Tag Archives: redbubble

Skook Words (and Pictures) #21

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‘Tis the Day of Fri. Once again.

Did your week go well?

I certainly hope so. If not, please fill out a complaint form and send it to management. Operators are standing by. Standing by the water cooler that is. They’re nowhere near the phones and they wouldn’t answer if they were. It’s casual Friday. Management is drunk and the operators are halfway there.

(I can’t remember if I’ve ever worked in a place that had a water cooler. Coffee maker, yes. Water cooler … maybe? It’s too early to wrack my memory.)

These Days …

This week started out pretty well. My days off collaborated with the Memorial Day holiday so I ended up with three days off in a row – Sunday through Tuesday.

I did some late birthday celebrating on Sunday. And worked on art. Contracts have not yet been signed with the new publisher for Billi 99 but I’m letting myself work on short projects again. The publisher sent us copies of a few of the books that they’ve done in the past and they are lovely. Waiting for them to get back to us on some details is difficult but they already had projects on their schedule and adding in Billi requires moving things around.

Monday I went to a rally organized by my mail carriers’ union. City carriers are currently working without a contract. Our contract expired on May 20th. We’ll continue to get paid and have all the rights agreed on in the previous contract until the new one takes effect. The rally was to make a public statement that we wanted an end to mandatory overtime and better working conditions. The rally happened in a park in downtown Seattle. I don’t go downtown much. Parking is expensive. It’s full of people. But I went. Numbers matter. Showing up was the least I could do. I joined in chants when expected. I even had a conversation with one of the carriers from my station that I’d never spoke to before. Turns out he’d had two different smash and grabs happen on his route.

Tuesday I worked on art.

On Wednesday I found out that I’d been mandated to work on Tuesday. Apparently five regular carriers, including myself, had been mandated. Management forgot to tell any of us. They put it on the schedule but, as regulars, we already have an expected schedule, so none of us checked the weekly updating one. Ooops. The mail got delivered.

As it got delivered on Wednesday and Thursday. It will get delivered again today. Probably by me. It’s possible that aliens will take me for a joyride between now and clock in time but that’s unlikely. I’m certainly not counting on it.

The Progress

One of the things I worked on during my holiday was coloring this set of sketches. I finished the process on Tuesday. This week I’m posting my base color choices for each set of sketches. I’m coloring this art in monochrome. Ideally each base color suggests an emotion. Ideally. I’ll be posting different stages each week for the next month.

To Sail the Seas Unknown

A couple of years ago I did a couple of supplemental illustrations for Corsairs of Cthulhu, a Call of Cthulhu RPG set in the Golden Age of Piracy. One was a page border –
The other was a general use fill-in illustration. The page border is pretty specific to the book but this crossed swords image seems like it could live on its own on schtuff.

I haven’t added anything to my Redbubble shop in a while so, with time available, I set to work coloring this design.

Voilà!

Available on schtuff!

And that’s it for this week. I need to have some breakfast. And think about delivering mail.

Take care of yourself. Check in on the folks you care about. Make some art. Go for a walk. Pet a cat. Play with a dog. Take a nap.

The world is full of opportunities.

Thank you for reading. See you in seven!

Skook WiP #55

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Two weeks into 2022.

Welcome to the latest Skook Works-in-Progress newwletter. I hope life is going well for you. If it’s not, have you asked for a redo?

These Days …

On Tuesday I filled out an application for a Managing Editor position at the major bookseller down in Portland. Sarah had been sent notice of the job via LinkedIn. The application period was ending on Wednesday and my initial thought was that that was not enough time for me to put together a resume and fill out an application. The job description emphasized a need to be able to make deadlines. So I thought, what the hell, let’s see if I can make this deadline. I had to work up a resume for the occasion. I thought I had one saved on my computer but, if so I labeled it in such a way that I can’t find it.

The pay is equivalent to the Post Office without requiring as much exercise. That’s a plus. The job is expected to be done remotely most of the time. That’s another plus. The job holder is expected to live in the Portland area. We live in the Seattle area. So we’d need to move. The likelihood that I’ll even get a rejection notice is pretty slim. I applied mostly for the practice of doing it. I’d be happy to keep delivering mail.

My body has other opinions.

I’ve been back at the USPS working what are supposed to be four hour (half day) shifts. I spend a couple of hours sorting and organizing mail and parcels for delivery on my route. Depending on the day and the carriers available I divide the route into three or four parts and I deliver one of those parts. My knee is still complaining about being used so I reserve the parts of the route that require the least amount of walking for myself. Some days I’m able to deliver my part in less than 2 hours. Most days I’ve gone slightly over.

As of this writing, I’m still waiting for Workman’s Comp to approve me getting an MRI. They want a diagnosis. They want to know why I’m not working all that annoying mandatory overtime. I’d like to know why my knee is on strike and what I can do to encourage it to be willing to put up with my abuse again. Workman’s comp wants to stop paying me to not work. I want to deliver my full route. (My customers want me to deliver my full route. They tell me. Some tell me in very colorful language.) You’d think that would be incentive for them to quickly approve the process. You’d think.

Mugshots

This week’s mug design is an example of thinking ahead. Perhaps too far ahead. I was thinking of Halloween when I drew this. Can you tell?

I do know quite a few people for whom Halloween isn’t simply a date on the calendar. It’s a state of mind. They’d be happy to see it celebrated all year. I’m guessing I made this design for them.

The mugs are available in my Zazzle store. The design is available on other schtuff in my Redbubble store.

Meow.

See you next week. Thank you for dropping by!

 

Skook WIP #17

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Open on: the Skookworks studio. The Cartoonist sits in front of his computer. He is typing. A black cat is slumped on his lap. It’s impossible to tell the time of day. The room has no windows. Two of the walls have built-in floor to ceiling bookshelves. The desk on which the computer sits is cluttered with scraps of paper and pens. The drawing table next to the computer is similarly cluttered but with a different variety of pens and pencils and the papers have more art on them.

The Salesman wanders in.

Salesman: “Hey.”

The Cartoonist doesn’t look up. Cartoonist: “Uhm?”

Salesman: “Did you listen to the Planet Money podcast about buying a superhero?”

The Cartoonist stops typing. He looks at the Salesman. Cartoonist: “Of course I did. We’re the same person. If you’ve done something, so have I.”

The Salesman rolls his eyes. Salesman: “For a guy with a lot of imagination you’ve got a narrow focus. Just pretend we’re two people so I have something to write about in this week’s newsletter.”

The Cartoonist rolls his eyes in exactly the same way the Salesman had done. Cartoonist: “I’m writing the newsletter while we’re talking. So keep talking.”

The Salesman frowns. Salesman: “Why isn’t the Writer writing the newsletter?”

Cartoonist: “We can only be so many people before I get confused. Let’s stick to the point. Or find one. What about the Planet Money thing did you want to talk about?”

Salesman: “What do you think?”

Cartoonist: “I think the Archie comics guy was right, Micro-Face is a terrible name.”

Salesman: “Not that. What do you think about us digging up our own public domain superhero?”

Cartoonist: “Another one? We’ve already got five. What do we need another for?”

Salesman: “All of our guys have been used by other people. Why not grab a more unknown character and use that?”

The Cartoonist stares at the Salesman. The cat yawns and adjusts its position slightly.

Cartoonist: “Having some recognition helps us doesn’t it? These characters all have some reputation outside my drawings. A more unknown character might as well be a completely new character.”

Salesman: “Have you at least looked at the Public Domain Superheroes catalog?”

Cartoonist: “I’ve looked there and at this list. It’s easy to get overwhelmed. There are thousands of characters listed. Lots of gods and goddesses from old myths. Lots of daring aviators. Lots of folks who wear masks to fight crime. Lots of Flash Gordon wannabes.It’s fun to look but it’s hard to get more than a glimpse at any one character.
And I think the public domain status of some of the characters is questionable. The lists were put together by fans not copyright lawyers. I’d rather not get inspired by some character, do up a bunch of designs and then get sued. That’s not fun.”

Salesman: “I’m just trying to figure out an angle to take to promote our work. It’s … weird.”

Cartoonist: “Isn’t that an angle. ‘Weird stuff’?”

Salesman: “There’s a lot of weird stuff online. I’m trying to figure out a more focused branding to use.”

The Cartoonist makes a crumpled up paper sort of expression. Cartoonist: “Do you have to use the term ‘branding’? Isn’t that outdated by now?”

Salesman: “I googled it before you typed my dialogue. It’s still in major use.”

Cartoonist: “I hate marketing catchwords.”

Salesman: “Deal with it. You’ve got to play the game to get rich.”

Cartoonist: “A. If we’re trying to get rich we’re going about it wrong. B. We’ve got a day job to pay the bills so we’re doing this for the fun of it.”

Salesman: “You’re doing this for the fun of it. I want us to be rich.”

Cartoonist: “You’re only a tiny part of our personality. The rest of us doesn’t care about being wealthy. Some parts of us are morally opposed to great wealth.”

Salesman: “The Mail Carrier wouldn’t mind retiring. Soon.”

Cartoonist: “He does have an exhausting job. And I would enjoy spending more time drawing.”

Salesman: “Right! So I’m trying to figure out a more focused branding for our merchandise. The stuff in our stores is all over the place. Cute cartoon animal greeting cards. The Mighty Nizz. Cthulhu stuff. One-off scifi and monster illustrations. I’m thinking we’d better off having a half a dozen more directed stores instead of a couple general ones.”

Cartoonist: “Have you wandered off the point? I thought we were talking about our superheroes.”

Salesman: ” …. Right. So we’re not going to revive some obscure public domain character?”

Cartoonist: “Not today. Our stores are a jumble because we just jumped in and started putting them together with what we had on hand. We’re past that stage now. I’m designing images for the available merchandise. I’m having fun. I’ve got plans for Stardust, Octobriana, the Heap, Fantomah and the Face.”

Salesman: “Are you doing new comics?”

The Cartoonist makes that crumpled paper sort of expression again. The cat hops off his lap and wanders out of the studio. Cartoonist: “Ask me that when the Mail Carrier has a long vacation. Comics take time and concentration and those are rare commodities in this studio. Meanwhile, I’m working on some fun designs.”

Salesman: “Fun designs that I’ll be able to sell?”

Cartoonist: “They’ll be designs I’d want to wear myself.”

The Salesman sighs. Salesman: “More weird and obscure things? You hate me, don’t you?”

These Days …

Happy Friday! Thank you for dropping by.

This issue is a shorter one, a bit of breather between finishing the greeting card conversions and starting discussing the next phases for the online shops.

It’s been a weird couple of weeks. If you read my last newsletter you know that we (me, my wife and our housemate) have been quarantined because our new housemate is recovering from covid. The responsible thing to do after exposure is to stay away from other people for 14 days. So no work outside the house. No delivering mail.

Last week I was in a bad mood. I like my routines. This wasn’t in my plans. It wasn’t a vacation. I may have complaints about the number of hours I work at USPS but working there gets me the paycheck to fund the rest of our life. Not going to work makes me nervous. Not going to work because there’s a potentially deadly disease in my living space adds to that discomfort.

This week I was in a lighter mood. Our housemate has been getting better. Neither Sarah nor I have had any symptoms of covid.

I’ve been able to use the home time to get a lot of designs completed for my shops. Chemo, the black cat, has been acting as my executive assistant. He was waking me up at 3 am before quarantine and he has continued to do so now. Most of the new work is available now in my Redbubble store. I’m really happy with how the new stuff has been turning out. I’m enjoying the challenge of creating images that both suggest stories and look good on t-shirts (and mugs and blankets and shower curtains and phone cases and ..). I will be showing the process steps for each design in upcoming newsletters.

We’ve been rearranging the space a bit so our new housemate has room for her own stuff and has a place to work on her paintings. We’ve been giving away furniture. Chemo and the new grey cat, Flax, have been getting along.

We plan to all get tested for covid tomorrow or Sunday. Assuming we’re clear I’ll be back delivering mail next week. I’ll be getting my second Pfizer vaccine the week after that.

Yay.

I hope that things in your world are looking bright. If you need to wear shades, put them on. Everyone looks cooler in shades.

See you next week!

Skook WIP #14

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It’s Friday. You’re where you are. I’m where I am. This newsletter connects us for a moment. Thank you for stopping by!

Greeting Card Conversions

As usual, we start with before and after versions of some greeting card designs. The after versions will be available in my Zazzle shop. Normally they are already uploaded by the time I send out this newsletter but … squirrel!

Speaking of Squirrels

Joy + Noise = Music.

Truth.

A little extra color just makes it shine.

Hip to be Square

Good god, I’m dating myself by quoting that song.

It wasn’t true then. It’s not true now. It’s hip to be hip. Being square puts you in a corner.

Dress for success. Dress for excess. Dress to impress. But, please, dress!

And the Award for Best Best Goes to …

Sometimes you just need a prize, an award, an acknowledgement that you did it, you made it, you’re still here. And if you’re fine today, then someone else can use it. Share the love and the kudos and the huzzahs and the cake!

Especially share the cake!

A Relaxing Cup of Tea

I like the idea of sitting down and drinking a nice warm cup of tea. Of just letting the world take a pause.

I really should try it sometime.

Joyful Noise

This is the first design created specifically for my online shops. Because I have this newsletter I thought to scan each step in the process.

Most of my design start with a sketch. I use a non-photo blue pencil to do the rough sketching.

Once I’ve figured out the basic design I use an HB lead pencil to finish the sketch. I scan it into Photoshop and use a filter to remove the blue lines.

I then convert the pencil drawing into a blueline drawing and print it out at a larger size. The original was done on 8.5×11 cardstock. The second version is on 11×17 bristol board.

I ink over the blueline and then add shading. Sometimes I shade with greytone markers. Sometimes, as in this case, I just use an HB pencil. I scan this version into Photoshop, remove the blueline and start coloring.

Voila!

Here’s a process gif. It’s not real without a process gif.


This design is available on a beer stein in my zazzle store and on many, many other things in my redbubble store.

These Days …

Each week is a juggling act of attention and action. The day job and the Sarah get my attention first. Then it’s chores and art and writing and marketing and goofing off. This week I was having so much fun working on art projects that writing and marketing got mostly ignored. As did some chores.

I will show off the art in weeks to come. The chores you can imagine for yourself. I will have more to say next week.

Thank you for visiting. Stay well. Get your shots. Pet a cat. Give a compliment. Look out for each other.

See you next week!

Skook WIP #12

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Is it Friday again? Time flies! And occasionally stumbles. I’m still adjusting to, and complaining about, the time change. I do like that my phone and my desktop don’t require me to update their clocks. It would be handy if the rest of my timepieces adjusted themselves on their own but I really don’t need more objects connected to the web.

Thank you for joining me again. I hope you are well and happy.

Greeting Card Conversions

We start, as usual, with the before (scans of the original hand drawn art) and after (digitally corrected and edited for print) versions of the greeting card designs I’m posting in my Zazzle store.

Hil(arity)raiser

You’ve solved the puzzle and summoned the tormenter. Your giggles will be legendary even in Heck.

Keep your shoes on! Wear a heavy sweater! Stomp your feet and protest. He can only tickle you if you let him. Bunny cenobites require consent to torture you. They’re polite that way.

Out for a Stroll

Spring is on its way. So I’m told. It’s a mix of rain and sun and warm and cold here in Seattle. Dressing for the weather means taking a gamble at being too hot or too cold, often on the same day. But, heck, you might as well dress to show off and take your chances. You’ll look good for a few minutes at least.

Every season has its moments. Enjoy them as they come.

Fancy a Game of Catch?

After spring comes summer and with summer comes baseball! Teamwork! Batting! Throwing! Catching! Running! Yelling at the umpire! Nothing more American than yelling at some guy for having the wrong opinion.

Make sure to pick that frog kid for your team. He’ll never let a fly get past him.


A Dragon Indeed

This critter doesn’t hoard gold or diamonds. His favorite treasure is cookies. He doesn’t eat them. He takes them back to his cave and stacks them in neat piles. Then he sighs with satisfaction.

Chocolate chips. Oatmeal raisin. Peanut butter. Coconut maroons. He loves them all. They may get stale but they stay free of ants. When they show up the dragon eats them. He likes their spiciness.


The Panel Jumper Does Octobriana and the Heap

I got an email on Sunday from Cole Hornaday reminding me about his Panel Jumper series of videos. The main videos are neat little documentaries about various aspects of comic book history. In particular he has episodes focusing on two of the weird heroes I’ve appropriated for … whatever …
Click these links for histories of:
Muck Men (including the Heap)
Octobriana

After you’ve checked out those videos spend some time listening to the Perfect Bound podcast. It’s an entertaining and informative way to spend your quarantine!

Face the Face

The Face had a simple premise: radio announcer Tony Trent puts on a scary mask to fight crime. I like the basicness of the concept. Trent had no supernatural powers and his adversaries were primarily just ordinary crooks. The Face was featured in the anthology Big Shot Comics, appearing in 62 stories. In issue 63 Tony Trent stopped wearing the mask and went on to have another 40 adventures until the Big Shot was cancelled with issue 104.

This is the third time I’ve spent time (re)designing the Face. I did one version here and a second here.

I started with the idea that I was going to just update that second version but it wasn’t clicking. It didn’t look scary. So I went back to the original Big Shot design – short hair, no eyebrows – and played around with different variations..

I do like the horrifying version with all the exposed teeth but I ultimately decided on a look that wouldn’t require a lot of prosthetics (or magic) to pull off.

The original Face fought crime while wearing a blue tuxedo. It’s not a bad style. I went with a brown suit that, I think, more emphasizes the weird green and red mask. In the 1940s wearing a tuxedo made the Face stand out. Suits were the standard uniform of even the lower classes. These days suits are less common so fighting crime in one would be unusual. And, to me, more comfortable than the spandex and leather that most superheroes put on. I also think that, these days, a plain brown suit makes the Face look more like a middle class crime fighter. I get that the “hero with a secret identity” originated with rich guys (The Scarlet Pimpernel, Zorro, Batman) but I’m not a rich guy and, the older I get, the less sympathy I have for rich guys.

I honestly don’t know what, if anything, I’ll do with the Face but now I have a standard version to use.

News from the Night Forest

A couple of updates on the Mighty Nizz project –
Sarah wrote a vignette and it’s live on the site.
Unless something goes wrong, Nizz will be the star of my 2022 calendar. Zazzle has a calendar template that I should be able to make work for my preferences. I’m hoping I can customize the template to include people’s birthdays but I haven’t really looked at that yet. I will update you as I figure it out.

These Days …

Last week I forgot to do an “Influences” section. This week I’m sort of putting that section and this one together. After I’d written about Bill Peet I thought about other chlidren’s book authors I might want to feature and, of course, Dr. Suess came up. His books were ubiquitous for kids who grew up when I did. Obviously his work had some influence on me.

Right?

At first my answer was, “Kinda. Sorta.”

I don’t remember wanting to draw like Suess. I couldn’t remember any specific Suess story that had an impact on me. I remember How the Grinch Stole Christmas and Horton Hears a Who from the cartoon specials rather than the books from which they were adapted. I’m sure the absurdity in his stories and art had an impact but I couldn’t come up with anything specific.

And then it was announced that some Dr. Suess books are no longer going to be printed. My first thought was, “Which books?” because the first few memes I saw didn’t say. Being a someone who prefers to know what he’s getting upset about I did some research and found the list –
1. And to Think that I Saw it on Mulberry Street
Marco watches the sight and sounds of people and vehicles traveling along Mulberry Street and dreams up an elaborate story to tell to his father at the end of his walk.
2. If I Ran the Zoo
Gerald McGrew visits a zoo and finds that the animals are “not good enough” and describes how he would run the zoo. He would let all of the current animals free and find new, more bizarre and exotic ones.
3. McElligot’s Pool
A boy named Marco is ridiculed for fishing in a small, polluted pool, and tries to justify himself by imagining the fish he might catch
4. On Beyond Zebra
The young narrator, not content with the confines of the ordinary alphabet, invents additional letters beyond Z, with a fantastic creature corresponding to each new letter.
5. Scrambled Eggs Super
A young boy named Peter T. Hooper spins a tale of an incredible meal he created by harvesting the eggs of fantastically exotic birds.
6. The Cat’s Quizzer
The Cat in the Hat asks many, sometimes ridiculous, questions of the reader.

Of the six on the list I remember having read the first four. I don’t remember much about them. The summaries I’ve included came from the Suess Bibliograpy wikipeda page. I don’t remember racist imagery in the illustrations but when I was a kid I wouldn’t have noticed much. There was enough racist imagery all around me that such illustrations probably seemed normal. I was a white kid growing up in a mostly white community. I didn’t see a lot of examples of other races and cultures. The human beings in the good doctor’s illustrations were all pretty cartoonish. I didn’t have the awareness to know the difference between generally cartoonish and offensively cartoonish.

I did feel disappointment in hearing that some of the Suess catalog would go out of print. I especially felt a twinge over the loss of Mulberry Street. That was Suess’ first published kids book and had been rejected by multiple publishers before it debuted in 1937. It had been an example for me of success through determinated effort. I’m also attached to the idea that a book I liked once would be available for me to read again someday. But books go out of print all the time. Most of the books on my shelves right now are out of print. Before print on demand, most books got one, maybe two print runs and that was it. Mulberry Street was in print for EIGHTY-FOUR years. The Cat’s Quizzer, the most recent of the books, first saw print in 1976. I’ve had plenty of opportunities to buy a copy of it or any of those other Suess books.

Theodore Guiesel aka Dr. Suess passed away in 1991. His widow, Audrey Guiesel, passed away in 2018. His books and the licensing of his characters is now managed by Dr. Suess Enterprises. It’s a nonprofit company but it exists in a capitalist world. It’s a property management company. They could have had the books edited to change or remove offensive content. Suess himself did it slightly once with Mulberry Street. I’m sure there would have been outrage at that. But the money to made with Suess’ work isn’t in publishing books. It’s in licensing. Licensing for toys, film and television adaptations, games. It’s in recognizable characters like the Cat in the Hat, Horton the Elephant, the Lorax and other non-human creations. Those characters can be sold to any parent of any race and ethnic background. Those characters can be marketed internationally.

It’s been over a week since the announcement and the internet has moved on to other outrages. I have a lot of time to think while I deliver mail and I’ve devoted more time to thinking about Suess in the last couple of weeks than I have in the last twenty years. I realized that, yes, I did have some favorite Suess stories. The 500 Hats of Bartholomew Cubbins. Bartholomew and the Oobleck. Green Eggs and Ham. The Pants with Nobody in Them. Horror stories for children. 

Most folks probably wouldn’t consider them such. They all have happy endings. I don’t remember if any of those stories gave me nightmares but they are fuel for such. Pants, in particular, has haunted me through the years. I’d forgotten about Bartholomews adventures until I read the Suess bibliography. Pants was a story that I’d use as an example of a really creepy children’s story. I was disappointed to discover that it’s not actually titled The Pants with Nobody in Them. The proper title is What Was I Scared Of? That telegraphs the pleasant resolution. I did remember that the pants and the narrator became friends. But I remember more the disturbing idea of being stalked by a piece of empty clothing.

I don’t need to own those books. I need to let go of a lot of the books I own now. I love having a big library but eventually we’ll have to move and it will be a lot easier to do that with a lot less books. Those Suess books that are no longer being published will, sooner or later, enter the public domain. Mulberry Street will do so in twelve years, in 2033. At that time anyone will be able to publish the story. They can publish the original version. Or they can redo it to fit their own taste. It will be interesting to see the variations we get.

In the meantime, I hope you own the books you love and you have time to read them. See you next week!

Skook WIP #10

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Well hello! It’s a delight to see you again! The constant insanity of the modern civilization doesn’t seem to be infecting you at all!

Me? I’m okay. There are been some bumps in the road but whether those bumps are problems or high points is something I’m still figuring out. I’ll talk about those next week when they are more sorted out. This week, let’s just talk about some art. We’ll start, as usual, with some greeting card conversions, before (scans of ink, colored pencil and marker drawings) and after (digitally cleaned up and edited) versions. (The final designs are available in my Zazzle shop.)

Carving Your Face

In America, Halloween is the season for giving faces to oversized, hollowed out squashes. This is, apparently, an evolution of an old European traditon of carving faces into hollowed out turnips. A long series of films to the contrary, it is not a season for killing teenagers. Killing teenagers is frowned upon by all right thinking people. If you’ve been thinking about killing teenagers, please consider carving pumpkins instead.

Admittedly, killing teenagers will give you more cardiovascular exercise. However, most teenagers are actually more entertaining when they are alive than otherwise. Pumpkins are much more entertaining as objects to carve than teenagers. Plus, you can roast the seeds for a tasty snack!

There are No Weak Kittens

One day Sarah, my fabulous wife, described herself as feeling “weak as a kitten”. That comment inspired this card design. She has the original.

That original was done on a sheet of 8.5×11 folded in thirds. For the version that’s in my shop I had a lot of fun moving and reorienting the elements to fit a standard 5×7 greeting card design. Climb those curtains baby!

A Bit of a Breeze

There you are, walking with your umbrella, staring at your feet, thinking out what you’re going to have for lunch, trying to keep dry and suddenly …

The wind gives you a new perspective!

The world is suddenly a much bigger place. So many colors! So many birds! So much moss on people’s roofs!

Love Is …

Time is short. Spend as much of it on the things that bring you joy in the company of those you love.

A little peace and some cuddling makes the chaos of the rest of the day so much more bearable.

Hail to the King!

Photoshop is a massive program and my knowledge of it is actually pretty minimal. I know how to do a few things fairly well but the program can do so much more than I use it for. Lately I’ve been practicing making gifs of my illustration processes. I save my work in layers so making gifs is fairly easy. This process gif is of one of my King in Yellow portraits.

Influences – Chuck Jones

Chuck Jones is the one of the first film directors I remember identifying. I didn’t really know what he did, I just knew I liked his cartoons more than most of the other cartoons I saw on television. The short cartoons were funny. The smart characters outwitted the buffoons. The drawings were attractive.
As an adult I can identify why I liked Jones’ work more than other cartoon short directors. His character designs are a mix of angles and long curves. His heroes were the smart guys. They succeeded by being more clever than their adversaries. When the clever ones crashed it was usually from failing to think out the ramifications of their latest plan. (Hello Wile E. Coyote!)

I saw most of his work on television. There was the regular Bugs Bunny show on Saturday morning and during the week there were blocks of cartoons that played on a local station in the afternoons. There was The Grinch Who Stole Christmas. Horton Hears a Who. Rikki-Tikki-Tavi. He drew a comic strip that ran in our local paper for awhile. I loved the art but it didn’t really stand out from the other strips. Jones was a master at motion and timing in film. His strip looked good but didn’t have the space to play to his strengths.


My Moe and Detritus/Misspent Youths comics owe a lot to Jones. The heroes (mostly) succeeded by being smarter than the bad guys, by being (mostly) calm in the face of chaos. Hell, I owe a lot of my personality to Jones. I got bullied and picked on as a kid. He gave me examples of characters who faced bullies and survived (and thrived) by being more rational and much weirder than their foes.

Model Sheeting the Super-Wizard

Last week I posted concept sketches and a model sheet process gif of the Heap. This week I’m posting concept sketches and a process gif of Stardust the Super-Wizard. (Superwizard? Super Wizard?)

The first thing I realized as I started sketching Stardust is that, in the original comics, his expressions were pretty much the same from panel to panel. They ran the gamut from stern to slightly more stern. I spent all of two seconds considering making my version of Stardust just as stoic and blank faced as the original before deciding, “Nah. That’s no fun!”


The original Stardust seems to be a giant – taller than regular humans. I made him about ten feet tall, lanky and stretched out. He’s a space wizard. Maybe he grew up in zero gravity. Maybe he grew up on a planet with lighter gravity than Earth. Maybe his practice of superscience has transformed his body. I’ll figure it out later.

Expressions!

I updated Stardust’s outfit slightly, more for the fun of it than because there was anything wrong with the original. I don’t question the fashion choices of technosorcerors.

That guy in brown standing behind Stardust? His name is Bill. He’ll be in most of the model sheets for size comparison. He claims he’s 5’10” but, you know guys, he may be exaggerating somewhat. He is on the taller side of average. The average height for men in the USA is 5’9″. Since I’m an American that’s the height I’m conditioned to think of when I have to think “taller than” or “shorter than” average when designing characters.

What do I plan to do with Stardust? When I know I’ll tell you!

These Days …

“Bad art is forever.”

I have a friend who likes to quote that when talking about why he noodles on all his projects and has abandoned many altogether. I get that. I want to be proud of the work I produce. I want it to be the best it can be. I’m also plagued with more ideas and images and thoughts than I will ever get down on paper. I plan the work. I do the work. I fix glaring mistakes. I resist noodling. I put it out in the world and leave it to the world to judge whether it is good or bad.

I will always see the faults in my work. Most creative folks can tell you everything that sucks about their work before they can point out what’s good. But art, good and bad, exists in interaction between the work and the audience. Once I put art into the world it’s no longer completely mine. I retain the copyright and the trademark but the interpretation? The judgment of goodness, badness, coolness, greatness? That belongs to the audience. And that’s great! Not because the creator is a bad judge of their own work (although they often are, both rightly and wrongly) but because humans are social animals and art is part of the conversation we have with each other.

I got an email recently about Misspent Youths, a comic book series I created back in 1991.

Hi, there! I just wanted to let you know that I’ve been a fan of Misspent Youths for a while now–since they came out, actually, when I was a disgruntled and disaffected teenager working in a comic shop. The shop I worked at brought them in and I snatched them off the shelf eagerly whenever they arrived, but for whatever reason (it might have involved the store eventually going under; it’s kind of hard to remember) I never got to read Issue #5. Flash forward three decades and my original copies have long since vanished into the aether and I’m in lockdown halfway across the continent from my hometown. Regardless, I got a hankering to read Misspent Youths again and found a set on eBay for a reasonable amount, so I ponied up my money and waited. Well, they arrived today and I couldn’t be more pleased. I’ve read the first issue again so far and it’s just as great as I’d remembered it (and captured much of the flavour from my hometown’s punk scene in the ’90s (minus the Pile and the cop homicide (though we sometimes wished it were otherwise)). Interesting characters, fun dialogue, compelling story–just great  all around. In any case, I just wanted to shoot you a quick line to let you know that those comics you put out all that time ago imprinted on and have stuck with someone since they came out, and I’m thrilled to finally be able to read the entire series through for the first time. Thank you very much for the quality read.

I thanked the author, Chris Eng, for writing, saying –

Your email made my day. I’m delighted that, thirty years later, someone would track down issues of Misspent Youths. I hope issue five was a good read!

He replied:
Issue five was, weirdly, really touching. I mean, it did bring back the shitty kitchen job I had in my teens (where I put up with the first of many exploitative managers but thankfully not a hostage situation), but the issue in general was a nice coda on the (too) brief tales of Detritus and Moe (and all of the other assorted and endearing members of the cast of characters). The series in general summed up my time in my hometown’s punk scene: all of us living as best as we could and looking out for each other while scraping bottom. Good times all round. (Also, can I just say that I would have loved to have seen Detritus and Moe in Bugtown? That would have been a hell of a story. I’m imagining the bizarre and intense meeting between Detritus and Hiroshima. Or the Pile jamming with the Bulldaggers.)

His letter did more than make my day, it made my week. I loved doing Misspent Youths. I loved the characters. Doing that book was fun and exhausting and satisfying and … unprofitable. The publisher didn’t make any money. I certainly didn’t make any money. I did draw 160 pages of comics in about a year while working a part-time job. Brave New Words (the publishing company – they also put out the first four issues of Oz Squad) put out more issues of Misspent Youths than any other series they printed. Cancelling the series was a mutual decision – the guy behind Brave New Words was reassessing his business plan and I wanted a break to improve my art skills. I’d planned to pick the series up again, to publish it myself.

Other things happened instead. My drawing skills did improve. I drew the Misspent Youths characters in some calendars that got printed at Kinkos and sold to friends. I got married. I moved from Santa Rosa, California to Seattle, Washington. My wife and I tried running a publishing company and put out few anthology magazines. I worked in a couple bookstores and as an office manager and now as mail carrier. In the thirty years since Misspent Youths I’ve illustrated/collaborated on a lot of projects (comics, RPGs, novels) that haven’t gotten finished. I’ve enjoyed that work. I got paid for most of it. I’ve improved my skills in the process. But I’ll never get any fan letters complimenting or complaining to me about that work. It sits, unfinished, in my files.

Bad art in the world is more fun than great art in a drawer. I’m not saying that Misspent Youths was bad. Not at all. I put my heart and soul into it. It was the best work I could do at the time. And it’s out in the world. Copies can be found on ebay and on comics specialty sites. If the internet crashed all the art on my websites would be unavailable but someone could still read an issue of Misspent Youths.

I’m a different person than I was when I did that book. The characters still keep me company but they’re older and wiser and (mostly) more settled. They wave to me from the back of my imagination. I love the idea of drawing comics but, so far, working as a mail carrier doesn’t leave me the time and mental energy necessary to do an ongoing series. Drawing is relatively easy. Writing takes more concentration than it used to.

So what’s my point?

Number One –
A big thank you to Chris Eng for writing! Chris has finished some projects of his own. He has a couple of novels available through Amazon: Molotov Hearts and ZeroWave. He didn’t ask me to include those links.

Number Two –
That project you’re working on? Finish it. Put it out into the world. Art is ephemeral. Do the best you can and let it go. What was brilliant once is often considered terrible by a new audience. What was obscure and forgotten originally can find new fans. But it needs to be available.

Yes, I’m talking to myself as much as to y’all.

Back to work. See you next week!

Tuesday Night Party Club #47

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Gallery – 2019 Daily Sketches 303-332

This is the penultimate collection of my daily sketches from 2019. 30 images all in one covenient place.

Story Seed #96

Once again, there are thirty images above. They all have stories. The story you find in the illustration will be different than the one someone else tells.

Recommendation

This week I’m recommending David Lasky’s Etsy shop. David is a cartoonist, art teacher and friend. His work is lovely and eclectic. Check it out!

Local News

Rain and cold and darkness have settled over the Pacific Northwest. The holidays loom but we’re staying away from other humans and their icky diseases. The mail and parcel volumes have increased as expected so I’m getting overtime whether I want it or not. Wearing a mask in addition to rain gear leaves me with just a narrow strip with which to observe the world. I feel disconnected and unbalanced. The mask does keep my face warm. That’s an unexpected bonus.

I’m also officially a Guy Who Wears Glasses. As I got used to the new prescription I started wearing them in more and more situations and now I wear them more than I don’t. I go without them in situations where I need to have a mask on because I haven’t yet taken the steps to prevent them fogging but otherwise they’re just part of my wardrobe. The eye doctor recommended cataract surgery. Supposedly that will correct my vision issues so the glasses may not be a permenant accessory. I won’t be taking any steps toward surgery until after the holidays though. Too much to do, not enough time to recover.

I’m continuing to add images to my Zazzle and Redbubble shops. Both shops recently had complete strangers make purchases. That was encouraging. One can’t become a mogul by selling just to ones friends.

I’m currently completing and/or coloriing older illustrations of Little Red aka The Mighty Nizz. The image below is from 2011 or 2012. I’m pretty sure it’s the third time I’d drawn the character. I found it when I was clearing and organizing a stack of art and art supplies this summer. It was mostly still pencils, only the lettering and the bear in the tree had been inked. I wish I’d remembered to scan that version but we’ll have to settle on the completed inks.

From that to this –

I also colored two images from 2015. This –

Became this –

And this –

Became this –

I actually prefer this version to the more detailed one I did later. I’m making both available in my shops. I long ago learned that my taste is not necessarily my audience’s. Unless I hate an image I’m likely to make it available.


In 2021 this newsletter will get a new title – Skook WIP (Works in Progress) and will be hosted at tinyletter.com. If you subscribe, each issue will come directly to your email address. I’ll continure to post links to issues here but, if you want cut down on link hopping, please use the form below to sign up –

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It’s Thanksgiving this week. We’re keeping it small. Just me, my wife, our nephew and his girlfriend. Easy enough since we share the apartment. Others were invited but the C19 resurgence is keeping them home. I’m working the day before Thanksgiving so any cooking I do will happen in the morning on Thursday. Since we’re keeping the menu small I don’t expect to do much. Since I’ll be tired from the day before I really don’t plan to do much.

Thank you for dropping by. I hope that your holiday is warm and relaxing. We’ve been in a slow, stupid apocalypse for months now. Celebrate by doing what makes you happy and keeps you safe. See you next week!

Tuesday Night Party Club #46

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Gallery – Strange Aeons

Ah, Strange Aeons 2. The project that launched my most read blog post. If I’d had had sense this either would have been my last project with Chaosium or I would have insisted on being paid upfront from then on. If I had had sense …

Chaosium’s assignments were always fun and they gave no significant editorial oversight so I accepted further commissions. And had to deal with further late payments. Silly me.

Strange Aeons 2 was a collection of Call of Cthulhu scenarios by different authors set in different time periods in different parts of the world published in 2010. The variety made the project fun. My complaints only occurred after I’d done the work.

Story Seed #95
The Price of Redemption

How does a monster find redemption? I’m not referriing to nonhuman monsters – King Kong, dragons,giant ants, whathaveyou. Forces of nature don’t have sins that need absolving. They can smash a city in one story and save humanity from alien invasion in the next without causing a lot of cognitive dissonance in the audience. Human monsters, villains, shouldn’t get such an easy pass. For people, hurting others is a choice. Choices are conscious decisions.

Fiction, especially the adventure genre, is filled with villains. A good villain makes the story more interesting. With series (novels, comics, television, movies) the hero usually faces a different antagonist each episode with a few “archvillains” making repeat appearances. In horror fiction, the “villain” is often the most interesting part of th story. Whole movie series are built around the villain with the hero rotating out with each new installment. Villains become “anti-heroes”.

A bad guy who becomes popular often has their sharp edges shaved off. They get a tragic back story that explains why they’re driven to do bad things. We might learn that their victims were also bad people – perhaps worse than our popular bad guy. Our bad guy might start acting more decently. The really horrible things they did when they were first introduced aren’t mentioned. Those actions get forgotten. Our bad guy “reforms”.

Except that’s not really reforming. The popular bad guy gets a pass for his bad actions because now he has fans. They themselves don’t address their own past actions. They don’t come to terms with the damage they’ve caused. “I tortured and ate your family? Oops. I don’t do that now. I only kill evil people these days. Get over it.”

There are stories to be told of how a human monster comes to terms with their past and makes restitution to, if not their victims, then to greater society. Stories less about how they are forgiven than about how they become forgiveable.

Recommendation

Yes, I did the cover illustration for this book. Buy it for that reason if you like. I’m recommending the book because it’s well written and very funny. For more info and a chance to pre-order, click here.

Local News

The cold and the wet has returned to the Pacific Northwest. Our station manager managed to get our start time moved back to 7 am from the 7:30 we’d been stuck with for the past few months. Maybe I’m getting a cold. Maybe my body is just complaining.

When I started working at USPS I Ididn’t have time for much other than the job. I did very little art. I put a hold on commissions because I had no idea when I’d be able to finish them. I didn’t post here for a year. As I got used to the job I started working on black and white images to get used to drawing again. Quite a few of those featured the Mighty Nizz aka Little Red.

I’m currently adding color to those illustrations and adding them to my portfolio at Redbubble. They are a bit of an odd size. When I originally did them I was thinking about getting art done not where that art might end up.

This:

Becomes this:

This:

Becomes this:

I’ve got another half dozen in process. I will post them as I finish.

Thank you for dropping by. May you have good books to read, good food to eat and good friends to keep you company – even if you can’t see them in person. See you next week!

Tuesday Night Party Club #36

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Gallery – The Black Seal #1

I did my first RPG illustration work for The Black Seal back in 2001. AOL has purged all the archives of their inactive accounts so I can’t check the sequence of communications that led me to contribute. I remember being contacted by John Turner first. He’d seen my illustrations on the Delta Green website and asked if I would be interested in submitting illustrations to a new fanzine of modern day Call of Cthulhu (and specifically Delta Green related) adventures in Britain. I emailed back a positive response and was soon working with Adam Crossingham, the editor, doing illustrations for the first issue of The Black Seal. 

The Black Seal was named for an Arthur Machen story “The Novel of the Black Seal” about a hidden civilization secreted in the wilderness in Wales. The magazine’s focus was to be on material about PISCES, the UK’s Mythos fighting equivalent of Delta Green. I provided specific illustrations for a few articles and some random simple spot illustrations to be used as needed. I didn’t know what print quality TBS would have so I mostly did straight black and white work. I did spend a lot of time doing Photoshop effects on the second illustration in this gallery. I was still very inexperienced with the program and was figuring it out as I went along.

 

The Black Seal saw three issues printed between 2002 and 2004. I did illustrations in each issue and provided material for a couple issues that may see print someday. Work on TBS got me started doing Call of Cthulhu related illustrations. I’ll be showing some of that in future newsletters.

Story Seed #55
A Conspiracy of Squirrels

Most animal attack stories focus on large predators. Sharks. Bears. Wolves. Small varmints are primarily represented by rats. But rats hide in dark places. You usually don’t see them during the day. Squirrels? If you live in a town with trees you see them constantly. They’re everywhere.

Spying.
Plotting.
Organizing.

They only look cute until there are hundreds of them out for your blood.

Recommendation

This week I recommend How to Destroy Surveillance Capitalism by Cory Doctrow. Doctrow is a writer and activist with a focus on the benefits and dangers of modern technologies, particularly the internet. This is his latest book, free to read online.

Local News

I spent more time on my Redbubble store than my Zazzle store this week. Redbubble’s set up makes it easier to position on image on multiple products so it’s made it easier to feel like I’m getting more done. Mostly I’m importing images that I created to show off here at Skookworks in recent years but I’m beginning to create some images just for Zazzle and Redbubble. My favorites have been expansions of some designs I originally did as bandanas for Dagon Industries. The images are on most of the products in my Redbubble store. Since Zazzle’s focus is on individual products I’ve started by putting the design on the square puzzles.

This Cthulhu design is meant to be displayed as a diamond but Zazzle doesn’t offer that option. Just turn your head to the left a bit.

Great Cthulhu Glow Green Jigsaw Puzzle

Great Cthulhu Glow Green Jigsaw Puzzle

by Skookworks

That’s it for this week. I appreciate the visit. I hope that you’ve got people around you who keep you amused and make you feel loved. If you do, thank them! They’ll only get more amusing and loving.