Tuesday Night Party Club #9

Artstuff

In the summer of 2010 John L. Bell emailed to ask if I would be available to do illustrations for the next issue of Oziana. I enjoyed working on the 2006 issue and happily said yes. Above are the covers by Charnelle Pinkney (2009) and Tim McGloughlin (2010). This was a double issue of the magazine, produced in flipbook style, combining both the 2009 and 2010 editions. My illustrations seasoned the story “Invisible Fence” by John L. Bell. We’d originally planned for me to do more illustrations but 2010 turned out to be chaotic – I was laid off from my day job and went back to school for “retraining” as a computer programmer. That left me with less time than expected. Deadlines loomed. Fortunately, John was able to rearrange the issue’s layout so the illustrations spread out evenly and cut down on printing costs. A review of the story can be found on Eric Gjovaag’s Wonderful Blog of Oz.

Story Seed #33 

A sequel needn’t be a rerun: Alien 2

My previous story seeds featured story ideas that, basically, I’m giving away. If someone is inspired to grow a story from them they are wellcome to do so. No need to get my permission.

Using the ideas I’ll be mentioning in the next few weeks would require someone to get permission from the corporations that own the movies in question. The intellectual properties involved are not in public domain. All of these films have already had successful sequels. But part of the fun of having ideas is sharing them so …

Sequel (definition grabbed from Lexico): A published, broadcast, or recorded work that continues the story or develops the theme of an earlier one.

Alien. Terminator. Blade Runner. All three of these science fiction films had sequels. The sequels didn’t come immediately. They came years, even decades later. I enjoyed all the sequels as much, if not more, than the originals. That’s pretty rare. Most sequels are pale shadows of the originals. So my sequel ideas are suggestions, not of better stories, but of different directions the “franchises” could have taken.

Alien was released in 1979. It was the first released of the films I’m “sequeling” so I’ll write about it this week. It tells the story of the crew of the spaceship Nostromo, who are required to investigate a distress signal on an unknown world. They find an ancient spacecraft and pick up a deadly hitchhiker.

A sequel to Alien, Aliens was released seven years later. Ripley, the lone survivor of the Nostromo, accompanies a group of marines back to the planet of the alien ship and they must combat a nest of xenomorphs to escape. Like many sequels Aliens cements the pattern of the rest of the franchise. For Alien it’s humans vs. xenomorphs with a seasoning of corporate manipulation and evil. By focusing on the xenomorph, every Alien installment is a bug hunt. Part of what makes Alien such a great science fiction movie is that it suggests a much bigger world outside the confines of the story of the film. Space travel is common and a regular part of life. It’s not fast but it’s predictable. Android technology is good enough that human beings won’t be able to tell the difference between an android and another human. Extraterrestrial life has been encountered before. It’s not clear if humanity has met living extraterrestrial civilizations but the Nostromo’s crew doesn’t react as if evidence of extraterrestrial civilizations has never been found before.

Imagine if, in Alien 2, the story expanded out. Word of the space jockey’s ship has gotten out, either leaked by someone at Weyland-Yutani or because Ripley was found and told her story. Multiple expeditions have come to investigate the ship – a team from W-Y intent on officially staking their claim, a team from a rival corporation, and a contingent of military from a government enforcement arm. The jockey’s ship is ancient but it’s not dead and it contains more wonders and horrors than clutches of xenomorph eggs.

By focusing on the mysteries of the ship and the interaction between different human factions, Alien 2 could depict more of the big complicated universe suggested in Alien. The W-Y team would have more knowledge of the ship and the xenomorphs than the other teams. W-Y directed the Nostromo to the planet with the intention that it bring back a xenomorph or two, so clearly some other humans had found the ship in the past. Unfortunately (for them at least) their focus on the xenomorph will make them unprepared for other dangers and wonders presented by the ship.

H.R. Giger‘s designs for the xenomorph, the space jockey and the ship are some of the most alien looking depictions of extraterrestials to appear in the movies. Later designers were able to duplicate and extrapolate from those designs but no one surpassed them. They suggest completely non-terran biologies and non-human technologies. Why was the ship carrying all those xenomorph eggs? Where was it going? Are they weapons? Tools? A slave race? Lunch? The space jockey appears to have been killed by a birthing xenomorph. What went wrong?

If the xenomorphs are weapons, who or what were they meant to used against? Other space jockeys? Another alien race?

Does the space jockey’s civilization still exist? Have they advanced? Decayed?

The franchise did try to answer some of those questions in Prometheus, but by that time the xenomorph had become the toothy face of the series. It was too late to redirect the focus and, honestly, the answers the film presented were both uninteresting and didn’t make a lot of sense. The space jockey became just another humanoid ET who committed the ordinary human sin of creating the thing that would destroy it. More imagination was needed. Writers and designers who could think in cosmic terms should have been employed.

Imagine what the Alien franchise could have been if the alien xenomorph had been downplayed in the sequel and the focus had been on the alien space jockey and its alien ship instead. What wonders and terrors could we have experienced?

Other Newsletters

Technocult News by “Damien” focuses a lot on technology and, especially, how human prejudices and cultural blinders are incorporated into that technology. Damien gives me a regular reminder that technology is a created thing and its human creators build in flaws and dangers without realizing it. Our assumptions limit our thinking. Technology will always be used in ways we don’t consider so more consideration and inclusion of diverse designers and users when creating technology is ideal.

Lifestuff

A couple of weeks back my brother, Glenn, sent me a link to the proposed 42 words anthology. This week, instead of writing about my life like a good newsletterer, I wrote and submitted a story. It was an interesting exercise. First I wrote the shortest story I could think of based on my basic idea. Then I revised. And revised. The story had to be exactly 42 words. This paragraph is 74 words.

If the story gets accepted I’ll post about it. If it doesn’t I’ll post the story. I don’t have a time frame for either. After I submitted my entry I paid a little more attention to the rest of the blog and realized that submissions were first announced in July of 2018. As of February 8th they have accepted 483 stories. They are wanting 1764 stories. Only 1281 to go.

They’re accepting up to four stories per author. I may submit more. If you want to give writing a short short story a try, please do!

That’s if for this week. Enjoy each moment. If that’s not possible, enjoy as many moments as you can.

Tuesday Night Party Club #8

Artstuff

Above is the cover of Oziana 2006, published in 2007. It’s a photo of a sculpture by Steve Larabee. It’s one of many winged monkeys that he has sculpted and placed around Burlington, Vermont.

In December of 2006 John L. Bell commented on my blog, asking if I would be interested in doing illustrations for the next issue of Oziana. Oziana is the creative magazine of the International Wizard of Oz Club. John was the editor that year. I emailed him back and took the assignment.

I illustrated one story: “The Axeman’s Arm”, and three poems. The story was about two Munchkin children who find the cast off meat arms of the Tin Woodman and the Tin Soldier. It’s a bit of sequel to The Tin Woodman of Oz, L. Frank Baum’s 12th Oz book. In the book the Tin Woodman meets the Tin Soldier, another man whose entire person has been replaced by tin parts. Together they find Chopfyt, a man created from a combination of their cast off body parts. Bell’s story concerned some of the body parts that didn’t get used to make Chopfyt.

“Rivals” a poem by Adrian Korpel focused on one of Dorothy’s original Wizard of Oz traveling companions. Since the theme of that issue of Oziana was “Dark Oz” the poem told less happy versions of the Scarecrow, Tin Woodman and Lion’s experiences with Dot.

The Oz Club offers print on demand versions of its most recent issues but this issue doesn’t make the cut. Below is the table of contents taken from the Monkeys With Wings website. John L. Bell regularly writes about Oz (and other things) at his Oz and Ends blog.

Story Seed #32

Alternate History: What if the Mongol Empire had remained intact for centuries?

When I was in junior and high school, my World History classes covered primarily European history. We’d start with the Fertile Crescent, get into the Greeks and the Romans and then carry on with the squabbles of various royal idiots in England and France. I would look at maps of the world and think, “This is not the world. This is just a part of the world. I want to know about what happened on the rest of the map.”

The largest land empire in history was not European. It certainly wasn’t Greek or Roman. It was the Mongol Empire begun by Genghis Khan. Like most empires it had a short life – about a hundred years. It was birthed by Genghis’s ambitions and split due to his successors’ egos. I heard very little about it in school. Kublai Khan got mentioned because of Marco Polo’s visits to the Empire.

Fiction set in the Mongol Empire, written by western authors, is almost nonexistent. Alternate histories featuring a lasting empire are even more scant. So there’s lots of room to write if one wanted to put in the research.

Other Newsletters

Restricted Frequency is a newsletter by Ganzeer. I think it was the first newsletter I subscribed to based on a Warren Ellis recommendation. Ganzeer writes about his life as graphic novelist, designer and working artist.

Lifestuff

Lifestuff is also Artstuff-in-Progress. I’m steadily working my way through my illustration assignments for the Lovecraft Country Holiday Collection. I’ve got two more illustrations to complete for Horrors of War. I have a book cover to complete for the second Ikasa Spider novel. I have a portrait commission for the Panel Jumpers. My wife and I are collaborating on graphic novel. Busy busy.

Thank you for reading. I hope your days bring you some fun and some joy along with all the other nonsense. See you next week!