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Skook Words (and Pictures) #51
Hello, hello! You’re looking fabulous, as usual.
This is the last newsletter of 2023 and the last newsletter for a while. You will (huzzah! hooray!) continue to get emails (or see posts). Starting on Monday I will be posting daily. I don’t make New Year’s Resolutions so much as I invent yearly projects. This is my project for 2024. As I’ve mentioned in previous newsletters, I’m working on mastering drawing using Clip Studio Paint and my Wacom tablet. I’m working on the sketches as if I’m doing a daily comic strip – six small sketches from Monday to Saturday with one large sketch on Sunday. I’m restricting myself to a half hour for the smaller sketches and an hour for the larger ones. (With a little wiggle room in these early days as I have to figure out how to do things in CSP that I already knew how to do in Photoshop.)
A new format means it’s time for new website banners. You won’t see these if you only see these newsletters in your email. These will be appearing randomly over at Skookworks.com starting January 1st.
Aside from improving my skill with CSP, I’m experimenting to see if I can increase my audience.
I’ll be simultaneously posting the sketches to my Substack newsletter.
I’ll be posting details of the sketches to my Instagram account that will feed to my Facebook page. (Instagram crops images to 1×1 ratios. The sketches are 2×1 and 2×3. I’m precropping the sketches because Instagram can’t be trusted to make good crops.)
I’ll be posting hi-res downloadable versions of the sketches to supporters of my Ko-Fi account.
Here in the real world I’ll be working on Sunk Cost Elegy, illustrations for a new Oz book and … stuff. And delivering mail. Of course.
I’ll undoubtedly write the occasional essay post but, for the next few months, expect more pictures than words.
Thank you for tuning in so far. Your attention is appreciated.
See you Monday!
Skook Words (and Pictures) #50
Dancing Spirits
by Sarah Byam
A winter Whisp rose from the cobblestones just outside Grandma’s house. As she and little Anders made caramel on the stove with Carnation sweetened condensed milk, cinnamon, cardamom and anise, the scented steam puffed up the chimney and over the roof.
The wind led the Whisp up and up, as she drew up the kisses of sweet and spice into her arms.
Together they danced across the world, gathering in scent as they went. The bite of coffee brewing at the Simpsons. The tang of berbere from the Tedesses. The luscious warmth of fresh baked challah bread at the Friedmans. Woodsy rosemary. Sharp lime. Comforting vegetable stew. The earthy embrace of the forest. The salt and sour of the sea. The freshness of rain.
In their wake they carried bits of snow and music, the choir of a clapboard church, the cry of a starling mourning its mate. The horns or a mariachi band, the smoke of burning money, the flavor of chocolate, nutmeg, lemon grass, basil and thyme.
They danced down the click of clocks, the canon of bells, and the flowers of frost draping themselves around the earth like a snow globe.
Then, as the world spun, the first star in the sky followed the sun crossed the ice cold Angel and her sweet suitors. They crackled and melted, dew mixing with with breath, In a slightly sweet sunrise against winter sky.
Changed, combined, stirred and warmed, people felt a little more hopeful, the Angel and her mates gave their gift as they were briefly inhaled around the world.
Peace on Earth. Goodwill to All.
Good food and good drink and good sleep at the end of a good day.
Thank you for stopping by. The world is a better place with you in it.
True fact.
Skook Words (and Pictures) #49
Welcome to the next to the next to the last Skook Words newsletter of 2023. Apparently we’re only getting 51 Fridays this year instead of the desired 52. I feel ripped off. To whom do I complain?
These Days …
This is my long week at the Post Office, the one where I work 6 days in a row. Because of the high volumes of parcels the folks on the Overtime Desired List and those of us on the Own Assignment list (we’re willing to work more than 8 hours to finish our route when necessary) are coming in at six AM. We load up our trucks with as many parcels as are available, go deliver them and then come back, sort our route and then deliver everything that’s left.
I actually prefer this set up. Delivering parcels by themselves is easy. All I have to think about is getting the right parcels to the right address as efficiently as possible. Then, when I’m delivering the rest of the parcels and the mail, that goes faster because I don’t have to make extra stops and trips to deliver larger parcels that don’t fit in mailboxes to the customer’s doorsteps. I’d be fine doing this during the rest of year.
Talking to Myself
Scene –
The Cartoonist sits at his desk. He is drawing using his Wacom tablet. To his right, a fat orange cat sits on the desk between the monitor and the printer. The cat doesn’t care about this drawing thing. To his left is a room temperature mug of coffee. The Brand Manager enters. The coffee in his cup is hot and mixed with eggnog. He looks over the Cartoonist’s shoulder at the art on the monitor.
Brand Manager – “That doesn’t look like Sunk Cost Elegy.”
Cartoonist – “It’s not. It’s test art for my 2024 project.”
The Brand Manager groans.
Brand Manager – “You’re shifting gears again? How can I manage your brand if you can’t stay consistent?”
Cartoonist – “Number 1, not my problem. Number 2, it’s going to help get Sunk Cost Elegy, and everything else, done quicker. And less expensively.”
Brand Manager – “Do tell.”
Cartoonist – “You saw the notice from Adobe? That they’re raising the price of the rent for Photoshop?”
Brand Manager – “I remember that, this year, you were going to learn enough Clip Studio Paint that we could stop paying Adobe’s ransom.”
Cartoonist – “I got sidetracked. My fault. But I’ve learned that the best way for me to learn something is to make it a project. Remember 2019? When I did daily half hour sketches and posted them to Skookworks.com?”
Brand Manager – “I remember that some of those sketches took longer than a half hour to finish.”
Cartoonist – “And some of them took less. It evened out.”
Brand Manager – “If you say so.”
Cartoonist – “Yeah. Okay. Stay positive here. Even when I did a sketch in a half an hour I still had to scan it and post it. For my new 2024 project I’m going to do daily half hour sketches directly in CSP. No scanning necessary. I’ll learn the program, post a sketch every day and still have time to work on Sunk Cost Elegy. I did these test images to get a feel for how ambitious I could be in 30 minutes.”
Brand Manager – “Not bad. Did that large one take a half an hour?”
Cartoonist – “That’s my Sunday post. I’m thinking of this like doing a daily comic strip – 6 small images and one large one. I’m giving myself an hour to do the large ones. The small ones will post Monday thru Saturday and the big one will post on Sunday. Since 2024 starts on a Monday it works out perfectly.”
The Brand Manager sips his coffee. He thinks. He smiles.
Brand Manager – “I like it.”
The Cartoonist looks perplexed.
Cartoonist – “You like it? Really?”
Brand Manager – “Oh, yeah! It’s a perfect opportunity to spotlight the Brand!”
The Cartoonist facepalms.
Brand Manager – “Think about it. You’ve got an Instagram account that only gets used when the Mail Carrier decides to post a photo of a sunrise or puppy or something. You’ve got a Ko-Fi account that you’re not posting to. You’ve got a Substack account that has only three subscribers. We can hit all of them!”
The Cartoonist thinks a moment. He drinks some of his coffee.
Cartoonist – “What are you thinking?”
Brand Manager – “I post the same image to Substack and Skookworks every day. Substack has a different audience than Skookworks with different ways of creating subscribers. For Ko-Fi I’ll post a hi-rez version of each image that’s only available to your patrons. Instagram can be set to feed to Facebook. For Instagram … hmm, Instagram wants its images to be square so that means a little more work but I can set up a template that you can plug the images into. Like this – ”
Cartoonist – “Cool. And then what?”
Brand Manager – “You’ve heard me complain that it’s hard to get an audience on the internet because no one can just stumble on your work? This will be a way for people to stumble on your work.”
Cartoonist – “Right. But then what?”
Brand Manager – “We get famous and conquer the world!”
Cartoonist – “Fame and world conquering don’t automatically go together.”
Brand Manager – “Let me worry about that. Don’t you have a lot of drawing to do?”
Merry Merry!
That’s it for this week. I’m looking forward to being very busy until the end of the year. I expect that most of you will be too. I hope that, in your busy-ness, you find some joy and, once in a while, some rest.
Thank you for reading. See you in seven!
Skook Words (and Pictures) #48
It’s Friday! You know it! I know it!
What do we do on Fridays?
I send out this newsletter. You … do whatever you want. Maybe you read it. Maybe you just look at the pictures. You’re a grown up. You do what you want.
Hopefully you’ve had a good week and are looking forward to a pleasant weekend. Thanks for stopping by! (Or opening the email version of this newsletter. Thanks for that too!)
These Days …
Rain. Darkness. Many, many parcels.
I deliver my route. I help deliver part of another route. The crates and hampers and carts filled with parcels that sit on the dock at the station move but others always seem to take their place. I’m guessing things will be like this until after Christmas.
Sometime in the distant past, the Union agreed that, during December, carriers only get paid for regular (time and a half) overtime no matter how many hours they work. The rest of the year we get paid “penalty” overtime (double pay) if we work more than two hours regular overtime. This seems like a bad agreement to me.
Lovecraft Kid
The last project I illustrated for Golden Goblin Press was The Mystery of April Snow by Oscar Rios, the powerhouse behind GGP. April and the Morgan Cousins share the same Riosverse version of the Cthulhu Mythos.
Working with Oscar was great. The Lazy Artist Me often complained to himself about the amount of stuff Oscar wanted in each illustration but I’m happy with the results. If Oscar calls wanting more work, I will happily say “YES!”
Talking to Myself
Scene –
The Studio. Many many books line shelves that have built into two of the walls. A very comfy couch and a big recliner sit in the center. A drawing table and a big desk occupy the space opposite the bookshelf walls. The Brand Manager sits behind the drawing table. He’s typing on a laptop that sits on the drawing table. A fat orange cat sprawls on the rest of the table. The Cartoonist sits behind the big desk and draws using his Wacom tablet. A fluffy black cat sleeps on the computer located under the desk.
The Mail Carrier staggers into the room. He’s left his wet coat and wet hat and wet carrier bag hanging on chairs in the dining room so they can dry overnight. He sits on the couch. He stares vaguely into space. He takes off his shoes. He sighs. He lists to the left. The list becomes a slump. The slump becomes a collapse. His eyes are closed, his body stretched out on the couch. He begins to snore.
The Cartoonist and the Brand Manager look at each other. They shrug.
Cartoonist – “Every year.”
The Brand Manager nods.
Brand Manager – “Every year. It’s a wonder we get anything done.”
And That’s It
And that’s it for this week.
Stay warm. Stay dry. See some friends and give them hugs.
See you in seven!