Gallery – Illustrating Mr. Conyers
Adam Crossingham at Sixtystone Press got me started (and continues to have me) illustrating RPGs. I thank him for that. I’ve had a lot of fun.
David Conyers got me started working for Chaosium. In 2006 he contacted me asking if I’d be interested in doing the cover illustration for Secrets of Kenya, a Call of Cthulhu sourcebook that he had written. David and I had both work published in The Black Seal. I said yes. The resulting cover is still one of my favorite color CoC illustrations.
The following year Conyers asked me to do the cover illustration for his and John Sunseri‘s collection The Spiraling Worm. That was my second job for Chaosium and more work (some of it illustrating more of Mr. Conyers writings) followed. I thank him for that.
The last job David sent my way, in 2011, was a series of spot illustrations for The Midnight Echo #6, an issue of the magazine of the Australasian Horror Writers Association. I don’t think I ever got a physical copy of the issue. I’d actually forgotten that I’d done the job. I have forgotten having done a lot of illustrations. I tend to focus on what I’m doing next far more than what I’ve already done. Fortunately I rarely delete emails. I found the Midnight Echo pieces while doing a search in my old correspondences.
David is still actively writing. Harrison Peel, his protagonist in The Spiraling Worm, has starred in a series of novels, facing down the horrors of the Mythos and remaining somewhat sane and mostly alive.
During my email archive search I found progress images for Secrets of Kenya that I had sent to David. Here’s a gif of the illustration from inks to final colors.
Story Seed #59
Message in a Bottle
A man is walking on the beach. He sees a sealed bottle being washed back and forth with the tide. He picks it up. There’s a rolled up paper inside. He opens the bottle and takes out the message.
It reads – Thank you for finding this message. Please return it to the bottle and throw the bottle back into the sea. Whatever you do, don’t turn around.
Recommendation
ReplyAll is a podcast kinda sorta about technology. It’s about that, told in interviews and stories and therefore, it’s about the stories of technology and the people who create it and use (and misuse) it. The first ‘cast I listened to was a history of the QAnon conspiracy, how it got started and who is probably continuing it. There are currently 168 episodes to help you lose a few hours.
Local News
Mail volumes may be down but parcel volumes are definitely up. Every morning a supervisor goes around the station and asks each carrrier to estimate when they will be getting back from delivery. There have been days when, based on the count of letters and flats (magazines, catalogs, large envelopes), I would guess I’d be able to deliver my route in undertime. And I’d be wrong. I would have multiple large parcels that, being too large to fit in my satchel, I would have to deliver individually. Or the number of small parcels would be high enough that scanning them during the delivery process would increase my overall delivery time.
We’ve also been short carriers on many days so the rest of us have been having to carry extra even if we’re not on the Overtime Desired List. I’ve been of the ODL for a year now and I’m still doing a lot of overtime. The larger paychecks are handy but I got off the ODL in order to do more art and have more time to hang out with my wife.
Sigh.
I’m currently working my way through a couple of projects. One is a series of character illustrations for a Call of Cthulhu sourcebook set during the 1700s. The other is a cover illustration for a novel by Joshua Samuel Brown. I have previously done a couple of spot illustrations for Formosa Moon, his travelogue/dialogue with Stephanie Huffman, and multiple illustrations for How Not to Avoid Jet Lag, his book of travel stories.
I’ve also been thinking ahead to how to best spend my art time in 2021. I’ve been kept busy the last couple of years doing commissions. That’s been fun. I love adding to new books to my biblography. I’ve started a shop at Zazzle and another one at Redbubble. I’ve had a few sales. The commissioned work pays once. I can include it in my portfolio but most of the pieces don’t have much use outside of the projects for which they were commissioned. The stores have a potential for multiple sales on multiple products. I haven’t had to look for the commissioned work. I have enough folks who like my stuff to keep my schedule full. The stores are going to require a lot of marketing before they start to generate enough income to compensate for the time I spend on them. So far very few people know they exist.
I currently have commissions to fill my time until mid November. Then the Christmas crush will hit at USPS and I won’t be expecting to be able to get much, if any, art done. And then?
Do I continue to accept new assignments? Do I focus on new designs and doing marketing for my stores? Do I continue to try to do both? Decisions, decisions.
I’m happy to hear your opinions.
Thank you for stopping by. Remember to vote. Hug folks if you can (and they like that sort of thing). Be kind to yourself and others. See you next week!
