern day Mythos scenario set in Las Vegas, is due in the spring from Sixtystone Press. I did the cover and all the interior illustrations for it.

Also from Sixtystone is Ghouls, a sourcebook on … well … ghouls, for the Call of Cthulhu game. I did the cover and interior illustrations for that as well.

Tomorrow, New Years Day, I’ll begin posting Daughter of Spiders: Excerpts and Images from the Journals of Briar Rose TaylorThere will be an entry a day, 365 in all. It is both a work in progress and, hopefully, a work in itself.

I welcome comments and questions. May your year be a good one!

Onward to 2013!

She Slays Dragons

Dragonslayer

Nizzibet slays dragons. She’d rather not. She’d rather bake bread and garden and have tea with friends. But dragons keep tearing up the landscape and making life miserable for everybody who isn’t a dragon. So she picks up her sword and goes to work. That’s the kind of lady she is.