
I haven’t done much storyboard work. During the Labor of Love Design Studio years I storyboarded two commercials on my own and did touch up work on a third. These two panels are from, probably, 1998. They were for a commercial about Comcast cable for a company somewhere on the East Coast. I’ll only be showing a few of the panels. Not because I don’t want to bore you (when has that stopped me before) but because I’m not sure where the rest of the storyboard is. I only found part of it when I was going through my flat files. I’ll be posting more panels tomorrow and Wednesday.
In Later Years

I think this sketch is from 2003 when I was playing with ideas for a webcomic. This is Moe, one of my protagonists from Misspent Youths, as an old man. Many of my characters have whole biographies. Moe has multiple biographies depending which “universe” I’m imagining him in.
If You Build It …

This sketch is probably from 1998 when Labor of Love was publishing GLYPH, the free tabloid. We were trying to think of ads for our design studio to print in the paper. This one had something to do with LoL helping you connect your castle in the sky dreams with the real world and success! The idea never made to a final ad but I do like this illustration.
A Dagger for Your Heart
This Will Only Sting for a Moment
Strange Carving Found in the Desolate Hills
Do Not Open ‘Til … well … EVER

Another spot illustration done for The Black Seal #1. I’d need to check the issue to be sure but I don’t think this one ever saw print.
Old (ancient!) books of evil lore are a staple of Lovecraft’s stories. The Necronomicon is the most famous but many other authors have contributed their own dreaded tomes to Library-of-Books-it’s-a-BAD-Idea-to-Read.
In the Dark

Another spot illustration for The Black Seal #1. I did all the spot illustrations with pen and ink. The first illustration I did, the one that I was first assigned, was mostly done in Photoshop and it took forever. I hadn’t used Photoshop for illustrations much at that point and so I was learning as I worked. I fell back on pen (and brush) and ink for the rest of the illustrations in order to get them done more quickly.
Smoke and Empty Space

In the first issue of The Black Seal I was assigned three illustrations. I was also asked to come up with some spot illustrations that could be used to fill any unsightly empty spaces. This is one of those spot illustrations.
Tumor, Removed

Another illustration for The Black Seal #1.


