Tag Archives: model sheets

Skook WIP #11

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Today is March the 12th, 2021. Friday the 12th. One day away from being a Friday the 13th. Supposedly the 13th is a day for bad luck. I’ve only experienced one bad luck Friday the Thirteenth. That was back when I was 16 on a bicycle tour of Europe. I got lost. I got into an accident that required replacing my back wheel. I was grumpy and frustrated. I was also in Europe with friends so, in retrospect, it wasn’t that bad a day. Perspective is everything.

Today is also the fifth day of my Long Week. Because of rotating days off mail carriers have a six day work week once every five weeks. That week is bookended by a three day weekend at the beginning of the week and a two day weekend at the end. After seven years at USPS I’ve gotten used to it. Of course I complain about it. I am human. Humans complain. It’s in the handbook.

Tomorrow is Saturday the 13th. Since it’s the last day of my Long Week it seems like a lucky day to me.

Shall we get started?

Greeting Card Conversions

Once again – before (scans of the original hand drawn and colored illustrations) and after (digitally cleaned up, edited and ready to print) versions of greeting card designs. The after versions are available in my Zazzle shop.

Let it Snow!

I love the idea of snow. Here in Seattle it only takes a little snow to shut the city down. But I still have to go work. So I don’t love the reality of snow.

That’s okay. This mouse isn’t me. He’s enjoying himself!

Forget the cold. Forget the wet. Enjoy the miracle of fluffy frozen water drifting down from the sky!

A Master of the Feather Duster

Armed with a feather duster, Jeeves attacked the disorder and entropy of the house. Armed with dry wit and keen observation Jeeves deflated the egos of his “masters”.

Jeeves is unflappable. Mess not with the Jeeves.

A Room with a View

Available soon: one room, great views, very cozy, perfect for writer or monk or other single hermit. Current occupant is a working mother who is looking forward to stretching her wings and getting away from it all.

The mother will be taking her children with her. Some redecorating may be necessary.

Eight Arms to Hug You 

Love is whatever you make with whoever will make it with you. Love can happen at the beach or the bottom of the sea. Love is a word. A gesture. A look. Love is vast and may have suckers.

Love is where you look for it. Love is where it looks back. Love is love is love.

Bigfoot Boogie

Sasquatch are generally solitary creatures. Mostly quiet. Mostly keeping to themselves. Once in a while they feel a need to be social and loud. You won’t hear them. They know how to be loud a long way from human ears.

Most human ears anyway. They consider the Mighty Nizz to be, if not exactly a Sasquatch, different from those critters that only see a forest for the number of trees they can slaughter.

The above is a process gif of one my Mighty Nizz illustrations. The final illustration is available on all kinds of stuff in my Redbubble store. Plug. Plug.

Defining Octobriana 

Octobriana is 50 years old this year. I first met her as supporting character in The Adventures of Luther Arkwright back in the early Nineties. Her first published appearance was in 1971 in Octobriana and the Russian Underground. Her original adventures can be read here. Supposedly she was the creation of a group of Soviet artists and writers in the 1960s. She wasn’t. That’s a hoax. But it’s a story that gives the character an attractive background and it inspired quite a few comic book artists to use her in new stories in the following decades.

I’ve drawn her in my sketchbooks a few times over the years. I included a couple of illustrations of her in my 2019 daily drawing project. One of those is now gracing a coffee mug in my Zazzle store. She seems like she’d be fun to use for other merchandise so I set about doing development sketches.


My version of Octobriana is more conservatively dressed than most other depictions. I’m a fan of dressing comfortably. That boob bandana she is usually shown wearing just doesn’t seem practical, especially in a fight. Octobriana has magic powers and deadly combat skills. Maybe she also has superior sartorial sorcery?

That’s a question I didn’t try to address in these sketches.


Part of the fun of drawing Octobriana is that she’s angry almost all the time. Well, maybe not angry, maybe passionate is a better term. She’s a revolutionary. Revolutionaries have got to have strong emotions to keep going. Octobriana stares into the abyss and laughs.


What will I be doing with Octobriana?

Eh. I don’t know. Part of my creative process is to (re)invent a character first and then find a place for them. In the process of trying to write this part of the newsletter I came up with a new backstory for Octobriana that ties into a few of my other imaginary mythologies. Once she was Nurri Kala, child of the caverns, daughter of Surrilana, Blessed of the Blue Flame, priest of Shub Niggurath, citizen of Carcosa, Devil Woman of the Endless Revolution. All that is a bit too complicated to fit on a coffee mug.

These Days …

The house is quiet. It’s been quiet for a week. Thing One and Thing Two have moved on to better places.

No, they aren’t dead! They’ve literally moved somewhere else.

Names have been changed to protect the innocent and to laugh at search engines. The Thing One and Thing Two designations come from Dr. Suess’s The Cat in the Hat. I’m sure you know the story.

Thing One came to us a year and a half ago. “Came to us” sounds effortless. It wasn’t. Thing One is one of Sarah’s young cousins – 22 at the time of acquistion. Sarah had been in contact with some of her cousins in Texas. A group of them was homeless and she had been trying to help them out, not an easy thing to do given the distance and our minimal resources. He and Sarah had struck up a friendship via text and messenger. He was living in and around Spring, Texas. He was friendly and had spent some time caring for elderly relatives when he was younger. Sarah has medical issues that have made her eligible for in home caregiving. The agencies in charge of supporting caregivers advocate making family members caregivers whenever possible. Sarah had had one caregiver that she’d really liked and a number that hadn’t been good fits. Her favorite caregiver was needing to return to her home country for a while so Sarah got approval and offered the job to Thing One.

That was the easy part. One had lost his ID. He had no bank account. He had a cellphone for communication and not much else. You can’t get on a plane without an ID. You can’t get an ID without a mailing address. It took months of wrangling to get him an ID and onto a plane. It was his first plane ride. He’d never been out of Texas before. He arrived in Seattle in September, 2019.

He spent the first year sleeping on a couch in our library/studio. He got certified as a caregiver in Washington and got a regular salary. He cleaned and cooked and helped Sarah with physical therapy.

In August, 2020 our housemate moved out and we rearranged things so One got his own room. Less than a month later we acquired Thing Two.

Thing Two came to us from Spokane in Eastern Washington. She was 20 years old and she says she’d never been out of Spokane. She was part of group of friends that Thing One had bonded with online. One of her parents had just been arrested for assaulting her and Thing One thought she needed rescue. He convinced a neighbor friend to give him a ride to Spokane and bring her back. Yeah, we agreed to it. We believe in helping people when we can. She and Thing One shared his room.

There was drama. Drama with exes. Drama within their online groups. We didn’t see most of it. It happened online and over the phone with people in other states. They mostly kept to their room. Eventually things got heated enough that the Things needed to go. Thing Two went to Pennsylvania to live with friends on February 25th. Thing One went to live with loved ones in Texas on March 5th.

I had hoped that, in living with us, they would have the chances to build up their resources (mental and economic) so that when they moved on they would be better off than when they arrived. And they were better off. They went to places that are a better fit for them. We’re told to live by the Golden Rule: “Do to others what you would have them do to you”. That’s a good start, but one that doesn’t take the other into account. A more compassionate rule is: “Do to others how they would want done to them”. That one is harder because it requires communication and observation. It requires that I am able have honest, revealing conversations with the other person and that I am able to observe their actions and way of being in the world enough to be able antipicate their needs and wants. It requires time and patience. It requires communication skills that I’m still trying to develop.

The world that existed for me in my twenties doesn’t exist for the Things. Their home lives were very different  from mine. They have a neurodivergencies that I hadn’t really heard of at their age. It’s common to complain that “kids these days” spend too much time on their phones but cell phones didn’t exist when I was their age. Neither did the internet. I’d keep thinking about what I would be doing at their age in their situation and I’d have to keep reminding myself that my experiences couldn’t be used to fit their situation. Economics were different. I didn’t live through a pandemic.

So we gave them a place to stay and regroup. We made sure they got fed. We tried to pass on the knowledge and wisdom that we thought would help. The Things are intelligent. They are generally kind and honest. Thing One is creating a family with people his own age. Thing Two is living with people who were expecting her. I’ve lived long enough to guess the problems that they will face. I wanted them to be better prepared for the world before they left. But they are not me and they have their own experiences and mistakes to learn from. I wish them well.

I wish y’all well as well. I hope that your loved ones treat you as you wish to be treated and you can talk about it when they don’t. I hope you are able to do the reverse with them. See you next week!

Skook WIP #9

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Welcome to the ninth issue of the Skook Works in Progress newsletter. You are a fabulous person and very good looking. Give yourself a gold star!

Greeting Card Conversions

In which I present a sampling of before (scans of the original ink and colored pencil/art marker drawings) and after (adjusted in Photoshop) greeting card designs. The final designs are available at my Zazzle store.

Probably Not Bob

In the January 15th issue of this newsletter I posted a card design featuring a beer drinking, cigarette smoking reptile. One of my reader’s asked if it was a portrait of Bob the Lizard. My response was, “Who?” The reader sent me an image of Bob saying that he was a character in the Grimjack comics published in the Eighties and Nineties. I read a good chunk of those Grimjack comics but I don’t remember much about them.

My beer drinking, cigarette smoking lizard is Aunt Hortense. She made her first appearance in The Highly Unlikely Adventures of Moe and Detritus minicomic, issue 5. She’s the parental figure of a bunch of dimension hopping lizards. I published that minicomic in 1989. I don’t know when Bob the Lizard started showing up in Grimjack comics but the first issue of that series was pubished in 1983. Did Bob influence my creation of Aunt Hortense?

I don’t remember. What I do remember is that, sometime in the mid-Eighties, a good friend of mine got tattoos of some drawings I had done. One of those drawings was the silohuette of a lizard. I remember thinking, “I should draw more lizards!” From that seed came Aunt Hortense, Seth, Zerro, Lamallia, Missi and Willy. I first drew them as basically identical but, over the years, they evolved distinct appearances. Aunt Hortense got craggy and squarish. In the Nineties I featured the lizards in a series of xeroxed calendars and some issues of GLYPH magazine.

In recent years I’ve only drawn Hortense a few times. Once was the previous greeting card design. More recently was this portrait done for my tattoo sporting friend for her birthday.   

I didn’t do much to update the image for a greeting card. Hortense is not someone you mess with.

Good Buddies

This image is blatantly inspired by the Chuck Jones directed cartoon Feed the Kitty. I saw it as a kid on one of those afternoon cartoon shows and it stuck with me.

We all need friends and having friends who are very different from us is good for our character.

A Smile and a Dance

I have no idea what’s going on in this illustration. He’s happy so I’m happy when I look at him. That’s good enough for me.

Let the joy shine!

A Little Monster

Inside every big monster is a little monster that just wants a hug. And a cookie.

Giving this critter a cookie and a hug will not only bring you joy, it will keep you from feeling those claws and teeth. It is a monster after all.

Spreading the Heap Around

I did this drawing of the Heap as one of my daily sketches back in 2019. It’s one of my favorite pieces from that project so it seemed like it would look good on a mug.

To better fit a mug I extended the image, colored the figures and redid the background. Here’s a process gif showing the main stages.

I usually imagine there’s story behind my illustrations. The Heap and this girl are grooving at a night club. Why?

I don’t know. I often always know the story. I have to think about it.

The Heap as a DJ? As an MC? Maybe this image is part of an album cover?

Okay then.

And if it works as an album cover, why not on a t-shirt?

Okay then.


Influences – J.C. Leyendecker

It’s hard to discuss J.C. Leyendecker separate from Norman Rockwell. Rockwell is now the more famous of the two illustrators but Leyendecker came first. Rockwell idolized Leyendecker and his early style is strongly modeled on Leyendecker’s. I was glad to read that the two artists did become friends.

I love Leyendecker’s art for its precision. It’s deceptively simple. It’s all sharp angles and clean lines, geometry and design. All his characters, even the (rare) down and outers, have a sparkle to them. No grime.

Oddly, it was easier to find good images of Leyendecker’s work online than Rockwell’s. The link in my first paragraph will take you to a ten part blog series that features a wealth of his paintings. I only grabbed a few for flavor. The man did thousands of paintings – magazine and book covers and clothing advertisements.


It occurs to me that Leyendecker’s idealized men and women could have been models for the original comic book superheroes. The artists of early comics would have known his work. Today, he is a nostalgic footnote. In the late thirties and early forties, he was famous. It would have been hard not to think about Leyendecker’s work when you wanted to depict a heroic figure.

Character Concept Sketches and Model Sheets – The Heap

The Heap. The Face. Octobriana. Fantomah. Stardust. You’ll find depictions of all these characters in my shops. They are all comic characters who have escaped into the public domain. They are actually just a few of the comic characters who (mostly) debuted in the early days of the American comic book industry who are now available for anyone to use. So why am I  interested in this bunch?

Honestly, it feels like they found me. I didn’t go looking for public domain comic book characters to illustrate. I’ve participated in online remake/remodel challenges using other public domain characters and none of them stuck in my imagination.
Each character has a different appeal.

Stardust is a space wizard. His sorcery is of the “Technology so advanced as to seem like magic” variety.

Fantomah is a jungle vengence goddess.

The Face is … so basic he’s fun. He’s a guy who puts on a scary mask to fight crime. No superpowers. No tragic backstory.

Octobriana is a kick ass revolutionary.

The Heap is the original comic book swamp monster.

Until now, all my illustrations of these characters have been one-off images. I hadn’t considered drawing any of these folks on a reoccurring basis. Because of that they often look significantly different from version to version. I’m now past the “just get started” phase of creating merchandise in my shops and I’m moving on to the “create a consistent brand” stage.

That has meant doing what would have been preliminary sketches. These are to try out different versions of a character to see what looks good. I figured I’d start with the Heap. I’ve drawn him quite a few times over the years and his design is pretty simple. He’s basically a humanoid haystack with a sort of a carrot nose. In most of my illustrations I’ve given him some sort of eye. The Heap was drawn by a number of different artists during his original comic book run but most of them just gave him shadows where his eyes might have been. Having eyes means there’s more of a chance of having expressions so I decided to keep them. Most of my earlier versions have had some sort of roots and fungus on them. That gives a little variety to his design.

The Heap is a compost pile that’s come to life. It grew up around the body of a WW! pilot who had crashed his plane in a Polish swamp. It shambles about the world fighting monsters and human evil doers. 
Once I’d gotten a feel for the details of the character I set about creating a model sheet. I plan to do this with all the characters I will be using. Model sheets are usually created when a character is going to drawn by different artists in a variety of media (animation, comics, toys, breakfast cereal, whatever). It gives the creative team a base to work from. I’ve done model sheets for myself when I’ve been designing characters for comics and graphic novels. Most model sheets feature a character in a series of standing positions – front view, side view, back view. Most of my model sheets will have character in motion. It’s more fun to draw.

I basically stuck to my Big Swamp Boogie version of the Heap. I liked it when I drew it in 2019 so why not?

I’m mostly going to be showing my process work as gifs. I like watching an image as it evolves but, if you’d rather (or would rather also) see the different stages as separate images, just let me know.

These Days …

I like deadlines. But only deadlines that I’ve either given myself or negotiated with a client. I like them because they help me to structure how to manage a project. If something is due in two weeks I know I should be finishing at least 1/14th of it every day. I therefore know the minimum of work I need to complete. I also know that life happens and I may not be able to do 1/14th of the project every day so I aim to get 1/7 of the work done each day. That does not mean I push myself to do twice as much work as possible every day. I hate rush jobs. It means I’ve planned (or agreed to) a schedule that allows me to do good work at a comfortable pace in the time I have available outside of my USPS job and my responsibilities at home.

Last year’s newsletter was an exercise in getting myself to write on a regular basis. The art I posted was primarily from past projects. I published an issue a week. That was my goal and I met it. Yay me! My one frustration was that I wanted folks to subscribe and only a couple of people did so. Apparently the set up of my website made the subscription link difficult to find. I subscribe to a couple dozen newsletters. I don’t read every issue but having them show up in my inbox reminds me that they exist. So for 2021 I decided to use an email newsletter service to see if that would make it easier for readers to sign up. A number of the newsletters I read are hosted by tinyletter.com. Most of the rest are hosted by substack.com. Substack allows writers to charge for subscriptions. Tinyletter does not. I don’t plan to charge for subscriptions so I chose tinyletter.

Because I like being ahead of a deadline I started setting up emails. At the moment I’ve got images prepped (and some writing about those images) for newsletters into April. The first seven newsletters went out with no problem. You folks subscribed. Thank you!

Last week I hit a snag. I pressed send on issue 8, went to have a cup of coffee and came back to this message –

“Your account has been flagged by our abuse prevention system. Our team reviews all accounts for Compliance with our Terms of Use. If your letter has not been sent after 12 hours, please reach out to our Support team with the username for your account.”

Issue 8 was stuck in limbo and, most annoyingly, I didn’t know why. Was it the Rockwell images? Was it the joke about the red canid with the trumpet? Did I have too many links? I read the Terms of Use. I checked FAQs. I missed my Friday posting deadline. Phooey. After 13 hours the newsletter hadn’t sent so I sent tinyletter an email asking for help. Friday became Saturday became Sunday. I

The really embarassing thing is that, having concentrated on putting together this newsletter for the last few weeks, I’d kind of forgotten that I still had a website. Having remembered I recreated the issue as a blogpost and sent out links via tinyletter as a test to see if it was just my 8th issue that was blocked or my whole account. Those links went.

On Monday morning I got a response from Stanley at tinyletter –

“Hi there,

Thank you for reaching out about your TinyLetter account. We’ll be glad to help offer some clarification here. 

Taking look at the account, it appears that our automated prevention system, Omnivore, detected content, keywords, or activity that can indicate the possibility of harmful information being sent through our service.

Upon review, however, we can see that the letter is fine and has been moved back to drafts where it can be resent. 

We appreciate your patience during our human review. As the specific keywords and content that Omnivore detects are constantly changing, we’re unable to provide a full list of all potential triggers, however if you run into any issues in the future, please reach out and we’ll be happy to assist. 

You can read more about our detection practices here:
http://mailchimp.com/omnivore/

Please let us know if you have any questions. We’re here to help. “

I responded, jokingly asking if it was my joke about the horny fox. Stanley then answered with –

“Hi David,

Thanks for the reply. For proprietary reasons I wouldn’t be able to divulge exactly what set off our system, but rest assured we’ve made adjustments to prevent it from stopping letters in the future 🙂

Let us know if you have any questions. Take care :)”

I sent out issue #8 on Monday afternoon. If you haven’t read it yet it’s available in both the tinyletter archives and my website. Hopefully you’re reading this issue on Friday morning in your email as planned. If not, check my website on Saturday. I’ll be reposting it there.

Hopefully you are also doing well and only a little stir crazy. I get outside as part of my job and I’m stir crazy. Hopefully you’re managing better than I.am. See you next week!

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