Skook WIP #17

Open on: the Skookworks studio. The Cartoonist sits in front of his computer. He is typing. A black cat is slumped on his lap. It’s impossible to tell the time of day. The room has no windows. Two of the walls have built-in floor to ceiling bookshelves. The desk on which the computer sits is cluttered with scraps of paper and pens. The drawing table next to the computer is similarly cluttered but with a different variety of pens and pencils and the papers have more art on them.

The Salesman wanders in.

Salesman: “Hey.”

The Cartoonist doesn’t look up. Cartoonist: “Uhm?”

Salesman: “Did you listen to the Planet Money podcast about buying a superhero?

The Cartoonist stops typing. He looks at the Salesman. Cartoonist: “Of course I did. We’re the same person. If you’ve done something, so have I.”

The Salesman rolls his eyes. Salesman: “For a guy with a lot of imagination you’ve got a narrow focus. Just pretend we’re two people so I have something to write about in this week’s newsletter.”

The Cartoonist rolls his eyes in exactly the same way the Salesman had done. Cartoonist: “I’m writing the newsletter while we’re talking. So keep talking.”

The Salesman frowns. Salesman: “Why isn’t the Writer writing the newsletter?”

Cartoonist: “We can only be so many people before I get confused. Let’s stick to the point. Or find one. What about the Planet Money thing did you want to talk about?”

Salesman: “What do you think?”

Cartoonist: “I think the Archie comics guy was right, Micro-Face is a terrible name.”

Salesman: “Not that. What do you think about us digging up our own public domain superhero?”

Cartoonist: “Another one? We’ve already got five. What do we need another for?”

Salesman: “All of our guys have been used by other people. Why not grab a more unknown character and use that?”

The Cartoonist stares at the Salesman. The cat yawns and adjusts its position slightly.

Cartoonist: “Having some recognition helps us doesn’t it? These characters all have some reputation outside my drawings. A more unknown character might as well be a completely new character.”

Salesman: “Have you at least looked at the Public Domain Superheroes catalog?”

Cartoonist: “I’ve looked there and at this list. It’s easy to get overwhelmed. There are thousands of characters listed. Lots of gods and goddesses from old myths. Lots of daring aviators. Lots of folks who wear masks to fight crime. Lots of Flash Gordon wannabes.It’s fun to look but it’s hard to get more than a glimpse at any one character.
And I think the public domain status of some of the characters is questionable. The lists were put together by fans not copyright lawyers. I’d rather not get inspired by some character, do up a bunch of designs and then get sued. That’s not fun.”

Salesman: “I’m just trying to figure out an angle to take to promote our work. It’s … weird.”

Cartoonist: “Isn’t that an angle. ‘Weird stuff’?”

Salesman: “There’s a lot of weird stuff online. I’m trying to figure out a more focused branding to use.”

The Cartoonist makes a crumpled up paper sort of expression. Cartoonist: “Do you have to use the term ‘branding’? Isn’t that outdated by now?”

Salesman: “I googled it before you typed my dialogue. It’s still in major use.”

Cartoonist: “I hate marketing catchwords.”

Salesman: “Deal with it. You’ve got to play the game to get rich.”

Cartoonist: “A. If we’re trying to get rich we’re going about it wrong. B. We’ve got a day job to pay the bills so we’re doing this for the fun of it.”

Salesman: “You’re doing this for the fun of it. I want us to be rich.”

Cartoonist: “You’re only a tiny part of our personality. The rest of us doesn’t care about being wealthy. Some parts of us are morally opposed to great wealth.”

Salesman: “The Mail Carrier wouldn’t mind retiring. Soon.”

Cartoonist: “He does have an exhausting job. And I would enjoy spending more time drawing.”

Salesman: “Right! So I’m trying to figure out a more focused branding for our merchandise. The stuff in our stores is all over the place. Cute cartoon animal greeting cardsThe Mighty NizzCthulhu stuffOne-off scifi and monster illustrations. I’m thinking we’d better off having a half a dozen more directed stores instead of a couple general ones.”

Cartoonist: “Have you wandered off the point? I thought we were talking about our superheroes.”

Salesman: ” …. Right. So we’re not going to revive some obscure public domain character?”

Cartoonist: “Not today. Our stores are a jumble because we just jumped in and started putting them together with what we had on hand. We’re past that stage now. I’m designing images for the available merchandise. I’m having fun. I’ve got plans for Stardust, Octobriana, the Heap, Fantomah and the Face.”

Salesman: “Are you doing new comics?”

The Cartoonist makes that crumpled paper sort of expression again. The cat hops off his lap and wanders out of the studio. Cartoonist: “Ask me that when the Mail Carrier has a long vacation. Comics take time and concentration and those are rare commodities in this studio. Meanwhile, I’m working on some fun designs.”

Salesman: “Fun designs that I’ll be able to sell?”

Cartoonist: “They’ll be designs I’d want to wear myself.”

The Salesman sighs. Salesman: “More weird and obscure things? You hate me, don’t you?”

These Days …

Happy Friday! Thank you for dropping by.

This issue is a shorter one, a bit of breather between finishing the greeting card conversions and starting discussing the next phases for the online shops.

It’s been a weird couple of weeks. If you read my last newsletter you know that we (me, my wife and our housemate) have been quarantined because our new housemate is recovering from covid. The responsible thing to do after exposure is to stay away from other people for 14 days. So no work outside the house. No delivering mail.

Last week I was in a bad mood. I like my routines. This wasn’t in my plans. It wasn’t a vacation. I may have complaints about the number of hours I work at USPS but working there gets me the paycheck to fund the rest of our life. Not going to work makes me nervous. Not going to work because there’s a potentially deadly disease in my living space adds to that discomfort.

This week I was in a lighter mood. Our housemate has been getting better. Neither Sarah nor I have had any symptoms of covid.

I’ve been able to use the home time to get a lot of designs completed for my shops. Chemo, the black cat, has been acting as my executive assistant. He was waking me up at 3 am before quarantine and he has continued to do so now. Most of the new work is available now in my Redbubble store. I’m really happy with how the new stuff has been turning out. I’m enjoying the challenge of creating images that both suggest stories and look good on t-shirts (and mugs and blankets and shower curtains and phone cases and ..). I will be showing the process steps for each design in upcoming newsletters.

We’ve been rearranging the space a bit so our new housemate has room for her own stuff and has a place to work on her paintings. We’ve been giving away furniture. Chemo and the new grey cat, Flax, have been getting along.

We plan to all get tested for covid tomorrow or Sunday. Assuming we’re clear I’ll be back delivering mail next week. I’ll be getting my second Pfizer vaccine the week after that.

Yay.

I hope that things in your world are looking bright. If you need to wear shades, put them on. Everyone looks cooler in shades.

See you next week!

Skook WIP #10

Well hello! It’s a delight to see you again! The constant insanity of the modern civilization doesn’t seem to be infecting you at all!

Me? I’m okay. There are been some bumps in the road but whether those bumps are problems or high points is something I’m still figuring out. I’ll talk about those next week when they are more sorted out. This week, let’s just talk about some art. We’ll start, as usual, with some greeting card conversions, before (scans of ink, colored pencil and marker drawings) and after (digitally cleaned up and edited) versions. (The final designs are available in my Zazzle shop.)

Carving Your Face

In America, Halloween is the season for giving faces to oversized, hollowed out squashes. This is, apparently, an evolution of an old European traditon of carving faces into hollowed out turnips. A long series of films to the contrary, it is not a season for killing teenagers. Killing teenagers is frowned upon by all right thinking people. If you’ve been thinking about killing teenagers, please consider carving pumpkins instead.

Admittedly, killing teenagers will give you more cardiovascular exercise. However, most teenagers are actually more entertaining when they are alive than otherwise. Pumpkins are much more entertaining as objects to carve than teenagers. Plus, you can roast the seeds for a tasty snack!

There are No Weak Kittens

One day Sarah, my fabulous wife, described herself as feeling “weak as a kitten”. That comment inspired this card design. She has the original.

That original was done on a sheet of 8.5×11 folded in thirds. For the version that’s in my shop I had a lot of fun moving and reorienting the elements to fit a standard 5×7 greeting card design. Climb those curtains baby!

A Bit of a Breeze

There you are, walking with your umbrella, staring at your feet, thinking out what you’re going to have for lunch, trying to keep dry and suddenly …

The wind gives you a new perspective!

The world is suddenly a much bigger place. So many colors! So many birds! So much moss on people’s roofs!

Love Is …

Time is short. Spend as much of it on the things that bring you joy in the company of those you love.

A little peace and some cuddling makes the chaos of the rest of the day so much more bearable.

Hail to the King!

Photoshop is a massive program and my knowledge of it is actually pretty minimal. I know how to do a few things fairly well but the program can do so much more than I use it for. Lately I’ve been practicing making gifs of my illustration processes. I save my work in layers so making gifs is fairly easy. This process gif is of one of my King in Yellow portraits.

Influences – Chuck Jones

Chuck Jones is the one of the first film directors I remember identifying. I didn’t really know what he did, I just knew I liked his cartoons more than most of the other cartoons I saw on television. The short cartoons were funny. The smart characters outwitted the buffoons. The drawings were attractive.
As an adult I can identify why I liked Jones’ work more than other cartoon short directors. His character designs are a mix of angles and long curves. His heroes were the smart guys. They succeeded by being more clever than their adversaries. When the clever ones crashed it was usually from failing to think out the ramifications of their latest plan. (Hello Wile E. Coyote!)

I saw most of his work on television. There was the regular Bugs Bunny show on Saturday morning and during the week there were blocks of cartoons that played on a local station in the afternoons. There was The Grinch Who Stole Christmas. Horton Hears a Who. Rikki-Tikki-Tavi. He drew a comic strip that ran in our local paper for awhile. I loved the art but it didn’t really stand out from the other strips. Jones was a master at motion and timing in film. His strip looked good but didn’t have the space to play to his strengths.


My Moe and Detritus/Misspent Youths comics owe a lot to Jones. The heroes (mostly) succeeded by being smarter than the bad guys, by being (mostly) calm in the face of chaos. Hell, I owe a lot of my personality to Jones. I got bullied and picked on as a kid. He gave me examples of characters who faced bullies and survived (and thrived) by being more rational and much weirder than their foes.

Model Sheeting the Super-Wizard

Last week I posted concept sketches and a model sheet process gif of the Heap. This week I’m posting concept sketches and a process gif of Stardust the Super-Wizard. (Superwizard? Super Wizard?)

The first thing I realized as I started sketching Stardust is that, in the original comics, his expressions were pretty much the same from panel to panel. They ran the gamut from stern to slightly more stern. I spent all of two seconds considering making my version of Stardust just as stoic and blank faced as the original before deciding, “Nah. That’s no fun!”


The original Stardust seems to be a giant – taller than regular humans. I made him about ten feet tall, lanky and stretched out. He’s a space wizard. Maybe he grew up in zero gravity. Maybe he grew up on a planet with lighter gravity than Earth. Maybe his practice of superscience has transformed his body. I’ll figure it out later.

Expressions!

I updated Stardust’s outfit slightly, more for the fun of it than because there was anything wrong with the original. I don’t question the fashion choices of technosorcerors.

That guy in brown standing behind Stardust? His name is Bill. He’ll be in most of the model sheets for size comparison. He claims he’s 5’10” but, you know guys, he may be exaggerating somewhat. He is on the taller side of average. The average height for men in the USA is 5’9″. Since I’m an American that’s the height I’m conditioned to think of when I have to think “taller than” or “shorter than” average when designing characters.

What do I plan to do with Stardust? When I know I’ll tell you!

These Days …

“Bad art is forever.”

I have a friend who likes to quote that when talking about why he noodles on all his projects and has abandoned many altogether. I get that. I want to be proud of the work I produce. I want it to be the best it can be. I’m also plagued with more ideas and images and thoughts than I will ever get down on paper. I plan the work. I do the work. I fix glaring mistakes. I resist noodling. I put it out in the world and leave it to the world to judge whether it is good or bad.

I will always see the faults in my work. Most creative folks can tell you everything that sucks about their work before they can point out what’s good. But art, good and bad, exists in interaction between the work and the audience. Once I put art into the world it’s no longer completely mine. I retain the copyright and the trademark but the interpretation? The judgment of goodness, badness, coolness, greatness? That belongs to the audience. And that’s great! Not because the creator is a bad judge of their own work (although they often are, both rightly and wrongly) but because humans are social animals and art is part of the conversation we have with each other.

I got an email recently about Misspent Youths, a comic book series I created back in 1991.

Hi, there! I just wanted to let you know that I’ve been a fan of Misspent Youths for a while now–since they came out, actually, when I was a disgruntled and disaffected teenager working in a comic shop. The shop I worked at brought them in and I snatched them off the shelf eagerly whenever they arrived, but for whatever reason (it might have involved the store eventually going under; it’s kind of hard to remember) I never got to read Issue #5. Flash forward three decades and my original copies have long since vanished into the aether and I’m in lockdown halfway across the continent from my hometown. Regardless, I got a hankering to read Misspent Youths again and found a set on eBay for a reasonable amount, so I ponied up my money and waited. Well, they arrived today and I couldn’t be more pleased. I’ve read the first issue again so far and it’s just as great as I’d remembered it (and captured much of the flavour from my hometown’s punk scene in the ’90s (minus the Pile and the cop homicide (though we sometimes wished it were otherwise)). Interesting characters, fun dialogue, compelling story–just great  all around. In any case, I just wanted to shoot you a quick line to let you know that those comics you put out all that time ago imprinted on and have stuck with someone since they came out, and I’m thrilled to finally be able to read the entire series through for the first time. Thank you very much for the quality read.

I thanked the author, Chris Eng, for writing, saying –

Your email made my day. I’m delighted that, thirty years later, someone would track down issues of Misspent Youths. I hope issue five was a good read!

He replied:
Issue five was, weirdly, really touching. I mean, it did bring back the shitty kitchen job I had in my teens (where I put up with the first of many exploitative managers but thankfully not a hostage situation), but the issue in general was a nice coda on the (too) brief tales of Detritus and Moe (and all of the other assorted and endearing members of the cast of characters). The series in general summed up my time in my hometown’s punk scene: all of us living as best as we could and looking out for each other while scraping bottom. Good times all round. (Also, can I just say that I would have loved to have seen Detritus and Moe in Bugtown? That would have been a hell of a story. I’m imagining the bizarre and intense meeting between Detritus and Hiroshima. Or the Pile jamming with the Bulldaggers.)

His letter did more than make my day, it made my week. I loved doing Misspent Youths. I loved the characters. Doing that book was fun and exhausting and satisfying and … unprofitable. The publisher didn’t make any money. I certainly didn’t make any money. I did draw 160 pages of comics in about a year while working a part-time job. Brave New Words (the publishing company – they also put out the first four issues of Oz Squad) put out more issues of Misspent Youths than any other series they printed. Cancelling the series was a mutual decision – the guy behind Brave New Words was reassessing his business plan and I wanted a break to improve my art skills. I’d planned to pick the series up again, to publish it myself.

Other things happened instead. My drawing skills did improve. I drew the Misspent Youths characters in some calendars that got printed at Kinkos and sold to friends. I got married. I moved from Santa Rosa, California to Seattle, Washington. My wife and I tried running a publishing company and put out few anthology magazines. I worked in a couple bookstores and as an office manager and now as mail carrier. In the thirty years since Misspent Youths I’ve illustrated/collaborated on a lot of projects (comics, RPGs, novels) that haven’t gotten finished. I’ve enjoyed that work. I got paid for most of it. I’ve improved my skills in the process. But I’ll never get any fan letters complimenting or complaining to me about that work. It sits, unfinished, in my files.

Bad art in the world is more fun than great art in a drawer. I’m not saying that Misspent Youths was bad. Not at all. I put my heart and soul into it. It was the best work I could do at the time. And it’s out in the world. Copies can be found on ebay and on comics specialty sites. If the internet crashed all the art on my websites would be unavailable but someone could still read an issue of Misspent Youths.

I’m a different person than I was when I did that book. The characters still keep me company but they’re older and wiser and (mostly) more settled. They wave to me from the back of my imagination. I love the idea of drawing comics but, so far, working as a mail carrier doesn’t leave me the time and mental energy necessary to do an ongoing series. Drawing is relatively easy. Writing takes more concentration than it used to.

So what’s my point?

Number One –
A big thank you to Chris Eng for writing! Chris has finished some projects of his own. He has a couple of novels available through Amazon: Molotov Hearts and ZeroWave. He didn’t ask me to include those links.

Number Two –
That project you’re working on? Finish it. Put it out into the world. Art is ephemeral. Do the best you can and let it go. What was brilliant once is often considered terrible by a new audience. What was obscure and forgotten originally can find new fans. But it needs to be available.

Yes, I’m talking to myself as much as to y’all.

Back to work. See you next week!

Skook WIP #8

Welcome to the eighth issue of the Skook Works in Progress newsletter. Thank you for reading! Or at least looking at the pictures.

Greeting Card Conversions

As usual, we’ll look at a few before (ink and marker/colored pencil drawing) and after (Photoshop edited) greeting card designs. The final versions are all available in my Zazzle store.

Out of the Depths

The Creature from the Black Lagoon is my favorite of the Universal Monsters. Hanging out in the sea with fish seems like a cool way to live. I’m pretty sure I saw Revenge of the Creature before I saw the original movie. Of course I did a cartoon bunny version of the character!

All the Creature wanted was companionship. It was the last of its kind. Sure, it killed a few people but a lot of those people had it coming. If they’d left it alone it wouldn’t have gotten so aggro.

Hmmm. Companionship. Solitude. The eternal conflict of the sensitive soul.

Cuteness and Cuddles

Kermit claims that it’s not easy being green. It seems more likely that it’s just not easy being Kermit. A lot of my favoite things are green.

This critter has no problem being green. She’s got her ragdoll for company and a good set of specs to see the world in all its wonderful detail.

 

A Little Bit Shy

I mentioned last issue that I like dragons but I don’t often draw them because there are already a lot of great depictions of dragons out there. Still, once in a while, a dragon must be drawn. Even shy, self effacing dragons can make demands.

Yes, shy dragon. We see you. You’re a handsome critter. Please don’t set the furniture on fire.

Fox Music

I will not make a joke about a horny fox.
I will not make a joke about a horny fox.
I will not …

Ooops.

Shhhh. Don’t interrupt this solo.

Drink This

Greeting cards are momentary expressions. A mug is a necessity. One of the best surprises of my daily sketch project in 2019 is how many of those sketches were good drawings. And good bases for mug designs. Here are a couple of repurposed illustrations of two Fletcher Hanks’ most famous characters.

Stardust Superwizardry

Stardust is a superwizard. He uses highly advanced technology to punish evildoers.

When need arises he can multiply himself for extra wizardry. And to show off.

Fantomah Will Get You

Fantomah hates you. Fantomah hates just about everyone. Fantomah is not a people person.

If you value your safe human existence you will stay out of Fantomah’s jungles.

Influences – Norman Rockwell

I chose the following three Saturday Evening Post cover illustrations to represent my love of Norman Rockwell’s work because they are great comic strips. It’s fun to imagine that in some alternate world, Rockwell drew a Sunday comic. Or produced graphic novels.

Rockwell was prolific. Over 300 paintings for the Post. Over 4000 published paintings in his lifetime. Book covers. Interior illustrations. Movie posters. I love the detail and expression in his work. Every person depicted is unique. Every object seems to have a history. His images are moments captured, snapshots of an ongoing story.

Every time I look at his work I’m inspired to be a better artist, to pay more attention. To think about the story an illustration is encapsulating.

These Days …

I got lucky. I had a week off from USPS when Seattle got hit with a heavy snowfall. Snow was predicted at the end of that week so we got as many chores and errands out of the way as possible early in the week. We had light rain and clear days. It didn’t seem like snow was acoming.

We went to bed Friday night with a cloudy sky but that’s typical for Seattle. We had canceled plans to have a friend stay overnight because we were worried we wouldn’t be able to give her a ride home in the morning. It looked that might have been too much caution. We woke up with a few inches of snow on the ground and more falling. Between Friday night and Sunday afternoon we got 11 inches. On Sunday evening it started to rain. By Monday afternoon the roads were as safe to drive as they ever are.

Tuesday I went back to work. The mail for my route had not been delivered for three days. Saturday there had been too much snow and only the regulars delivered parts of their own routes. The mail for my route got cased up and left. Sunday was a regular day off. Monday was Presidents’s Day. There were Amazon parcel deliveries both days but I’m guessing they only concentrated what they knew they could get out. I started work at 6 am. I had a tub of unsorted mail left by carriers who didn’t know my route. I did a parcel run before I started sorting my route and I still ended up with a truck overflowing with parcels. (Literally. For the first two hours parcels would fall out of the back of the truck every time I opened the back.) Once it got dark I had to slow down. I put in a 15 hour day. It would have been longer but the night supervisor called me back to the station. I had to bring back two swings worth of mail.

I had spent my week off hanging out with Sarah, doing a lot of art and watching some good series via streaming. (No cable. We haven’t had cable in a decade.) I knew that my route would be a mess. I knew that mail would be heavy. I had gotten some rest. The sun came out and the day was relatively warm. So those 15 hours had some annoying parts but I did enjoy a lot of the day. I feel satisfied making chaos into order and getting mail and parcels to their proper places.

It didn’t hurt that I had Wednesday off. My body hurt but I got a day to recover. I got new tires installed at Costco. I have one of my old tires put in the trunk so I finally have a spare. During the last big snow (in 2018) I had run through a hidden pothole and shredded a tire. I discovered that my car didn’t come equipped with a spare in the trunk. Yes I should have checked sooner but since all my other cars had had them I just assumed that spares were standard. I am clearly not a car guy. Further evidence – my “new” spare is just a tire. It’s not a wheel, ready to just be popped on if needed. I had expected a wheel despite clearly not having an extra rim hanging around. Silly me. But it’s better than the nothing I had before.

My big sister came by with another “Corona Cooler” of her wonderful cooking. Puerto Rican pork ribs and red beans. Gluten free corn muffins. Lentil sausage soup. Gluten free Mexican chocolate upside down banana cake. She often exchanges the new cooler with the previous one after we’ve gone to bed but this time the sun was still up. We got to chat and give each other air hugs.

Thursday was a much shorter, easier day than Tuesday. Rain. Lots of parcels too big to carry in my satchel and therefore requiring extra trips. Still easier and shorter.

And now it’s Friday. Other parts of the country are getting a snowpocalypse that makes our weekend look like a tea party. I’m happy to complain about my week but I know it’s minor compared to the mess in Texas. If you’re in the middle of it I hope you are safe and warm. If you’re somewhere else I hope you’re safe and warm as well. Everyone should be safe and warm.

That’s all I’ve got for this week. See you next Friday!

Skook WIP #4

It’s Friday! Time for another set of before (original drawings) and after (ready for print) images, a few words, an appreciation and a few more words. All you folks who have subscribed in the last couple of weeks – THANK YOU! Time is precious and I am honored that you’re spending some of your time here.

All of the final designs below are available in my Zazzle store. I’m mostly concentrating on creating greeting card and coffee mug designs right now but I will be creating other products down the line. Feel free to make requests!

Grizzly Bear Boogie

Yes, the Crocodile Rock was amazing but you haven’t gotten down until you’ve done the Grizzly Bear Boogie! The original version, as performed by actual bears, not the lame covers performed by tiny humans.
The above image is larger than most of the others in my card design series. It was originally done as a commission. Below is the version that appears in my shop. 
Koala Cone Contentment

When I was a kid, books about wild life told me that panda bears were not actually bears, that they were actually more closely related to raccoons. This was before DNA was used to determine animal ancestry and relation. It turned out that pandas look like bears because they are bears. Their divergent diets and odd “thumbs” are the result of evolutionary adaptations to their environment.

Koalas are not bears. At all. They don’t wear polo shirts and slacks either but I’ve taken liberties. I did an internet search to see if koalas are known to like ice cream but nothing turned up in the early results. I’m guessing they do. 
Koalas are also not blue. But with all the other liberties I’ve taken, what’s one more?

Any guesses as to what flavors he’s enjoying?
Not a Bronto

When I was a kid there was a dinosaur called a Brontosaurus. Unlike the Panda, who was misclassified, the Brontosaurus was misconstructed. Or, to be more precise, misreconstructed. When its fossil remains were displayed it was given the wrong skull. The skull actually belonged to a dinosaur named the Apatosaurus. The Brontosaurus was retired. Scientifically. But the Brontosaurus (the “Thunder Lizard”) was, to the general public, one of the most known and popular dinosaurs. Eventually the original fossil skeleton, minus the Apatosaurus skull, was designated Brontosaurus. Again.

That’s the simple version of the story. The above illustration isn’t based on any known species of Apatosaurus or Brontosaurus. It’s likely that neither species was pink. Or orange. But we’ll probably never know.

Little Monster Bubbles

This little monster knows how to blow some big bubbles!

Pink bubbles for a blue monster. It’s only blue in color. It’s very happy emotionally. 
Stardust in Your Cup

Stardust is a comic book character that has fallen into public domain. He’s fun to draw so he’s made a few appearances on my website. The image below was one of the daily drawings I did in 2019. 
I did those daily drawings in landscape format and I’ve found that they look pretty good on coffee mugs. The original drawings don’t cover the entire mug so, when possible, I’ve extended the illustrations to better fit the “canvas”. Below is the version of the illustration that appears on the mugs. 
And here is the mock up that I’m showcasing on Zazzle. Drink up! Stardust can’t be everywhere. You might need to take on an alien supervillain or two yourself!
Inspiration: Bill Peet

I own more Bill Peet books as an adult than I did as a kid. We owned a lot of books but our budget was limited so we didn’t just buy a book when we wanted to read it. Usually we checked it out of the library. My brother and I read a lot. We’d visit both our local library in Sebastopol and the main branch in Santa Rosa. Different branches had different selections of books. I think you could have books transferred from one branch to another but that would have required talking to a librarian. I did become friends with librarians when I was older. At picture book reading age I was much more reticent to ask grown up for things so I just read what the library had on its shelves.  
I’m not sure which of his books I read as a kid but there a couple that stand out. Cappy Boppy made a huge impression. I’d never heard of capybaras before. A giant ginea pig as a pet? Cool! I don’t currently own a copy of the book. If you’d have asked me I would have told you that the illustrations were in color. When I looked for example online I discovered that they were black and white. 
His other book that really impacted me was The Wump World. The Wumps were cute capybara type critters whose planet gets colonized by aliens in big ships that looked like Nixon heads. I don’t remember if we read this or Cappy Boppy first. I do own a copy of this book. 
Peet created his illustrations with a nib pen and colored pencils. The characters in the drawings are animated and lively and have clear, wonderful expressions.  I reread a few of his books as I was writing this entry. His stories were anywhere for 32 to 48 pages (and longer) and included a good chunk of text. They make me want to do my own childrens’ books.

These Days … 

My wife, Sarah, and I are gods. Small gods of a small universe with small furry worshippers. The universe is our apartment. The worshippers are our two cats, Chemo and Sabe. Sarah is the god of comfortable laps and food that can be sniffed but not tasted. I am the god that provides food and refreshes the litter box. For Chemo, the younger cat, I am also the god that throws toy mice and provides an auxilary lap when the god of comfortable laps is not available.

Some folks would suggest that we are not gods but simply servants to our cats. But what are gods? Gods are big mysterious beings who provide things according to their own whims. One prays to ones gods for boons but there’s no guarantee that the gods will follow through. Gods are, for most people, powerful yet unreliable personal assistants with too much responsibility and a poor respnse time who can’t be fired.

Chemo is very direct about his prayers. He makes them loudly. “This door is closed! Why is this door closed? I know you’re in there! Open this door! You’re home! Time to throw the mice! You’re sitting! Pick me up! Put me on your lap! Is it Tuesday yet? What is a Tuesday?”

Sabe is more subtle but more insistant. He sits at my feet and stares at me. If I fail to respond in a timely manner he bites my toe. It’s not a hard bite but it’s definitely noticeable. Answering his prayers is pretty easy. If he’s asking for my attention he probably wants to be fed. I sometimes try to pet him or provide him with a lap but, while he sometimes goes along with getting a good scratching, unless I follow through with a feeding he’ll be back there biting my toes.

This relationship seems to work for all of us. Yes, Sabe occasionally attempts to escape his small universe in order to explore the larger universe he has observed from the windows but those attempts are done with minor force and are easily countered. Yes, Chemo will yowl outside our bedroom door in the middle of the night. I’ve learned not to let him in. He isn’t planning to curl up and go to sleep. If I let him in he’ll wander around inside our bedroom yowling. Sometimes gods don’t answer prayers.

We keep them fed and warm. They provide us with attractive beings who we can love who don’t need to be taken on walks or borrow the car or watch stupid comedy shows or otherwise disturb the rhythms of our lives. Our divine responsibilities are manageable and simplier than our secular obligations. The cats seem more satisfied with their gods than many humans are with ours.

Thank you for reading. May your gods keep you safe and warm and answer your necessary prayers. See you next week!

October the 17th, 2019

Once, many many years ago, Stardust the Super Wizard, was just a guy. He had no super powers. He was bitter and resentful and no fun to hang out with. None of that changed when he acquired super powers. He became a super powered jerk. Fortunately for all of us on Earth, he’s a jerk with a moral code and just enough self awareness to understand that being a jerk doesn’t mean one has to behave like a jerk. Most of the time.

Happy Birthday to:
Sierra Hanni

April the 7th, 2019

Stardust the Super Wizard has guarded the Earth since the early days of the Twentieth Century. Have you heard of The Freboid Empire? The Toad Men of Saturn? Emperor Daggzilus and the Shrieking Court? The Conquering Fungus? The Wasp Women of Mercury? Of course not. That’s because Stardust is doing his job.

Happy Birthday to:
Reginald Braithwaite