Skook WIP #8

Welcome to the eighth issue of the Skook Works in Progress newsletter. Thank you for reading! Or at least looking at the pictures.

Greeting Card Conversions

As usual, we’ll look at a few before (ink and marker/colored pencil drawing) and after (Photoshop edited) greeting card designs. The final versions are all available in my Zazzle store.

Out of the Depths

The Creature from the Black Lagoon is my favorite of the Universal Monsters. Hanging out in the sea with fish seems like a cool way to live. I’m pretty sure I saw Revenge of the Creature before I saw the original movie. Of course I did a cartoon bunny version of the character!

All the Creature wanted was companionship. It was the last of its kind. Sure, it killed a few people but a lot of those people had it coming. If they’d left it alone it wouldn’t have gotten so aggro.

Hmmm. Companionship. Solitude. The eternal conflict of the sensitive soul.

Cuteness and Cuddles

Kermit claims that it’s not easy being green. It seems more likely that it’s just not easy being Kermit. A lot of my favoite things are green.

This critter has no problem being green. She’s got her ragdoll for company and a good set of specs to see the world in all its wonderful detail.

 

A Little Bit Shy

I mentioned last issue that I like dragons but I don’t often draw them because there are already a lot of great depictions of dragons out there. Still, once in a while, a dragon must be drawn. Even shy, self effacing dragons can make demands.

Yes, shy dragon. We see you. You’re a handsome critter. Please don’t set the furniture on fire.

Fox Music

I will not make a joke about a horny fox.
I will not make a joke about a horny fox.
I will not …

Ooops.

Shhhh. Don’t interrupt this solo.

Drink This

Greeting cards are momentary expressions. A mug is a necessity. One of the best surprises of my daily sketch project in 2019 is how many of those sketches were good drawings. And good bases for mug designs. Here are a couple of repurposed illustrations of two Fletcher Hanks’ most famous characters.

Stardust Superwizardry

Stardust is a superwizard. He uses highly advanced technology to punish evildoers.

When need arises he can multiply himself for extra wizardry. And to show off.

Fantomah Will Get You

Fantomah hates you. Fantomah hates just about everyone. Fantomah is not a people person.

If you value your safe human existence you will stay out of Fantomah’s jungles.

Influences – Norman Rockwell

I chose the following three Saturday Evening Post cover illustrations to represent my love of Norman Rockwell’s work because they are great comic strips. It’s fun to imagine that in some alternate world, Rockwell drew a Sunday comic. Or produced graphic novels.

Rockwell was prolific. Over 300 paintings for the Post. Over 4000 published paintings in his lifetime. Book covers. Interior illustrations. Movie posters. I love the detail and expression in his work. Every person depicted is unique. Every object seems to have a history. His images are moments captured, snapshots of an ongoing story.

Every time I look at his work I’m inspired to be a better artist, to pay more attention. To think about the story an illustration is encapsulating.

These Days …

I got lucky. I had a week off from USPS when Seattle got hit with a heavy snowfall. Snow was predicted at the end of that week so we got as many chores and errands out of the way as possible early in the week. We had light rain and clear days. It didn’t seem like snow was acoming.

We went to bed Friday night with a cloudy sky but that’s typical for Seattle. We had canceled plans to have a friend stay overnight because we were worried we wouldn’t be able to give her a ride home in the morning. It looked that might have been too much caution. We woke up with a few inches of snow on the ground and more falling. Between Friday night and Sunday afternoon we got 11 inches. On Sunday evening it started to rain. By Monday afternoon the roads were as safe to drive as they ever are.

Tuesday I went back to work. The mail for my route had not been delivered for three days. Saturday there had been too much snow and only the regulars delivered parts of their own routes. The mail for my route got cased up and left. Sunday was a regular day off. Monday was Presidents’s Day. There were Amazon parcel deliveries both days but I’m guessing they only concentrated what they knew they could get out. I started work at 6 am. I had a tub of unsorted mail left by carriers who didn’t know my route. I did a parcel run before I started sorting my route and I still ended up with a truck overflowing with parcels. (Literally. For the first two hours parcels would fall out of the back of the truck every time I opened the back.) Once it got dark I had to slow down. I put in a 15 hour day. It would have been longer but the night supervisor called me back to the station. I had to bring back two swings worth of mail.

I had spent my week off hanging out with Sarah, doing a lot of art and watching some good series via streaming. (No cable. We haven’t had cable in a decade.) I knew that my route would be a mess. I knew that mail would be heavy. I had gotten some rest. The sun came out and the day was relatively warm. So those 15 hours had some annoying parts but I did enjoy a lot of the day. I feel satisfied making chaos into order and getting mail and parcels to their proper places.

It didn’t hurt that I had Wednesday off. My body hurt but I got a day to recover. I got new tires installed at Costco. I have one of my old tires put in the trunk so I finally have a spare. During the last big snow (in 2018) I had run through a hidden pothole and shredded a tire. I discovered that my car didn’t come equipped with a spare in the trunk. Yes I should have checked sooner but since all my other cars had had them I just assumed that spares were standard. I am clearly not a car guy. Further evidence – my “new” spare is just a tire. It’s not a wheel, ready to just be popped on if needed. I had expected a wheel despite clearly not having an extra rim hanging around. Silly me. But it’s better than the nothing I had before.

My big sister came by with another “Corona Cooler” of her wonderful cooking. Puerto Rican pork ribs and red beans. Gluten free corn muffins. Lentil sausage soup. Gluten free Mexican chocolate upside down banana cake. She often exchanges the new cooler with the previous one after we’ve gone to bed but this time the sun was still up. We got to chat and give each other air hugs.

Thursday was a much shorter, easier day than Tuesday. Rain. Lots of parcels too big to carry in my satchel and therefore requiring extra trips. Still easier and shorter.

And now it’s Friday. Other parts of the country are getting a snowpocalypse that makes our weekend look like a tea party. I’m happy to complain about my week but I know it’s minor compared to the mess in Texas. If you’re in the middle of it I hope you are safe and warm. If you’re somewhere else I hope you’re safe and warm as well. Everyone should be safe and warm.

That’s all I’ve got for this week. See you next Friday!

Skook WIP #7

Welcome to the seventh issue of the Skook Works In Progress newsletter in which I show off some art and write a lot of words. Thank you for joining me. The finished version of each image is available in some form at either my Zazzle or my Redbubble store.

Card Conversions

I’ve spent a few weeks converting scans of hand drawn greeting card illustrations into more print friendly images. The originals were done with primarily with black ink and art markers or colored pencils. The print versions have been been cleaned up and had color added using Photoshop.

Little Red Dragon

I love dragons. I haven’t drawn that many of them because lots of other artists who also love dragons so there are plenty of beautiful pictures of dragons already out in the world. But once in a while it’s fun to add my own depictions to the horde. 

Clearly this is a friendly dragon. It’s the sort of critter that hordes buttons instead of gold. 

Bunny Frankenstein Monster

This fellow is part of my series of classic monsters recast as cartoon bunnies. Because bunnies are terrifying.

I find it amusing that the Universal version of the monster is often depicted as green. He wasn’t intended to be. Charles Pierce, the designer of the creature’s appearance used green make-up because it looked better as grey when filmed in black and white. The original Universal Frankenstein films were all filmed in black and white but color publicitiy photos of the green make-up led the general public to believe that creature was supposed to be green.

An Ice Scream Dream

While I was doing bunny versions of classic monsters it seemed like a good idea to also do bunny versions of modern horror icons.

Three scoops!

Smile!

This critter is one of my favorite drawings. It’s so damned happy.

We all need some happy!

The Beast Within

Sweet and innocent outside. Big jerk inside. Your typical cat.

The original art was done as one of my daily art posts in 2019. I’ve now updated it as a design for a mug. 
Coloring Fluffy

I haven’t managed to do new work for my Redbubble store yet this year. When I do I’ll be sure to make gifs of the process. I’ve now made enough of them I can do it without having to google the process every time. Until I can do (and show off) that new work, here’s a gif of Fluffy putting on his Easter colors. 
Inspirations – Fletcher Hanks

Hmmm. Fletcher Hanks is both inspiration and … anti-inspiration to me. I’d read I Shall Destroy All Civilized Planets, the first collection of his work, a few years ago. That got me sketching versions of Stardust and Fantomah. Since I’ve started to create merchandise featuring the characters I felt compelled to do a reread of the book. I discovered that there’s now a complete collection of his comics – Turn Loose Our Death Rays and Kill Them All. I was tempted to buy the book. I mean, I’d need it for reference, right?

Fortunately my skinflint side prevailed and I checked it out of the library instead.

Paul Karasik is the book’s editor. He loves Hanks’ work. This interview gives a good explanation why. His reasons make sense to me. Hanks was working at a time when the comic book industry and the superhero genre was being invented. He worked solo when comics were mostly being done assembly line. He had a big weird imagination. I admire that. I understand being a fan of something because it’s a weird seminal work.  
Now that I’ve seen all of it I’m also quite happy to not own any of his work. Besides Stardust and Fantomah, Hanks created the characters of Big Red McLane (a lumberjack) and Space Smith/Whirlwind Carter/Buzz Crandall (same guy, same girlfriend, different names – a riff on Buck Rogers/Flash Gordon ) and some one shot characters. 300 plus pages of Hanks is too much Hanks for me. Intellectually I get the raw appeal. He was one of the pioneers of early comic books. He was doing superheroes before the genre had been codified.
Unfortunately decades of comic reading – superhero, underground, manga, bande dessinee, etc – as well as drawing my own comics means that I have a hard time appreciating his comics as more than artifacts. Fantomah and Stardust are his stand out characters. They are more fascinating to me for their potential than for most of what Hanks did with them. They are in the public domain which means anyone can use them in art and stories. Other folks already have. That potential wakes my imagination. What could one do with a space wizard and a jungle vengence goddess?

These Days … 

So far, so good.

When I’m out delivering mail I’m often asked how I’m doing and that’s my answer. I wear my mask. I get my job done. I come home and do work that wakes me up.

Writing this newsletter and having my online shops has given me a focus that, until recently, I didn’t realize I was missing. I’ve enjoyed doing commissions the last few years. I’m proud of the work I’ve done. In between the commissioned work I did a lot of one off illustrations and posted them to my website. I did those for fun, for practice, to fill my time. Between commissions and one offs I kept pretty busy but everything I did was short term. If it was a commission, it had a deadline. If it was a one off it needed to be a small project because I was doing it around the commissions that had deadlines.

I finished my last commission in early autumn last year. With nothing on my plate I looked for something else to do. I considered setting up a Patreon account but I didn’t feel comfortable asking folks to send me money to just indulge my whims. If I was going to ask for support and subscriptions I wanted to be sure that I was providing something predictable. I was also interested in creating things that were real and physical, not just more digital ephemera.

And then I remembered that print on demand online stores existed. When something seems like a good idea I tend to dive in first and figure out what I’m doing as I go along. I signed up for a Zazzle store. I made some merchandise. I did some research and decided that Redbubble was a better platform for some of my work than Zazzle so I set up a store there too. Suddenly I had places to put all those one off illustrations I’d been doing between commissions.

As of this writing I have 174 products on Zazzle and 77 designs on Redbubble.Yes, none of this merchandise actually exists until someone orders it. That’s part of the fun. I’m creating potential products. I’m not putting up images that I think will sell. I don’t know what image will catch someone’s fancy. I’m delighted when someone orders something unexpected.

I’m now in the process of creating new art for my stores.I’m thinking more of specific designs. A cup design is not a greeting card design. What works on a t-shirt probably won’t fit on a mask. As I think of specific designs I’m also thinking of consistency and style and branding. Ew. Branding.

I don’t plan to apply a hard style to future work. I’m not going just do one type of image because I think it will be popular. I’m a terrible capitalist. I’m doing this for my own amusement as much as to sell things. Hell, I’m making art so I have something to write a newsletter about. By publishing this newsletter every Friday I’m prompting myself to make art to put in the shops. One thing leads to another and another and back.

The idea of branding comes up because I know I like consistency in the work of others so, probably, others would like consistency from me. I’ve got a number of characters I’m planning to use regularly. I’m creating model sheets of them so I can keep them recognizeable, consistent, from image to image. I’ll post those and other process sketches in the upcoming weeks. More art!

I’m waking up earlier so I have more time to work on the art, the shops, this newsletter before I head to USPS. I put in a little more time before I go to bed. (Big thanks to my wife for pointing me at my drawing board on those days when I think I just want to sit and stare into space.) Focus is … oddly relaxing. Instead of a lot of little projects I now have one (somewhat vaguely defined) project. It’s an evolving project. A work in progess. Heh.

Thank you for your help. You subscribed to this newsletter so I have to show up with something for you every Friday. Please feel free to forward this to anyone who you think would enjoy it. I welcome any comments or suggestions. Hit reply and start typing.

I hope your week has gone well. I hope you have the focus you want and projects that give you purpose. See you next week!

Skook WIP #6

We’ve made it six weeks into 2021! Congratulations to us! It’s Friday and time for another issue of the Skook Works In Progress newsletter i.e. this email. Here. Look at the pictures. Read the words. Form an opinion about something and send me an email.

You don’t have to do that part. I already appreciate that you’re spending some of your precious moments here. Thank you!

​Card Design Upgrades

Here is the latest set of before and after greeting card illustrations. The originals are scans of hand drawn illustrations. The afters are available in my Zazzle shop.

Mamas Don’t Let Your Puppies Grow Up to Be Cowhounds

He’s a good boy. A very good boy! He won’t fetch your slippers but he will round up the herd.

He’ll also look darned good doing it. He won’t get dusty or mudsplattered and he’ll always have a smile.

Dancing ThunderI have a friend who is very fond of rhinos. This happy critter was done as a commission for her. Below is my scan of the original. 
And below this is the modified version. What kind of music would inspire a rhino to dance?More Tea?This illustration was originally done as a thank you for a friend.

It’s the image I’ve made the least adjustments to. I increased the contrast so that the blacks are more prominent and the whites are brighter. I also replaced my original signature with my signature chop.

Feeding the Birds

All my illustrations are moments captured from a story. I don’t always know what the story is. I’m often simply trying to capture an image I’ve seen in my mind’s eye. If asked I know I could find a story to fit the illustration. I could find many. I’ve read a lot of horror stories and seen a lot of Sylvester and Tweety cartoons so if asked I might go to those sources for inspiration. That would be my mind following well worn grooves. I know that’s not the story here. I had friendly thoughts when I started drawing. 
To me, the additional colors suggest that friendlier story. 
Fantomah Needs Coffee

I did this black and white drawing of Fantomah in 2019. I like the drawing and thought it would look good on a mug. 
I made some adjustments – extending the illustration, changing the background and adding color – to make the design work better on the new “canvas”. Below is my process gif. 
Influences — Bernie Wrightson

I loved monsters as a kid. Some things don’t change. I started reading comics in the early Seventies. At the time the Comics Code had started to loosen up and comics featuring supernatural monsters – werewolves, vampires and the like – started being published. My allowance was small so, to begin with, I couldn’t buy any of these new horror comics but I did skim through them on the stands. I didn’t have friends who read comics but I was lucky enough to spend the afternoon reading the comics of the son of a friend of my mom’s. This comic was among the books. I mostly remember having read it. The cover stuck in my memory more than the story it is depicting.

Apparently that issue sold well enough and that story (Swamp Thing) got enough positive responses that DC Comics decided to launch a series based on the character. My budget didn’t let me buy the comic but I did check out each issue when I saw it on the comics rack.

Time passed. My allowance got a little bigger. I finally decided to start collecting Swamp Thing with issue 24. It was the final issue of that version of the series. It was cancelled after that. 
I was able to catch up with the whole series when we discovered Perelandra, a comic book shop. By then my brother and I both had paper routes and, for us, significant spending money. Swamp Thing issues 11-23 were drawn by Nestor Redondo. Redondo’s art was good but it was the art of the first ten issues that really hit me. The illustrator for those issues (and the original short story in House of Secrets) was Bernie Wrightson. I’d seen a lot of comic book art that I liked and thought was well done. Wrightson was one of the first artists I saw who both drew the way I wanted to and in a way I thought I eventually could.

Besides Swamp Thing I also found Wrightson’s work in the Warren black and white horror magazines. His style was a wonderful combination of the cartoonish and the grotesque. He drew handsome men, beautiful women and hideous monsters in way that had them all seem to exist in the same world.

Outside of comics Wrightson is probably best known for his illustrated version of Frankenstein first published in 1983. His work in the book is insanely detailed. His depiction of the creature is one of my favorites. 
I met Wrightson once in 2007 when he was a guest at the H.P. Lovecraft Film Festival. I had brought a copy of the first edition of his illustrated Frankenstein with me in the hopes of getting him to sign it. He looked at the book like seeing an old friend.

These Days …

At the end of each day I read a few pages from a book to Sarah. The last few years I’ve mostly read mysteries. We’ve got a stable of authors that we rotate through as their latest novel becomes available. We have two Sherlock Holmes adjacent series that are favorites – The Mycroft Holmes books by Kareem Abdul-Jabar and Anna Waterhouse and the Mary Russell books by Laurie R. King. The Abdul Jabbar/Waterhouse stories are prequels to Arthur Conan Doyle’s original stories and focus on the adventures of Sherlock’s older brother. The Mary Russell books are sequels that feature the adventures of a young woman who becomes Sherlock’s partner and, later, wife. There’s a forty to fifty year gap between the events of each series. We finished the most recent Mycroft Holmes book, The Empty Birdcage, a few weeks ago. We’re currently reading Laurie King’s not quite latest: Rivera Gold. Surprise, surprise! Zedzed is major character in both books.

Who?

“Basil” Vasily Zaharoff was a Greek arms dealer and general no-goodnik who lived from 1849 to 1936. He was known as Zedzed to his friends. I don’t remember having heard of him before meeting him in these novels. Apparently he’s the originator of that evil supervillain plan where you start a war so you can sell weapons to both sides. (More Sherlock Holmesian connections – that was Moriarty’s plan in both the movies A Game of Shadows and The League of Extraordinary Gentlemen.) When he appeared in Birdcage I had assumed that he was a fictional character. Hs appearance in Rivera meant that he was either a real person or the authors had collaborated on creating a villain. The latter seemed unlikely so I looked him up.

The Mary Russell books are full of meetings between the detectives and real historical people. It appears that Mycroft Holmes books will follow that pattern as well. I may want to do research on some of the background characters to see how “real” they are. There are many Sherlock Holmes sequel series that feature the character meeting prominent historical figures. There are also quite a few stories that feature Holmes meeting other (less) famous fictional detectives or dealing monsters from popular horror fiction. The character of Holmes has been in the public domain for years and he gets a lot of work because of that. This article at The Guardian goes into greater detail about what he’s up to and who is writing about him.

I’m not actually a fan of Sherlock Holmes. I think he’s a great character. I’m happy to try new movies or television series that feature him but I don’t really seek him out. I read most of Doyle’s short stories when I was a kid. I enjoyed most of them well enough. Holmes solves a few of the mysteries with deductions or facts that, even as a kid, I knew to be wrong. Either Doyle hadn’t done his research properly or new facts had been discovered since he wrote the stories. I’m generally forgiving of old stories having outdated information but the stories themselves didn’t make me feel like I had to read everything Holmes. Hound of the Baskervilles is the only one of the original novels that I read.

Doyle famously got tired of writing the Holmes series and tried to kill the character off. It’s not surprising. It’s hard work writing about someone who is smarter than you are. I don’t think Doyle was stupid but he did have a number of beliefs that Holmes would have thought illogical. It’s telling that Professor Challenger, Doyle’s attempt at another series character, is far more id than superego.

Sarah is a fan of Sherlock Holmes in that the character exists at the center of a Venn diagram featuring other things she’s a fan of – English costume dramas and murder mysteries. She’s watched the Jeremy Brett series more than once and we’ve caught most of the new films and series that have come out in the last 20 years. She isn’t so inspired that she’s hunted down other written versions besides the King or the Abdul-Jabbar/Waterhouse series. We started the King series in large part because we knew it featured a smart female detective working with Holmes. She started the Abdul-Jabbar/Waterhouse books because she’d liked enough of Jabbar’s nonfiction that she wanted to try his try at fiction.

Zedzed meets with Mycroft briefly in Birdcage. We’re a third of the way through Riviera and he has only been spoken about. I expect he’ll have a more prominent presence as the novel continues.

Outside of books, real life continues. I was disappointed to discover that getting a new President doesn’t automatically result in a new Postmaster General or Postal Board of Directors. Unless the current batch resigns or the new President fires them they’ll be on the job for another three years. Or more.

Last week I sent in my vote on the new contract between the union and USPS. We’ve been working without a contract since 2019. If this one gets ratified it will mean a little back pay and more certainty of employment for a few years.

Parcel volumes are low so I’m working less overtime. Smaller paychecks but more time to work on art.

Thank you for reading! I hope your life is pleasantly boring. If it is exciting I hope it’s because you’ve chosen that state. See you next Friday!

Skook WIP #5

Welcome to the latest issue of the Skook Works In Progress newsletter. Thank you for looking at the pictures. If you also read the words, thank you again! I’ve been making good progress converting the scans of hand drawn cards into printable designs. Some of that is because mail volumes have dropped since Christmas giving me a little more time at home in the evenings. Some of that is my current tendency to wake up before my alarms so I have a little time after the coffee kicks in and before I have to start getting ready for work. Everything I’ve been worked on so far in 2021 is in my Zazzle shop.

Card Conversions

If you’ve read previous issues you know I am upgrading a series of hand drawn cards into slicker, hopefully more marketable designs. Here’s this week’s set of befores and afters.

Bunny Dracula

As I was thinking of new designs I thought it would be fun to do a series of cartoon critter creatures – silly versions of classic monsters. My first design was a cartoon bat version of Dracula. I showed that image a couple of weeks ago. I then thought it would be more fun to do all the monsters as bunnies. Below is the original bunny version of Dracula.

And here is the final version –


Bunny Mummy

Of all the “classic” monsters, the Mummy is my least favorite. The original Mummy movie (and its remake) are a lot of fun but they don’t really feature the shambling bandage zombie that most of us picture when we think of “the Mummy”. Oddly, this bunny mummy card illustration is one of my favorite bunny monster designs. He looks so much happier than the human mummy monsters.All the “classic” bunny monsters come bearing flowers. They don’t want to kill you. Probably. 
Hase Nosferatu

Dracula has acquired a reputation as being a sexy fellow. That’s fine. I don’t think he comes across as sexy in the original novel but that’s me. I’d seen versions of Dracula in picture books when I was a kid but my first encounters with “real” vampires was in Montague Summers’ book. I read that in grade school. Those vampires were a long way from being sexy. The “hideous bloodsucking corpse” is what I think of when I think of vampires. So I have a fondness for Nosferatu. Any line up of bunny monsters had to include a bunny Nosferatu. 
I tweeked the colors a bit for the revised version. Red seemed more in keeping with a vampire than violet. 
A Little Dino

I loved dinosaurs as a kid. I could tell you the names of most of the dinosaurs that had been discovered by the early Seventies. Between then and now the number of known species and our understanding of them has expanded beyond what I can pay attention to. When I was a kid, we were told that dinosaurs were dumb, slow moving lizards who became extinct because they just couldn’t hack it in a rapidly changing environment. Now we see them as the relatives and ancestors of birds who were wildly successful and needed the impact of an asteroid to unseat them as rulers of the earth. Yet, in my mind’s eye, I still see dinosaurs as more reptilian than avian. Even when you know better it takes a lot of work to overcome childhood conditioning.

Apparently I have a thing for blue butterflies. That’s seems to be my fallback color when I depict a butterfly.


Pup Mug

In 2019 I posted an image a day to my website. The images were done in “widescreen” or “landscape” format. It turns out that size ratio works pretty well on coffee mugs so I’ve been converting my favorites of those drawings to drinkware.

This one required very little editing. I extended the backgroud to cover more of the circumference of the mug. What a friendly trio!
Inspiration – The Man Who Used the Universe by Alan Dean Foster

Alan Dean Foster has written a lot of books. I’ve read very few of them. This is probably because, at the time I was reading the most science fiction, his books weren’t available. A big chunk of my science fiction reading was of books checked out from the library. A lot of what he wrote got published as paperback originals and, when I was a kid, the library didn’t stock paperbacks. The Man Who Used the Universe was published in hardback in 1983. It’s been reprinted a few times but, based on the bare bones nature of its wikipedia entry, I’m assuming it’s not one of Foster’s more popular works.
It tells the tale of a sociopath who rises through the ranks of the underworld and into power in legitimate business and politics. And makes the world a better place in the process. I’ve forgotten most of the details of the plot. What stuck with me was the idea that being an evil person didn’t mean you had to make the world a terrible place. If you thought ahead and considered consequences you’d realize that making the world a better place for everyone made the world a better place for youself.

This is one of the books that helped shape my character. I’m not a sociopath. I’m not terribly ambitious and I’m certainly not a master planner. I am selfish and self centered and empathy isn’t my strong suit.This is one of the books that suggested to me that those traits could be strengths. I could be big in my selfishness. I could be selfish about the world around me. I could include the well being of others in the self that I’m centering. I don’t need to feel others pain in order to recognize that they are in pain and do something about it. I can consider the longterm effects of my decisions and plan accordingly.

These Days …

On Friday I got an email notice from Zazzle –
“Unfortunately, it appears that your product, Stardust Superwizard Superhero, contains content that is in conflict with one or more of our content guidelines.

We will be removing this product from the Zazzle Marketplace shortly.”

I checked the guidelines and responded –
“I’ve received your review of my product 16801659427862834 The Stardust Superwizard mug. Thank you for your vigilance of possible copyright issues.

The art used on the product is my own, slightly modified from art I posted to my website in 2019. The character, Stardust, is in the public domain and may be used by anyone. I researched this before I started producing art feature Stardust. I can provide links to my original website posting and the wikipedia article on Stardust if needed.”

I didn’t get a response on Saturday. I didn’t expect one since Zazzle appears to give its human staff weekends off. SInce the mug was still available I thought maybe I’d changed their mind. On Sunday morning I posted a link to my newsletter to Facebook that I illustrated with product image of the Stardust mug. On Sunday afternoon the product vanished from Zazzle. Bugger. I discovered later that the digital file used to create the image had also been deleted.

In the comments on the FB post I mentioned the Zazzle objections.

On Monday I was back at USPS and couldn’t do much myself but two things happened. One of the folks from the FB thread called Zazzle and got someone to approve the design for sale. (Case Number: CAS-6095831-G2V6M3) I also got an email response for Zazzle –
“Due to intellectual property concerns, your submitted design was not approved for the marketplace because Zazzle is not licensed to sell or produce unauthorized merchandise of Stardust the Super Wizard. We are sorry for any disappointment but hope you understand our position in this regard.”

Hmmm. On the one hand, I do understand their position. They don’t want to get sued. A lot of people try to sell merchandise on Zazzle using images that they’ve just grabbed from the internet. Zazzle is also full of shops that mostly feature repurposed public domain art. I hate to think of the effort it would be to check the provenance of every image.

On the other hand – there’s already a shop on Zazzle that features images of Stardust the Superwizard using scans from Fletcher Hank’s published artwork. Hanks is the fellow who created the character back in the 1940s. It doesn’t seem to be currently active. The last upload was in 2017. I’m guessing the designer swiped his images from one of Fantagraphics’ Fletcher Hanks collections.

What puzzles me is – who did they think owns the character of Stardust and where did they get that information? As I told them, I did some research. Aside from the wikipedia article I also checked the listings in both the US trademark and the US copyright websites. No copyright listings. There are 237 trademarks using the word “Stardust” but none for “Stardust the Super Wizard” (or “Superwizard” or “Super-Wizard”).

I’m not going to poke the bear. My friend got the design approved. He did it by sending them the wikipedia article, something I clearly should have done instead of giving them the opportunity to do the research themselves or ask me to send them the links that I said I had. I recreated the mug design on Monday night. My friend has a referral link that gives discounts. Feel free to take advantage of it.

As of this morning the Stardust mug design is still available. I’ve added another Stardust, two Fantomahs and a Heap to my mug designs since then. I’m finding that I really enjoy doing images for cups and mugs.Greeting card designs are fun but greeting cards are ephemeral. They are given and then (unless you’re a packrat like me) discarded. One does not wear the same t-shirt every day. But one can have a favorite cup that one uses every morning. I like the idea of making someone’s favorite mug.

That’s all for this issue. I hope you are doing well. I hope you’ve had some moments of peace and joy. See you next week!

Skook WIP #4

It’s Friday! Time for another set of before (original drawings) and after (ready for print) images, a few words, an appreciation and a few more words. All you folks who have subscribed in the last couple of weeks – THANK YOU! Time is precious and I am honored that you’re spending some of your time here.

All of the final designs below are available in my Zazzle store. I’m mostly concentrating on creating greeting card and coffee mug designs right now but I will be creating other products down the line. Feel free to make requests!

Grizzly Bear Boogie

Yes, the Crocodile Rock was amazing but you haven’t gotten down until you’ve done the Grizzly Bear Boogie! The original version, as performed by actual bears, not the lame covers performed by tiny humans.
The above image is larger than most of the others in my card design series. It was originally done as a commission. Below is the version that appears in my shop. 
Koala Cone Contentment

When I was a kid, books about wild life told me that panda bears were not actually bears, that they were actually more closely related to raccoons. This was before DNA was used to determine animal ancestry and relation. It turned out that pandas look like bears because they are bears. Their divergent diets and odd “thumbs” are the result of evolutionary adaptations to their environment.

Koalas are not bears. At all. They don’t wear polo shirts and slacks either but I’ve taken liberties. I did an internet search to see if koalas are known to like ice cream but nothing turned up in the early results. I’m guessing they do. 
Koalas are also not blue. But with all the other liberties I’ve taken, what’s one more?

Any guesses as to what flavors he’s enjoying?
Not a Bronto

When I was a kid there was a dinosaur called a Brontosaurus. Unlike the Panda, who was misclassified, the Brontosaurus was misconstructed. Or, to be more precise, misreconstructed. When its fossil remains were displayed it was given the wrong skull. The skull actually belonged to a dinosaur named the Apatosaurus. The Brontosaurus was retired. Scientifically. But the Brontosaurus (the “Thunder Lizard”) was, to the general public, one of the most known and popular dinosaurs. Eventually the original fossil skeleton, minus the Apatosaurus skull, was designated Brontosaurus. Again.

That’s the simple version of the story. The above illustration isn’t based on any known species of Apatosaurus or Brontosaurus. It’s likely that neither species was pink. Or orange. But we’ll probably never know.

Little Monster Bubbles

This little monster knows how to blow some big bubbles!

Pink bubbles for a blue monster. It’s only blue in color. It’s very happy emotionally. 
Stardust in Your Cup

Stardust is a comic book character that has fallen into public domain. He’s fun to draw so he’s made a few appearances on my website. The image below was one of the daily drawings I did in 2019. 
I did those daily drawings in landscape format and I’ve found that they look pretty good on coffee mugs. The original drawings don’t cover the entire mug so, when possible, I’ve extended the illustrations to better fit the “canvas”. Below is the version of the illustration that appears on the mugs. 
And here is the mock up that I’m showcasing on Zazzle. Drink up! Stardust can’t be everywhere. You might need to take on an alien supervillain or two yourself!
Inspiration: Bill Peet

I own more Bill Peet books as an adult than I did as a kid. We owned a lot of books but our budget was limited so we didn’t just buy a book when we wanted to read it. Usually we checked it out of the library. My brother and I read a lot. We’d visit both our local library in Sebastopol and the main branch in Santa Rosa. Different branches had different selections of books. I think you could have books transferred from one branch to another but that would have required talking to a librarian. I did become friends with librarians when I was older. At picture book reading age I was much more reticent to ask grown up for things so I just read what the library had on its shelves.  
I’m not sure which of his books I read as a kid but there a couple that stand out. Cappy Boppy made a huge impression. I’d never heard of capybaras before. A giant ginea pig as a pet? Cool! I don’t currently own a copy of the book. If you’d have asked me I would have told you that the illustrations were in color. When I looked for example online I discovered that they were black and white. 
His other book that really impacted me was The Wump World. The Wumps were cute capybara type critters whose planet gets colonized by aliens in big ships that looked like Nixon heads. I don’t remember if we read this or Cappy Boppy first. I do own a copy of this book. 
Peet created his illustrations with a nib pen and colored pencils. The characters in the drawings are animated and lively and have clear, wonderful expressions.  I reread a few of his books as I was writing this entry. His stories were anywhere for 32 to 48 pages (and longer) and included a good chunk of text. They make me want to do my own childrens’ books.

These Days … 

My wife, Sarah, and I are gods. Small gods of a small universe with small furry worshippers. The universe is our apartment. The worshippers are our two cats, Chemo and Sabe. Sarah is the god of comfortable laps and food that can be sniffed but not tasted. I am the god that provides food and refreshes the litter box. For Chemo, the younger cat, I am also the god that throws toy mice and provides an auxilary lap when the god of comfortable laps is not available.

Some folks would suggest that we are not gods but simply servants to our cats. But what are gods? Gods are big mysterious beings who provide things according to their own whims. One prays to ones gods for boons but there’s no guarantee that the gods will follow through. Gods are, for most people, powerful yet unreliable personal assistants with too much responsibility and a poor respnse time who can’t be fired.

Chemo is very direct about his prayers. He makes them loudly. “This door is closed! Why is this door closed? I know you’re in there! Open this door! You’re home! Time to throw the mice! You’re sitting! Pick me up! Put me on your lap! Is it Tuesday yet? What is a Tuesday?”

Sabe is more subtle but more insistant. He sits at my feet and stares at me. If I fail to respond in a timely manner he bites my toe. It’s not a hard bite but it’s definitely noticeable. Answering his prayers is pretty easy. If he’s asking for my attention he probably wants to be fed. I sometimes try to pet him or provide him with a lap but, while he sometimes goes along with getting a good scratching, unless I follow through with a feeding he’ll be back there biting my toes.

This relationship seems to work for all of us. Yes, Sabe occasionally attempts to escape his small universe in order to explore the larger universe he has observed from the windows but those attempts are done with minor force and are easily countered. Yes, Chemo will yowl outside our bedroom door in the middle of the night. I’ve learned not to let him in. He isn’t planning to curl up and go to sleep. If I let him in he’ll wander around inside our bedroom yowling. Sometimes gods don’t answer prayers.

We keep them fed and warm. They provide us with attractive beings who we can love who don’t need to be taken on walks or borrow the car or watch stupid comedy shows or otherwise disturb the rhythms of our lives. Our divine responsibilities are manageable and simplier than our secular obligations. The cats seem more satisfied with their gods than many humans are with ours.

Thank you for reading. May your gods keep you safe and warm and answer your necessary prayers. See you next week!

Skook WIP #3

Welcome to the third issue of the Skook Works In Progess Newsletter. I appreciate you taking the time to read (or maybe just look at the pictures). All of the finished images here are available on … stuff … at either my Zazzle or my Redbubble store. The card designs below all currently have blank interiors but if you’re interested in a design and have a message you want to put in the card, let me know. We can probably work something out.

Arnie Dillo Approves

My first project of 2021 for my online stores is converting scans of handdrawn card designs into print ready card designs.The original art was simple and I suppose it could have been used without changes but I’m a fan of bold loud colors so …

This fellow is Arnie Dillo. I originally did a version of him back in the 20th Century as one of a group of cartoon characters meant to promote work safety and environmental responsibility. Here he’s just cheerfully giving his approval for whatever is on your mind. He’s not a judgmental guy.


The version of Arnie below is more vibrant and slightly resized to fit standard 5×7 greeting card dimensions.
 
Aunt Hortense Welcomes You

Most of the critters featured in these card designs were making their debuts. Arnie was an exception and so is Aunt Hortense. She first appeared in the Moe and Detritus minicomics and calendars I did back in the early Nineties. She’s always fun to draw.

She’s also a bad influence. Keep your children far far away from her.

Going UP!

You’re a cat. You have daggers on your fingers. You like getting atop the highest thing in the room. What do you do when that thing is slippery and keeps going up? Careful with those claws!

Careful. Careful.
 
Doesn’t Drink … Wine

I love monsters so I thought it would be fun to do a series of card designs of funny animal versions of famous monsters. Batula here was my first stab at doing a Creepy Cute Critter.

 
I’m sure he’s friendly. He’s a little guy. He only wants a little of your blood.
It’s All About Planning and Coordination

My Big Sister has many skills and talents. She was already a wizard in the kitchen before she started taking cheffing (probably not a real word) classes. During these plague times she hasn’t been able to go to classes or invite folks over for dinner. She still tries out new recipes and puts together wonderful meals. I know because she drops “Corona Coolers” of goodies at our door on a regular basis.

She had a birthday last week. As a gift I upgraded an earlier birthday picture to fit a large soup mug. She should have gotten that yesterday. Below is my process GIF showing the image from sketch to finished design.


And yes, as a soulless capitalist I’ve made the mugs available for sale. But Big Sister got hers first.
Inspirations: Ken Macklin

In 1977, Santa Rosa hosted Octocon, its first science fiction convention. My brother and I attended. I don’t remember much about the event. The biggest thing that sticks out is that I saw the work of Ken Macklin. Most specifically I saw him creating art in person. He had a table at the con and he was doing sketches, customized convention and other things. He specialized in what was then called funny animals – anthropomorphic cartoon critters – the sort of things I’m drawing in those greeting card designs up above. His drawings were slick and polished and way beyond anything I had the skill to create at the time. He did them using felt markers. That made a huge impression on me. I knew about painting and I’m sure I’d used felt markers before but until then I didn’t realize that there were markers other than the poster making things I’d used in school. Those things were crude. Macklin’s markers were magic wands in comparison. They were also way more expensive. We were a poor family. I generally stuck to the cheapest tools I could when I made art. My spending money came from delivering newspapers. Seeing what Macklin did with those markers convinced me that I had to have some of my own. Little by little I collected art markers and incorporated them into my work.

I’ve got a huge set of markers now. You can see that I use them.

Macklin is still actively producing art. He teaches with Integrated Awareness and has an Artstation gallery here. Below is a sample of his work. No markers, watercolor and acrylics. Back Door
Star Wars Macklin Style

Forest Friends

I didn’t talk to Macklin at Octocon. While I wasn’t a shy kid I wasn’t exactly outgoing either. I watched him draw when I could, when I wasn’t being distracted by other things.

I met Macklin in the early Nineties when a mutual friend had a few of us over for a creative brainstorming session for a project whose details I’ve now forgotten. He was a friendly guy and fun to work with. I can’t remember if I thanked him for his earlier inspiration.

These Days … 

I went to Zazzle this morning to upload some images and found this message –

“This past week the world witnessed the crossing of the line- where democratic freedom of expression transgressed into a call for violence and mayhem. At Zazzle, our belief in creative expression is equally supported by values of integrity and heart. We do not tolerate or accept hate. Zazzle cannot allow for content that is patently harmful and inaccurate to exist on our site. As a result we have made the decision to take down all current and future messaging and designs brought to our attention that suggests or implies that the 2020 Presidential Election was rigged or stolen, or riddled with voter fraud.

As an open marketplace, we firmly believe in freedom of expression. We embrace our members’ creativity and their enthusiasm for their passions, but we choose not to display content that perpetuates false information and/or may incite violence. As a private company, we can and we will continuously work on the Integrity of the marketplace and how to use our technology resources and human capital to ensure a marketplace that is free from violence, hate and misinformation.
If you have any questions regarding this announcement, please reach out via support@zazzle.com. We value and appreciate feedback from our Independent Designers.

Thank you for your continued efforts

Zazzle Team”

Interesting. This notice is dated for the 12th. There’s an awful lot of stuff on Zazzle that I haven’t seen. It doesn’t surprise me that the site would be used to make and sell conspiracy oriented material. I’m fine with Zazzle choosing to delete any material that it doesn’t want being sold on its site. The 1st Amendment is about preventing the Federal Government from censoring the peoples’ expressions. Zazzle is a private company. They don’t have to produce anything for anybody. If tomorrow they decided they weren’t going to print images of cartoon animals, well, I wouldn’t like it but I’d just move on.

One of the reasons I have my own website is so I can post whatever I feel like posting without worrying about “community standards”. I’m unlikely to post anything offensive, much less seditious, but I like having a space of my own. I also recognize that, at best, I’m renting that space from a host and, if that host decides to boot my site there’s not a lot I can do about it.

Freedom of expression does not, to me, come with freedom from responsibilty. The more power and resources one has, the more responsiblity one has to use that power and those resources to improve the world. Human beings are cooperative animals. Nothing we have accomplished has been done solo. Yes, there have been many talented human beings who accomplished great things but their successes came with the support of their community. And those horrible individuals who committed heinous acts? They also had cooperation from their communities.

There’s a long essay to be written about human interconnectedness that I won’t be writing today. My time is short and I’m guessing you came for the pictures not the philosophy. I did. And it’s Friday and time to let this newsletter out into the world. Thank you for reading. Please share this letter with anyone who you think would be interested. Wear your masks. Stay physically distanced but social engaged. You make the world a better place by being in it. See you next week!

Skook WIP #2

Welcome to the second issue of the Skook WIP Newsletter! Thank you for joining me. I hope your year is off to a good start.

From Hand Drawn to Print on Demand

I’ve got two online shops, one at Zazzle, one at Redbubble. I maintain both shops because they have different focuses and different audiences. Zazzle has the best set up for doing indvidual greeting cards. Back in 2013 I had an Etsy shop where I sold hand drawn greeting cards. I did the art in ink, colored pencil and markers. I did about 50 different designs. I sold a few cards but, at the time, not enough to maintain the shop. I made high resolution scans of each card on the off chance that I’d be able to use the illustrations again at a later time.

That later time came last year.

A Well Read Mouse

This was the first card design I decided to put up on Zazzle. Below is my scan of the original art.

I did the original drawing on the front of a folded sheet of cardstock – 5.5×8.5. Standard greeting card size is 5×7 so I had to make some adjustments to art to make it look good at the new ratio. Since I was making adjustments to size I also added some more color. This is the result that I posted in August –
Catching up on the News

Below is the original version of second image I chose to update.

Handsome fellow isn’t he? (That’s assuming that he’s a he. Which may not be true. I’m showing my cultural preconceptions aren’t I?)

The version below was posted in August as well.

Nuts to You!

After I posted the first two images on Zazzle I got sidetracked creating the store at Redabubble. I’ve decided to make converting all those original Etsy images my first big project of 2021. My goal is to set up at least four card designs each week. Here is the original scan –

And here is the updated version.
Shining Through

It rains a lot here in Seattle. The rain keeps the countryside green and pleasant but it does mean we often find ourselves longing for the sun. Below is the original scan –

And here is the updated version. I think a few changes in color really improves the image.
I’m planning for all of this set of cards to be blank inside. I may go back later and add text to the interiors. Part of the fun of POD production is that I don’t have to maintain (much less sell) stock so all the designs can be works in progress.

Feeling Undead

The process GIF below is of a new Get Well card design. It’s my first card with interior text. It started out as random practice sketch that, after I looked at it a bit, seemed like it was destined for more. Unfortunately I didn’t think to scan the image in the pencil stages so I’ve missed out on a complete start to finish documentation. I’ll try to remedy that in the future. If you’d like to read the message inside, follow this link.

Inspirations: Wayne Barlowe

Every artist is inspired by the work of others. Sometimes it’s obvious. Sometimes that inspiration is less in technique and more in an artists approach to their subject matter. I’ll be using this part of the newsletter to show off the work of illustrators and cartoonists whose work has fired my imagination and helped me to improve my work.

I’m sure I’d seen his work on the covers of science fiction books previously but I first really discovered Wayne Barlowe’s illustrations in 1987 with Barlowe’s Guide to Extraterrestrials, a book featuring his visualizations of a number of alien races from a variety of popular science fiction novels. I was hooked by the rigour that he brought to his work. He used his background as natural history illustrator to depict extraterrestrial life in ways I’d never seen before. The creatures looked both realistic and realistically alien. I’ve been a fan ever since.

Above: one of the creatures depicted in Expedition, his account of a serveillance of an alien planet.

Above: a scene from Barlowe’s Inferno, an illustrated tour of Hell.

Above, one of the dinosaurs depicted in An Alphabet of Dinosaurs.

I’m always inspired when I look at his work. If you’d like to see more, check out his website.

These Days …

I was given this certificate at the station on December 31st. For most of my working life I haven’t used sick days. For most of my working life I didn’t have much in the way of paid sick days. I’ve worked through food poisoning, many hangovers and many more flus and colds. I did this not just to get a paycheck but because, somewhere back in my youth, I stubbornly decided to refuse to let being sick stop me from doing what I thought I needed to do. And because I’d rather work sick than have to catch up on work after calling in sick.

I suspect that not wanting to have to catch up on work is the biggest motivator. When we were in junior high school my brother and I spent a couple of weeks each year in Hawaii with our Dad and his new wife and kids. While we were enjoying the sun and the ocean my classmates back in California were learning mathematical formulas that I needed to properly do higher math. Gradewise I still did fine in math but my comprehension was lacking. It wasn’t until I took math again in college that I felt like I had a handle on the logical processes of higher equations.

I didn’t miss a day of high school. In my decades of employment after graduation I’ve really only missed work for a broken leg and when my back went out. Since working at USPS I’ve only used sick days to take my wife to doctors’ appointments and I scheduled those in advance.

I’m glad to have available sick days. If someone is sick they should stay home and they’re more likely to do if their paycheck won’t suffer from it. A lot of folks took sick time when the pandemic began. I haven’t taken any sick days because I’ve stayed healthier than in years past. It turns out that wearing a mask and keeping physically distanced also helps one avoid regular colds and flus. In the last year I haven’t had a real sore throat, snotty nose or other debilitating symptoms. So I’ve continued to store up sick days. I’ve seen enough carriers have to use theirs because of twisted ankles or other fall related problems that I want to have as many days waiting as possible. I have quite a few years to go until retirement.

Mail volumes have dropped. That happens every year at this time. Parcel volumes have dropped as well but they are still higher than in previous years. Actual parcel sizes are larger as well. When I started this job seven years ago I could usually carry all the parcels intended for a swing in satchel. These days I have a dozen or more packages that require car hops – driving my truck directly to the address and schlepping the thing to the customer’s front door. But I am and will be working shorter days for a while so I’ll have more time for art.

I hope that this year is looking better for you than last. I hope that you are healthy and warm and having good days. See you next week!

Skook WIP #1

This is a reposting of my email newsletter hosted at tinyletter.com.

Welcome to the first issue of the Skook WIP Newsletter! 2020 was not a great year for most folks. I hope this year is an improvement. I will do my best to make my portion of the universe a little better. That’s not so much a New Year’s Resolution as a daily practice. I was working to make 2020 a good year. I know things could have been worse.

Much of what I’ll be showing here is art intended for products in my online stores. I’m still pretty tired from the USPS Christmas season. I didn’t get much chance to start completely new work but I’ve got quite a few older pieces that I’m tweaking for new uses. I’ll be showing those in the weeks to come.

Updating Little Red

Say hello to The Mighty Nizz. Expect to see a lot of this kid in this newsletter. Well. Sort of.

The picture above is the first portrait I did of her. I did it as a birthday present for my wife, Sarah, back in 2011. Sarah had a terrible childhood. A simple, non-traumatizing summary of it would be that it involved a lot of discipline and punishment and a little fun as possible. The Mighty Nizz is Sarah, if she’d had a proper childhood, raised by a Sasquatch in the vastness of the Night Forest.

The who? The what?

We’ll get there. Sarah is a writer. We’ll be presenting stories and illustrations featuring Nizzibet on the Mighty Nizz website. Right now, that site is pretty empty. Oops.

Here, in this issue of the newsletter, I’m documenting a few changes I made to that original illustration as I got used to drawing the character.
The first changes I made were simple. In 2013, after I’d done some more drawings of Nizz, I sharpened the contrast on this one so the blacks and whites stand out. That makes the image look better when it gets printed. I also made the paws of her cloak white to match up with the coats of actual wolves. 
Last year I updated this image again. I’ve done a lot more drawings of Nizz at this point and I’d standardized some of her costume. The Red Wolves of the Night Forest have red coats with yellow accents. Nizz usually wears a green dress. I gave her an overall skin tone and highlights in her eyes. I also replaced my hand written signature with my signature chop. This remains one of my favorite portraits of Nizz.

Revising the Red Right Hand

I often listen to music while I draw. It helps me to focus. Mostly the songs occur as background and have little influence on my artwork. Nick Cave’s Red Right Hand is an except. It is one of my favorite songs. There’s a story to it but the details are left to the listener’s imagination. It’s danceable and creepy.

Above is the uncolored image inspired by the song.

Below is the original color version of my illustration. I did the piece as practice in 2016. I draw fairly quickly but color slowly. I’ve spent the last few years working on improving my speed. I’m not a fussy artist. Mostly. I like to finish a piece and move on. I’d had the image of a red glow eminating from the man’s right pocket but I didn’t have any specific idea of how to color the rest of the piece. Last year I started online stores at Zazzle and Redbubble. Most of the images currently there were originally done for the fun of it and as “practice” in years past. I’ve had a great time finding homes for a lot of weird one-off illustrations. Most of them have gotten placed without making changes. When I got around to this one I decided it needed an update. Blue just doesn’t fit the song. The world it evokes, to me, is dusty and dry.

Fortunately I save all my color illustration files in layers so making changes is relatively simple. Out went the blue. In came muted browns.

I’ve posted this version to my Redbubble store. If you prefer the blue version, let me know. I can post that as well.

Public Journal

This issue is a short one. As I mentioned up top, I’m still tired from schlepping packages during Christmas. I went to bed early last night and woke up late. If anyone set off fireworks in our neighborhood I slept through them. Today I plan to catch up on chores and take the day slowly.

Thank you for joining me. I hope 2021 looks bright for you. See you next Friday!

Tuesday Night Party Club #52 – Goodbye 2020

Welcome to the last issue of the Tuesday Night Party Club. Thank you for joining me in 2020. I needed to practice writing so putting out this newsletter on a weekly basis has been a way to do that. Starting Friday, January 1st – in four days – I’ll be launching a new newsletter. I’m using the tinyletter.com service.

That newsletter will be called the Skook WIP. WIP for Work in Progress. Most of the images I presented here over the last year were of finished work I’d done in years past. The Skook WIP will focus on new and updated art. I’ll be showing illustrations at different stages, from rough sketches to finished images. I enjoy seeing other artists’ processes so hopefully you’ll enjoy seeing mine.


I will also be spotlighting a different artist each week with links to where you can see more of their work. Many of them will be folks whose work influenced me as I was growing up. Others will be folks who are inspiring me now.

And, of course, I’ll continue to comment and complain about my job at USPS. Complaining is what humans do. Am I glad to have a job during these days of sickness, economic uncertainty and political chaos? You bet! Am I frustrated by an economic and cultural framework that means most people are scraping by and feeling lucky that they aren’t in worse shape? Hell yes.

But that’s later. I’ve just survived another Christmas season. I’ve worked multiple 13 hour days and finished most of my shifts after the sun went down. From what I’ve read in the news and heard via shop talk, our station had less back up and higher staffing than a lot of others. So it could have been worse. Yay, not worse!

I have today off. This newsletter is a short one because I’m working on getting a headstart on the first issue of the Skook WIP. And I’ve got errands to run. And art to work on. And maybe take a nap. If you’ve already subscribed, THANK YOU! I plan continue to post links here but if you want to avoid the hassle of link following, well … use the form below.

powered by TinyLetter

Here’s to a better year in 2021! See you on the 1st!

Tuesday Night Party Club #51

This is my fifty-first newsletter of 2020. Thank you for reading. It’s been … a year. You can congratulate yourself on surviving. Hopefully things are looking brighter for you in 2021. As I’ve mentioned in the last few issues, I’m moving to a new format. The subscription link to next year’s newsletters is at the end of this issue. I hope you’ll sign up and join me.

This week I have two stories for you. The first is:

Santa and the Pickle Boys 
by Steve Ahlquist

Click on the link to go to Steve’s website and read this tale of Christmas … joy.

Next –

 Once
A Story by Sarah Byam
(First published Christmas 2010, republished Christmas 2013. And today.)

Once, a very, very long time ago, when the world was so young that forests still roamed the earth in great galloping herds, chasing after the moving laughing waters of the earth, there lived a young deer girl named Holly.

Holly had seen many summers, as summer and spring blended into summer and spring. She knew her family, her tribe, and her neighbors. She knew how to stitch a breech cloth, and how to shoot a running squash, how to pick her teeth, and how to ride bareback on her scrap eater. But never had she known hunger of cold. Until this morning

There were three tribes that hunted in the galloping green, the Seed Munchers, the Tree Catchers, and the Squash Hunters. Holly was, as you may have guessed, a Squash Hunter.

She was not a particularly good squash hunter. She was short, small and awkward. Her rack was too big for her head, as yet, and her mother wondered if she would ever marry. It did not help her condition one bit that Holly could hear that voice of the man in the sliver moon, who whispered to her constantly.

“What do you know,” he whispered. “You’re just a dumb girl.”

Holly would lower her chin and lift her eyes ever so slightly. “I know my family, and their family, and their family. I know when to pick berries, and when they are green-sickening. I know how to dry wood, and catch water and – ‘

“You’re just a dumb girl,” he repeated in a soft sneer.

Holly would lower her head even further, and try not to listen. It didn’t help much.

So Holly stayed at the back of the line when the hunting parties were chosen. Holly was hardly ever chosen, because she did not seem to want to go. And so, her skills were not as sharp as they could have been. And when the moon whispered:

“You’re just a dumb girl, what do you know.”

She began to reply, “you may be right.”

In the springs and summers of the valley of the squash hunters, night was always just long enough. Not too long, or too short. Holly would sleep while she was tired and wake just before Sun Up.

This morning was different. Holly woke, refreshed, but chilled. She didn’t have a word for chilled, except when the laughing waters turned on her, and she got soaked. So she checked her clothes to see if they were wet. She had a word for wet. But her clothes were dry. Very dry.

Outside the house, the stars and sliver moon shone along the ground, white like cotton seeds, everywhere. Her breath puffed away from her, and by some magic of a kind she did not understand, she could see her own breath. Holly picked up a handful of the seeds from the ground. She brought them to her nose to smell, and they quickly melted into her palm, turning into water, which was slow and still.

“Water?” she said, curious.

“You’re just a dumb girl. What do you know.”

Holly ignored the voice, and pushed on. Her scrap eater was pawing at the squash rinds in the (what would she call it? Still water?) as she approached and scratched him behind his ear.

“When d’we go? When d’we go?” the scrap eater asked her, eyes bright. He danced in quick circles, chasing his tail, too excited to sit still and let her mount.

“When d’we go? When d’we go?”

“Yes, yes – Wendwigo – you finish your breakfast and we’ll ride at Sun Up.” She threw down a couple of dried apples and a man shaped carrot she’d caught in her root trap. The scrap eater munched them down, greedily.

“Hungry!”

Wendwigo, who wasn’t the brightest scrap eater, spoke often about going and about hunger. If he talked about anything else, travel and hunger would soon distract him. But Holly loved her mount. He was strong, and fast, and faithful. He was white as the still water on the ground, and his fur was soft wild. The other Squash hunters didn’t take them too seriously, but she didn’t care.

“What do you know. You’re just a dumb girl,” the moon whispered.

“Right,’ she said back at the moon. “Tell me something useful next time.”

Wendwigo was the only scrap eater in the village this morning, and Holly didn’t quite know what to make of that. After the furry beast had finished his breakfast, he bumped his nuzzle under her hand. She dug up a neck full of fur and swung herself more or less gracefully onto his back.

“Go-o-o-o-o-o-o-o “ the happy beast crooned as they rode off in the direction of the galloping forest.

The village had followed the forest since the villagers could remember. The forest seemed to wander, following the water, which was lively and never still on the land. Never until this moment.
Holly expected Sun Up by the time that she found the forest, but the sun did not rise and, when she found the running brook, it was not running. It was shiny in the moonlight, but as she and Wendwigo rode down into the middle, the waters did not – could not – scamper away. The water seemed hard, like stone, and their speed sent them crashing forward in a great, awkward sprawl along the surface.

“Hold on, hold on, hold on, hold on – “ cried the scrap eater as they spun. But Holly was sent flying to the far bank, landing smack into the middle of a thicket of broken tree roots.

Holly shook her hands free of blood and splinters, to examine the roots where the trees had been. Trees were pretty nimble in her experience. Holly had never seen a broken root, let alone a whole bank of them.

“They tore away in a run!” cried Holly, “Look at this, they bled sap all the way down!”

“Stupid girl,” said the sliver moon, a little brighter now, “ what do you know.”

“I know the sun should be up by now!” she cried. “What have you done with her?!”

The moon did not respond. Holly pulled the splinters out of her hands, and wrapped them once more in Wendwigo’s mane. Tracking a forest was something she knew how to do – but this was something new – a wounded forest? Tearing itself out of a stone brook? Holly rounded Wendwigo in a tight circle and rushed back to the village.

It was dark, but there was enough light to follow her own tracks back the way she came. She had no warmth and was hungry. Wendwigo was getting hungry again too. And there was no sign of the hunting party.

Holly rode through the village calling alarm, raising the villagers from sleep. Ordinarily they rose at Sun Up, but Sun Up was late, and she couldn’t wait for it. Something was deeply wrong.

Her mother was first out, then the elders, toddles, and ‘tweeners. Everyone of hunting age was nowhere to be seen, and she had the only mount left.

“Where have they gone, Holly?” said one toddle, eyes wide.

“Yeah, why did they run off and leave us?” said a ‘tweener, angry.

“I don’t know anything, except that the forest is gone too,” Holly replied.

“Where is the sun??!” Cried her mother.

“Who will warm our breakfast?” cried a granther.

“I said,” began Holly, tentatively “I don’t know, but I am going to try to track the forest, and may find the hunting party with it.”

“Breakfast!” cried another toddle.

“You will have to share what you have until I get back, “ replied Holly – but they did not look like they were in the mood to share. It was dark and there was not even a little heat. Everyone clung to their little baskets, and held them tightly. Some had more than others, but none had very much. Having only summers and springs, this was a time before anyone had thought to preserve food. Hoarding fresh food only caused it to spoil and eating too much only made one fat.

“I don’t want to share!” said her mother, clutching her basket the most tightly. “There’s only enough for me.”

“Mother, please,” Holly tried, “Something different has happened, so we must do things differently if we are going to live through it.”

“You’re just a dumb girl!” one of them shouted. “What do you know!”

The words cut through Holly like a knife. Did they all know? Was it true after all? Holly dropped her head and rounded Wendwigo to leave the village. She would find the forest, and the hunters, and food for the village. She would find them. Or she would die trying.

“What do you know,” chuckled the sliver moon, cutting deep, “You’re just a dumb girl.”

She turned back for one last look.

The toddle was holding out his basket of apples– “I’m small,” he said, “take mine.”

Holly bent down and took only two apples, one for her and one for Wendwigo.

“Thank you little one,” she said. “I’ll be back. I promise.”

She touched his face with two long fingers, and rode off, leaving the rest to squabble or share as they chose.

They rode for what seemed like many days, and the sun did not rise at all. The moon got brighter and fatter, running back and forth across the sky, but the sun did not show her face. As the ground was white with the still-water seeds, it was not hard to see their way, and Holly found little snatches of the forest along the route.

A berry branch that had grown prickly and sharp, that snapped at her with its last bit of life.

A carrot shaped, clear stone that she could crunch and swallow. It turned into water like the white seeds.

But while there were minor forest signs, nothing of the hunters or their mounts.

And louder, and louder in her mind, the ringing voice of the now half moon, harrowing her along the way.

“Stupid Girl, what do you know.”

She pushed on, counting what she knew and adding it together as she went.

“I know my name. I know my village. I can ride, I can track. And I will find the forest!! I will!”

She might have been discouraged, and she was certainly tired, hungry, stiff and not the least bit warm. But the harder it seemed to be, the more determined she was, knowing that things at home must be getting worse by the mile.

They could not discern one day from the next without Sun Up, so they slept when they were tired, and woke when their toes and fingers prickled painfully. Wendwigo got thinner, and started to be snappish. They ached. Their stomachs growled. Holly pressed on.

“Stupid girl,” she thought she heard the scrap eater mutter under his breath. Of course he said no such thing.

Then, after Holly counted 16 sleeps and more hours than she knew riding, they found their first patch of galloping forest, crawling root deep up a hill, as though it had been culled from the herd.

Holly had been sneaking up on forests since she was a ‘tweener. It had never been particularly dangerous. The worst thing that might happen is that your prey might scatter and you’d go hungry.

This was a different matter. This band of trees was intertwined in a queer way, with sharpened angles. The trees had been dropping their leaves like seed pods, and struggled naked up the hill, branch in branch, with undergrowth shivering and twisted into spiky thicket.

Holly and Wendwigo charged up the hill, and circled around to head the band off before it reached the top and sped downhill.

There were five trees leading the band. The needled greens were out in front, as they had not shed their coats. Three of them reared up, shooting cones and needles at her in rapid fire. Holly ducked and galloped in low, aiming for the fruit trees, but the fruit trees were bare, and huddled in, encircled by the larger trees. The cedar swept a great bough that nearly knocked them off their feet. Holly retreated.

A frightened pumpkin rolled from the pack headed down hill. Holly skewered it with a tethered arrow, and swung it in a great circle to collect after the battle. They charged again, this time the roses and the blackberries joined forces to make a to snap trap around Wendigo’s ankles, almost breaking his leg as they fell beneath the oncoming tree band. It wasn’t nearly a full herd, or they’d have been stampeded. But the white seed-stuff was slippery, and Holly was smarter than the average tree.

“Roll!” yelled Holly, and she and Wendwigo tightened in to a ball of muscle and fur, sliding just out in front of the on coming band of trees as it came over the crest. They slid down into the deepest part of the ravine at the bottom of the hill, skidding sideways over this next stone frozen stream, just escaping the path of the stampeding band. The trees did not circle back.

Holly and Wendwigo limped their way back to the pumpkin that they had barely managed to secure from the forest.

Holly gathered up the shards of wood and briar that the band of trees had left behind in their wake and built a small fire. In all her memory, and the memory of her village, no one had ever heard of a dangerous forest. Running, playful, tricky, mysterious – yes, but vicious, no. Holly rubbed her sore legs, and massaged some heat back into her muscles.

She carefully scraped the seeds out of the pumpkin. Normally she would roast them, but now she was careful. Who knew when they would find a wild pumpkin again? She poured the seeds into a small pouch and tucked it inside her tunic.

It was a fat pumpkin, and she roasted half of it and they ate well. The other half she packed with some kindling. They slept with full bellies, and toes warmed. Holly was feeling so content, that she thought surely they would find Sun Up soon.

“Stupid girl,” said the fattening moon. “What do you know.”

Holly was too tired to respond. She fell asleep in the deep stink of the wet scrap eater’s fur.

+++

That night she dreamed of golden fields, against a gold sky, warm and breezy as the sun set. The first chill of evening tickled at her toes dangling in a pond of still, clear water. She saw the palest refection of herself in the water, but in the reflection she was older than granther. Her scrapeater wandered toward her from the meadow, a small child grasping at the swishing tail. All was right above in the sky and below –

“OOww!”

Holly woke looking down at her matt sandals, only to find that Wendwigo had chewed through the left sole down to her feet, biting down on her toe. No one ever said scrap eaters were smart.

‘Wendwigo!”

“Huuuungry!”

“You just ate, last, last …”

She looked up at the sky with despair. The sun had not yet risen, yet she had been asleep for long enough for another Sun Up to have arrived. They had grown quite thin and had only had one meal the day before, which might keep her, but the scrap eater? Apparently not.

“Ok, lets ride a little, and then we’ll break for food, ok?”

The scrap eater dug his claws into the cold-seed, beneath his feet, clearly not willing to move.

“No Kay!” it said. “Hungry!”

Holly had always fed her mount before riding, and this was a pretty frustrating moment. Who knew how long it would be before they would find food again. Shouldn’t they conserve it?

“Wendwigo, We’ll go, then eat, then go again, “ She reached gently for the fur on the back of his neck and he snapped at her, missing her fingers by a whisper.

Snap! Snap! Snap!

“Wendwigo?!” she cried, backing away.

“GRRRRRR!” growled the scrap eater, hunching towards her.

As they circled each other, Holly was dimly aware that something new was at play here. Scrap eaters did not attack their riders, at least not in memory of anyone she had known. But then, the sun did not hide, water did not turn to stone, and forests did not attack. Something had gone out of the world, something important, and if she couldn’t set it right, would they all be fighting each other until they perished?

“Huuungry!” moaned the scrap eater, foam and spit forming around his mouth.

Holly stepped backward slowly.

Wendwigo stepped forward, angry in a way that she had never seen any beast or person. The moon above was almost doubly bright, and nowhere was there a hint of sun. Wenwigo’steeth seemed to grow longer, as did his claws. His fur even seemed to grow. He reared up on his back legs to throw himself forward, and she ducked underneath, quickly as she could, sliding beneath his legs, upending him with one antler as she slid to the other side..

She whirled and drew her bow.

She’d never drawn her bow on anything smarter than a turnip before and, brave though she was, it gave her a queasy feeling.

“Stop, Wendwigo. Stop right there!”

“Huuungry!” He lunged for her, she shot his right front paw, then his left hind, then his right hind paw, catching nailing him to the ground for just long enough for Holly to run as fast as she could to get away.

Thumthp! Thumpth! Thumpth!

She ran, foot bleeding where he’d bitten her, but she ran. She might have run all night, if night had ended. Instead, she ran until she collapsed at the foothills of very large mountains. She crawled into an overhang out of the wind and cold and moonlight, and slept again for a long time.

+++

She dreamt about the people in her village, getting hungrier and colder. She dreamt about many days without sun, until the flowered meadows of home curled and turned ash gray. She dreamt of white blankets covering the world too dark for anyone to marvel at the wonder. All the while it seemed that life was being swallowed up out of the living. People argued bitterly and refused to share with children, the old, and the sick. Some started to slip away into the half light, like smoke from the fires. Fires burned low and there was no wood to replenish them. The hunters didn’t come back, but their scrap eaters began to form a menacing circle around the village. In the dream, Holly drew back from the sight of her own village, only to see every village in every valley was the same, one after the next, after the next

Holly pushed herself awake, rubbing her eyes, her hands, her feet, warming them as she could. She stood and shook off the nightmare tendrils, even more determined than before. She would set this right!

Holly found the moon to be almost unbearably bright as she climbed out of the protection of the overhang.

She looked up at the moon, and he laughed back down at her. She felt even more stupid and small than she had before.

“Stupid girl –“ the moon began.

“Will you just shut up!” She cried, her fists balled with all the fury of her 14 summers.

“It seems to me that this all started with YOU!”

The moon was silent, for the moment, and Holly climbed. Hand over hand she climbed the peak ahead of her. The steeper it got, the more determined she was to make the peak. The surface became slick and unbearably cold. She used her dagger to carve small hand holds, then stuffed arrows in the cracks to give her foot holds while she carved more. Up and Up she went until, at the very lip of the peak – she stumbled and slid.

Down she went, Just a few feet, just far enough to see a mirror clear lake, the width of the peak, that could not be seen from the ground. It was so lovely in the moonlight, but like the river, hard as stone.

Around her, in the reflection of the lake, she saw scrap eaters, with no riders, their teeth long and their claws sharp. A rumbling growl resonated around the bowl of the lake. Below the moon whispered as she drew her bow.

“Huuuungry!”

“Stupid girl…”

“Huuuuuungry!”

“Stupid girl…”

Holly took careful aim at the pool, the reflected moon glowing almost as bright as the early morning sun.

“HUUUUUNGRY!”

“Stupid GIRL!”

She whirled and pointed the bow high above her head.

Thwtht! Thwtht! Thwtht – she fired off three shots directly at the moon, his belly popping like a squashed gord!

As the bright golden light began to shine forth, Holly didn’t stop to marvel, but ran to the first scrap eater at her right. She thumped him on the head with the handle of her knife and squeezed his stomach with all her strength. In one great, loud “ URP!” out popped Oak Knot, sprawling onto the ground, shaking his head.

“What?!” he sputtered, drowsed and slippery

“The scrap eater’s belly’s, hurry!” Oak Knot followed her lead as she pointed.

“Grab the next one!” shouted Holly, and they rescued the next hunter and the next from the bellies of the distracted scrap eaters as the sun popped back high in the sky, a safe distance from the moon.

The water in the lake began to melt, The water beneath the hunters and the scrap eaters started to crackle.

“This way!” shouted Holly, and they ran, lightly, to the thickest edge of the pool and scrambled up the bank.

They took a moment in wonder as they mounted their scrap eaters, who were now a little dazed but no longer in the sway of the moon. The valley below the mountain began to sprout green and fine before them.

The squash hunters traveled back home, gathering food and water as they went. The scrap eaters more quiet than usual, were more than a little ashamed for having eaten their riders. A new law was spoken, and to this day, no one dares to ride a scrap eater during the full moon.

The hunters themselves were a little embarrassed for having shunned Holly for so long, but nothing needed to be said. She walked with the herd now.

The villagers were a sorry sight, but they had begun to think about what to save and what to share in times of need. And the more they practiced it, the more they saw the wisdom of it.

They say that mother sun made some decisions that day too. Scrap eaters could run with the people, or eat them, but not both. Most chose to stay, but some went into the wild, consumed with hunger, eating such things as they could catch on the full moon. Wendigo never did return, but people sometimes see him in the forests, fierce and hungry. The people know well enough to run the other way.

And the jealous moon was said to slink from the sky, for he had lured Mother Sun with promises of love and care and rest, only to swallow her whole.

But Mother Sun was wise, and even turned this trickery into something good. She saw that a little darkness for part of the year was good for the squash hunters, the tree catchers, and seed munchers. It made them stronger, more creative and more caring. She saw from her unique vantage point, that it helped them grow.

So three months out of the year, she would travel across the ocean – to have such adventures as we do not know – only to return just in time, every time.

And the deer tribes made these dark times a special time to come together, share gifts and food and stories, lest they forget the lessons of old.

The moon, now only a pale reflection of what he once was, muttered away. But it is said that the daughters of Holly can sometimes hear him whisper on the wind.

“Stupid girl. What do you know…”

And these days, the girls reply, as their mother’s mother’s taught them “More and more, every day. More and more, every day.”

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